Items where Author is "Cocker, E"

Journal article

COCKER, E., DAUS, C. and SÉRAPHIN, L., 2020. Reading on reading: ecologies of reading. Ruukku: Studies in Artistic Research (14). ISSN 2341-9687

COCKER, E., GANSTERER, N., GREIL-MOEBIUS, M. and KOCH, S., 2019. Choreo-graphic figures: scoring aesthetic encounters. Journal for Artistic Research (18). ISSN 2235-0225

COCKER, E. and THORNTON, C., 2018. The Italic I: between liveness and the lens. Studies in Theatre and Performance, 38 (3), pp. 238-250. ISSN 1468-2761

COCKER, E., 2018. What now, what next—kairotic coding and the unfolding future seized. Digital Creativity, 29 (1), pp. 82-95. ISSN 1462-6268

COCKER, E., 2017. Weaving Codes/Coding Weaves: Penelopean mêtis and the weaver-coder's kairos. Textile, 15 (2), pp. 124-141. ISSN 1475-9756

COCKER, E. and THORNTON, C., 2016. The Italic I: a 16 stage lexicon on the arc of falling. Theatre, Dance and Performance Training, 7 (2), pp. 253-273. ISSN 1944-3927

COCKER, E., 2016. Performing thinking in action: the meletē of live coding. International Journal of Performance Arts and Digital Media, 12 (2), pp. 102-116. ISSN 1479-4713

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Notion of notation >< notation of notion. Performance Research: a Journal of the Performing Arts, 20 (6), pp. 53-57. ISSN 1352-8165

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures: beginnings and emergences. Ruukku: Studies in Artistic Research (4). ISSN 2341-9687

COCKER, E. and THORNTON, C., 2015. The Italic I (studio as gymnasium). Drain, 12 (1). ISSN 2469-3022

COCKER, E., 2014. Experiments along the brink of I. Tripwire - A Journal of Poetics (8), pp. 190-202. ISSN 1099-2170

COCKER, E., 2013. Live notation: reflections on a kairotic practice. Performance Research: a Journal of the Performing Arts, 18 (5), pp. 69-76. ISSN 1352-8165

COCKER, E., 2011. Moves towards the incomprehensible wild. art&research, 4 (1).

COCKER, E., 2011. Permission granted. Drain, 14.

COCKER, E., 2011. The yes of the no! Drain, 14.

COCKER, E., 2010. R.S.V.P choreographing collectivity through invitation and response. Rhizomes. Hives, Tribes, Assemblages: New Collectivities, 21.

COCKER, E., 2009. Ethical possession [in: 'Cultural borrowings: appropriation, reworking, transformation', ed. by Iain Robert Smith]. Scope: an Online Journal of Film and Television Studies (15).

COCKER, E., 2009. From passivity to potentiality: the communitas of stillness. M/C - A Journal of Media and Culture, 12 (1).

COCKER, E., 2009. Pay attention to the footnotes. Journal of Writing in Creative Practice, 2 (2), pp. 139-150.

BROWN, A., DOUBLEDAY, K., KENYON, S. and COCKER, E., 2008. Open city. Drain, 5 (2).

COCKER, E., 2008. The art of misdirection: interview with Lucy Harrison. Drain, 11.

COCKER, E., 2007. Desiring to be led astray. Papers of Surrealism (6).

COCKER, E., 2007. Site platform. A-N Magazine.

COCKER, E., 2007. The art of misdirection: anti-guides and aimless wandering. Dialogue (5). ISSN 1749-4990

COCKER, E. and MAUND, C., 2003. Give and take: the possibility and problematic of transcultural exchange. Engage Globalisation, 13, pp. 55-59. ISSN 1365-9383

COCKER, E., 1996. Indifference in difference: Interview with Helen Chadwick. Make, the Magazine of Women's Art, 'Is Women's Art Homeless', 71, pp. 22-24. ISSN 1365-8190

Authored book

COCKER, E., BLACKWELL, A., COX, G., MAGNUSSON, T. and MCLEAN, A., 2022. Live coding: a user's manual. Massachusetts: The MIT Press. ISBN 9780262544818

COCKER, E. and MAIER, D., 2019. No telos! Nottingham: Beam Editions. ISBN 9781916420083

COCKER, E., GANSTERER, N. and GREIL, M., 2017. Choreo-graphic figures: deviations from the line. Edition Angewandte . Berlin: Walter de Gruyter. ISBN 9783110546606

COCKER, E., 2015. The yes of the no. Sheffield: Site Gallery. ISBN 9781899926022

COCKER, E., SYPEREK, P., ROWLANDS, A., MORRISON, S. and SLYCE, J., 2014. Communion: Ben Judd. London: Black Dog Publishing. ISBN 9781908966339

BROWN, A., DOUBLEDAY, K. and COCKER, E., 2010. Open city. Nottingham: Casciani Evans Wood.

COCKER, E., 2009. Somehow between the water and the wind [exhibition catalogue]. Lanchaster Gallery, Coventry University.

COCKER, E., 2009. The shimmering of the tipping point [exhibition catalogue]. Yorkshire Artspace Residency Programme. Sheffield: Yorkshire Artspace.

COCKER, E., 2007. Into the fray [commissioned essay]. Site Gallery.

COCKER, E., 2007. Open city [commissioned essay]. Nottingham: Nott Dance.

Book contribution

COCKER, E., 2020. Touched by a lighter sensitivity; or, on how not to break the egg. In: B. CEREZO, ed., Seeing bodies. [s.n.]. ISBN 9788461686728

COCKER, E., 2016. Writing beyond resurrection. In: Y. CARMICHAEL and A. CROUCH, eds., Unruly utterances: participation, criticality and Compass Festival 2014. Leeds: Compass Live Art/Live Art UK, pp. 23-24.

COCKER, E., 2015. On making, making it and making a scene. In: H. ANDERSON, J. FLOOD-PADDOCK and S. STARLING, eds., Bloomberg new contemporaries 2015. London: New Contemporaries. ISBN 9780956613356

COCKER, E., 2015. Pay attention to the footnotes. In: C. HIND and C. QUALMANN, eds., Ways to wander. Axminster: Triarchy Press. ISBN 9781909470729

COCKER, E., 2011. [Commissioned essay]. In: Beginnings. Vivid Publishing.

COCKER, E., 2009. [Commissioned essays]. In: The Berwick Gymnasium Fellowships: an archival record. Art Editions North and English Heritage.

COCKER, E., 2007. Interview with Clio Barnard. In: Clio Barnard [exhibition catalogue]. Herbert Read Gallery.

COCKER, E., 1998. Emma Cocker, 'Interview with Helen Chadwick'. In: Helen Chadwick, exhibition catalogue. Kingston upon Hull: Ferens Art Gallery, pp. 1-2.

Chapter in book

COCKER, E., GANSTERER, N. and GREIL, M., 2022. Choreo-graphic writing - towards more-than-one means of inscription. In: L. ROUHIAINEN, K. HEIMONEN, R. HILTON and C. PARKINSON, eds., Writing choreography: extending the conventions of dance. Abingdon: Routledge. (Forthcoming)

COCKER, E., 2018. Writing without writing: conversation-as-material. In: K. HILEVAARA and E. ORLEY, eds., The creative critic: writing as/about practice. Abingdon: Routledge, pp. 47-54. ISBN 9781138674820

COCKER, E., 2018. The work of the work and when the work works. In: L. WATTS, ed., Four hundred and twenty-nine significant moments: documenting an artist's research and processes. Sheffield: Dust. ISBN 9780992839215

COCKER, E., 2016. Looking for loopholes: cartography of escape. In: K.E. BISHOP, ed., Cartographies of exile: a new spatial literacy. New York: Routledge. ISBN 9780415714860

COCKER, E., 2016. Looking for loopholes: the cartography of escape. In: K.E. BISHOP, ed., Cartographies of exile: a new spatial literacy. Abingdon: Routledge. ISBN 9780415714860 (Forthcoming)

COCKER, E., 2016. Sampler of samplers: repeating repeats repeats. In: D. MAIER, ed., Grafting propriety: from stitch to the drawn line. London: Black Dog Publishing. ISBN 9781910433072

COCKER, E., 2015. Indifference in difference. In: M. THROP and M. WALSH, eds., Twenty years of MAKE magazine : back to the future of woman's art. International library of modern and contemporary art . London: I.B.Tauris. ISBN 9781780767581

COCKER, E., 2013. Salvaging a romantic trope: the conceptual resurrection of shipwreck in recent art practice. In: C. THOMPSON, ed., Shipwreck in art and literature: images and interpretations from antiquity to the present day. Abingdon: Routledge. ISBN 9780415643627

COCKER, E., 2013. Tactics for not knowing: preparing for the unexpected. In: R. FORTNUM and E. FISHER, eds., On not knowing: how artists think. London: Black Dog Publishing. ISBN 9781908966292

COCKER, E., 2012. Border crossings: practices for beating the bounds. In: H. ANDREWS and L. ROBERTS, eds., Liminal landscapes: travel, experience and spaces in-between. Routledge, pp. 50-66.

COCKER, E., 2012. The restless line, drawing. In: R. MARSHALL and P. SAWDON, eds., Hyperdrawing: beyond the lines of contemporary art. I.B. Taurus.

COCKER, E., 2011. Distancing the if and then. In: N. GANSTERER, ed., Drawing a hypothesis: figures of research. Springer Verlag/Jan Van Eyck Academy, pp. 97-108.

COCKER, E., 2011. Moves towards the incomprehensible wild. In: S. DUTTON and S. SWINDELLS, eds., Institute of beasts. Sheffield: Site Gallery, pp. 1-19.

COCKER, E., 2011. Over and over again and again. In: W.I. LORING and J. HIRSH, eds., Contemporary art and classical myth. Burlington, USA: Ashgate, pp. 267-293.

COCKER, E., 2011. Performing stillness: community in waiting. In: D. BISSELL and G. FULLER, eds., Stillness in a mobile world. Routledge, pp. 87-106.

COCKER, E., 2011. Room for manoeuvre: ways of operating along the margins. In: Manual for marginal places. London: closeandremote.

COCKER, E., 2011. Without rhyme or reason. In: V. HORVAT, ed., In other words in other's words and other words. Norway: Bergen Kunsthall, pp. 15-17.

COCKER, E., 2010. Over and over, again and again [excerpt]. In: F. LE, ed., Failure. Whitechapel Gallery/MIT Press.

COCKER, E., 2010. Social assemblage. In: R. FRENCH and A. MOTTERSHEAD, eds., People, places, process: the SHOPS project. Sheffield: Site Gallery, pp. 152-159.

COCKER, E., 2009. Not yet there: endless searches and irresolvable quests. In: J. TORMEY and G. WHITELEY, eds., Telling stories: countering narrative in art, theory and film. Cambridge: Scholars Press, pp. 17-27.

Conference contribution

COCKER, E., 2024. Ecologies of reading: an approach to language-based artistic research. In: Words and Worlds Languages and Ecologies Symposium, Royal Holloway, University of London, London, 22 March 2024.

COCKER, E. and BROWN, K., 2023. Dorsal practices. In: 14th International Conference on Artistic Research, Trondheim, Norway, 19-21 April 2023.

COCKER, E. and BROWN, K., 2022. Dorsal practices. Performative paper and research workshop. In: Sentient Performativities: Thinking Alongside the Human, Dartington Hall, Totnes, 26-29 June 2022.

COCKER, E. and SÉRAPHIN, L., 2022. Tender dialogues. In: 13th Society of Artistic Research Conference (Mend, Blend, Attend), Weimar, Germany, 30 June-2 July 2022.

COCKER, E., ARTEAGA, A. and WENDEL, N., 2022. Thinking aesthetic thinking through aesthetic research practices. In: Alliances and Commonalities Conference 2022, Stockholm University of the Arts, Stockholm, Sweden, 20-22 October 2022.

COCKER, E. and SÉRAPHIN, L., 2021. Site-reading – site specific writing and reading. In: 12th SAR Conference on Artistic Research of the Society for Artistic Research, Vienna, 07-09 April 2021.

COCKER, E., 2021. Towards an attitude of openness. In: 12th SAR Conference on Artistic Research of the Society for Artistic Research, Vienna (online), 07-09 April 2021.

COCKER, E., 2020. Being in the midst: Kairotic thinking-in-action. In: International Conference On Live Coding, Limerick, 05-07 February 2020.

COCKER, E., 2019. Conversation as material. In: InDialogue symposium, Mansions of the Future, Lincoln, 19-21 November 2019.

COCKER, E., 2019. Reading on reading. In: Convocation: On Expanded Language-based Practices, Venice, 16-18 June 2019.

COCKER, E., GANSTERER, N. and GREIL, M., 2019. Choreo-graphic figures: scoring aesthetic encounters. In: 10th Society of Artistic Research (SAR) International Conference on Artistic Research, Zurich University of the Arts, Zurich, Switzerland, 21-23 March 2019.

COCKER, E., 2018. The Italic I. In: Translation Zone(s): Constellations Hong Kong part of the 6th International Association of Translation and Intercultural Studies (IATIS) Conference, Hong Kong Baptist University, Hong Kong, 3-6 July 2018.

COCKER, E., 2018. Conversation-as-material. In: Critical Reinventions Symposium, University of East Anglia, Norwich, 12 May 2018.

COCKER, E., 2018. The Italic I. In: Documents, Alternatives - a Symposium of Artistic Process And Practice, Bath School of Art and Design, Bath Spa University, Bath, 20 April 2018.

COCKER, E., 2018. Chewing the cud: conversation-as-material. In: 9th SAR International Conference on Artistic Research: Artistic Research Will Eat Itself, University of Plymouth, Plymouth, 11-13 April 2018.

COCKER, E., 2017. Writing without writing: conversation-as-material. In: New Modes of Art Writing Symposium, Manchester Metropolitan University, Manchester, 10 November 2017.

COCKER, E., GANSTERER, N. and GREIL, M., 2017. Choreo-graphic figures: on qualitative specificity (how-ness) within artistic research. In: 8th International Conference on Artistic Research, Theatre Academy, Helsinki, Finland, 28-29 April 2017.

COCKER, E. and THORNTON, C., 2016. The Italic I: between liveness and the lens. In: The Alternative Document, Project Space Plus, University of Lincoln, 13 February 2016.

COCKER, E. and LEE, J., 2015. Care + Attend. In: Unconditional Love, Society for Artistic Research Spring Event, Chelsea College of Arts/University of the Arts London, London, 30 April - 1 May 2015.

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures: the notion > < notation of figuring. In: How to Do Things with Art Conference, Aalborg University, Aalborg, Denmark, 11-13 November 2015.

COCKER, E., 2015. Kairos time: the performativity of timing and timeliness … or; between biding one’s time and knowing when to act. In: 1st PARSE Biennial Research Conference on TIME, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, Sweden, 4-6 November 2015.

COCKER, E., 2015. Live coding/weaving - Penelopean mêtis and the weaver-coder’s kairos. In: First International Conference on Live Coding (ICLC2015), University of Leeds, 13-15 July 2015.

COCKER, E., 2015. Live coding/weaving - Penelopean mêtis and the weaver/coder’s kairos. In: Threads and Codes Symposium, Goldsmiths, London, 6 March 2015.

COCKER, E., 2014. Between close reading and liquid writing: word slips towards movement and materiality. In: Word into Image Symposium, University College Cork, Cork, Ireland, 10 July 2014.

COCKER, E., GANSTERER, N. and GREIL, M., 2014. Choreo-graphic figures: deviations from the line. In: Body Diagrams: On the Epistemic Kinetics of Gesture Conference, University of Tübingen, Tübingen, Germany, 23-27 September 2014.

COCKER, E., GANSTERER, N. and GREIL, M., 2014. Choreo-graphic figures: deviations from the line. In: SARN: Swiss Artistic Research Network Parenthesis Conference, Geneva University of Art and Design (HEAD), Geneva, Switzerland, 6-7 November 2014.

COCKER, E., 2014. The Italic I: towards a lexicon for reflecting on the arc of falling. In: Fall Narratives: An Interdisciplinary Perspective, University of Aberdeen, Aberdeen, Scotland, 18-19 June 2014.

COCKER, E., 2013. What now, what next – kairotic imagination and the unfolding future seized. In: In Imagination: The Future Reflected in Art and Argument, University of Sheffield, Sheffield, 4 October 2013.

COCKER, E., 2011. Re - (repeat, rework, rewrite, remember). In: PSi # 17 Camillo: Memory, Technology, Performance Conference, Utrecht University, 25 -29 May 2011, Utrecht.

COCKER, E., 2010. Exit strategies - beating the (invisible) boundary. In: Liminal Landscapes Conference, Liverpool John Moores University, Liverpool, 1-2 July 2010, Liverpool.

COCKER, E., 2010. Looking for loopholes. In: Emerging Landscapes: Between Production and Representation Conference, University of Westminster, London, 25-27 June 2010, London.

COCKER, E., 2010. Performing stillness in PSI 16s. In: Performing Publics Conference, Toronto, Canada, 9-13 June 2010, Toronto.

COCKER, E., 2010. R.S.V.P. (performing communities). In: Art, Language and Site, ANTI festival, Kuopio, Finland, 28 September – 3 October 2010, Kuopio, Finland.

COCKER, E., 2010. R.S.V.P.: choreographing collectivity through invitation and response. In: ANTI Festival, Kuopio, Finland, 29 September 2010, Kuopio, Finland.

COCKER, E., 2010. Shipwreck: the potentiality of failure. In: The Semiotics of Shipwreck: a Symposium on the Representation and Resonance of Maritime Disaster, National Maritime Museum, London, 19-20 November, London.

COCKER, E., 2009. Beating the invisible boundary. In: Living Landscapes, Aberystwyth University, 18-21 June 2009, Aberystwyth.

COCKER, E., 2009. Being in two minds. In: Intersections - Association of Art Historians, University of Manchester, 2-4 April 2009, Manchester.

COCKER, E., 2009. Fail and repeat. In: PSi # 15 Misperformance: Misfiring, Misfitting, Misreading, University of Zagreb, 24-28 June 2009, Zagreb.

COCKER, E. and JUDD, B., 2009. Still unresolved: inconsistency as strategy. In: Intersections: 35th Association of Art Historians Conference, April 2009.

COCKER, E., 2009. Stillness as strategy. In: Mobilities + Creativity, Narrative, Representation and Performance, University of Surrey, 3-4 July 2009.

COCKER, E., 2008. Ethical possession. In: Cultural Borrowings: Appropriation, Reworking and Transformation, University of Nottingham, 19 March 2008, Nottingham.

COCKER, E., 2008. Navigating the inbetween spaces. In: PSi # 14, Interregnum: In Between States, University of Copenhagen, 20-24 August 2008, Copenhagen.

BROWN, A., DOUBLEDAY, K. and COCKER, E., 2008. Pay attention to the footnotes: interrogating the hidden itineraries of writing and wandering. In: Hidden City Symposium: Mythogeography,Writing & Site Specific Performance, University of Plymouth, Plymouth, 4 October 2008, Plymouth.

COCKER, E., 2008. Wandering: straying from the interdisciplinary path. In: Repeat Repeat, Leicester.

COCKER, E., 2008. Wandering: straying from the interdisciplinary path. In: Creative Interdisciplinarity in Art & Design Research, Leicester.

COCKER, E., 2008. The dynamic of stillness. In: Constructing Place Symposium, Dislocate - Festival of Art, Technology and Locality, Yokohama, Japan, 20-21 September 2008, Yokohama, Japan.

COCKER, E., 2007. Chasing shadows. In: Repeat Repeat, Chester.

COCKER, E., 2007. Chasing shadows. In: Repeat Repeat, Chester University School of Art and Design, 18 April 2007, Chester University School of Art and Design.

COCKER, E., 2007. Not yet there: endless searches and irresolvable quests. In: Telling Stories Conference, Loughborough University, School of Art and Design, 19 April, 2007, Loughborough.

Edited book

COCKER, E., KIVLAND, S. and JOSEPH-LESTER, J., 2006. Transmission: speaking and listening. Daily encounters. Sheffield: Site Gallery. ISBN 1899926712

COCKER, E., KIVLAND, S. and SANDERSON, L., 2004. Transmission: speaking and listening. Ornament and utility/responsibility. Sheffield: Site Gallery. ISBN 1899926518

COCKER, E., KIVLAND, S. and JOSEPH-LESTER, J., 2004. Transmission: speaking and listening. Vol. 4: Provenance/inscription. Sheffield: Site Gallery.

Exhibition

COCKER, E., GANSTERER, N. and GREIL, M., 2019. Choreo-graphic figures. Understanding - Art & Research, Museum of Applied Arts (MAK), Vienna, Austria, 28 June- 28 July 2019.

COCKER, E. and THORNTON, C., 2018. The Italic I. Translation Zone(s): Constellations, Dr. and Mrs. Sze Chi Ching Exhibition Gallery, Hong Kong Baptist University, Hong Kong, 3-6 June 2018.

COCKER, E. and THORNTON, C., 2018. The Italic I. Documents, Alternatives 3, Bath School of Art and Design, Bath Spa University, Bath, 20 April - 11 May 2018.

COCKER, E. and THORNTON, C., 2018. The Italic I. Documents, Alternatives #2, Verge Gallery, Sydney, Australia, 18 January - 24 February 2018.

COCKER, E. and THORNTON, C., 2017. The Italic I. Documents, Alternatives, AirSpace Gallery, Stoke-on-Trent, 17 November - 16 December 2017.

COCKER, E. and THORNTON, C., 2016. The Italic I. The Alternative Document, Project Space Plus, University of Lincoln, 13 February - 11 March 2016.

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures. Contemporary Code: Artistic Research, CMC Gallery, City University of Hong Kong, Kowloon Tong, Hong Kong, 30 October - 29 November 2015.

COCKER, E., 2015. Close Reading (C+ D). Total Recall (TEXTfestschrift Festival), Bury Art Museum, Bury, 1 August - 3 October 2015.

COCKER, E. and THORNTON, C., 2014. The Italic I. Project Space Plus, University of Lincoln, 3-14 November 2014.

Newspaper or popular journal contribution

COCKER, E., 2011. Review of Anti Festival, Kuopio. .

COCKER, E., 2011. Review of Hanne Darboven and Raphael Hefti, Camden Arts Centre. .

COCKER, E., 2007. Flagging possibilities, in conversation with Vlatka Horvat' [interview]. , pp. 23-29.

COCKER, E., 2007. Object action object: the work of Cool and Balducci [commissioned article]. , pp. 18-23.

COCKER, E., 2007. Unstable truths: Emma Cocker in conversation with Clio Barnard [commissioned interview]. , pp. 73-74.

COCKER, E., 2007. Wandering - straying from the habitual path [commissioned article]. , pp. 22-23.

Performance

COCKER, E., 2019. Reading on reading. Exhibition Laboratory, Helsinki, 24 October 2019.

COCKER, E., GANSTERER, N. and GREIL, M., 2016. Choreo-graphic figures. Summer Lab 2016, AILab, Vienna, Austria, 2 August 2016.

COCKER, E., GANSTERER, N. and GREIL, M., 2016. Choreo-graphic figures: embodied diagrams. Tanzquartier Studios, Vienna, Austria, 11 March 2016.

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures: radical scores of attention. Tanzquartier Studios, Vienna, Austria, 12 December 2015.

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures: what if? ImPulsTanz, Vienna, Austria, 5 August 2015.

COCKER, E., GANSTERER, N. and GREIL, M., 2015. Choreo-graphic figures: radical scores of attention. Angewandte Innovation Lab/ImPulsTanz, Vienna, Austria, 25 July 2015.

COCKER, E., GANSTERER, N. and GREIL, M., 2014. Choreo-graphic figures: deviations of the line. ImPulsTanz - Vienna International Dance Festival, Vienna, Austria, 5 August 2014.

COCKER, E. and GANGSTERER, N., 2012. Drawing on drawing a hypothesis. .

COCKER, E. and GANGSTERER, N., 2012. Drawing on drawing a hypothesis, In: An exhibition on the study of knowledge, curated by: Margit Neuhold and Fatos Ustek. .

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

Research report for external body

COCKER, E., 2007. Desiring to be led astray. AHRC Centre for Surrealism and its Legacies.

Review

COCKER, E., 2014. Margins of indeterminacy. Camera Austria (128). ISSN 1015-1915

Website content

COCKER, E., 2008. Hidden narratives. Axis.

COCKER, E., 2007. Are we there yet? [commissioned essay]. Sheffield: Bloc Gallery.

COCKER, E., 2007. Laying the bounds [commissioned essay].

COCKER, E., 2006. Ordinary monuments: exhibition essay. Vane.

Other

COCKER, E., 2011. Field notes: extracts from an event [text work] [In: Hirvanen, M., ed. Edge of Europe. Finland: Kiasma, pp. 126 -133].

COCKER, E., 2011. Pay attention to the footnotes Kuopio [text work] [In: Hirvanen, M., ed. Edge of Europe. Finland: Kiasma, pp. 35 -51].

COCKER, E., 2009. Pay attention to the footnotes [text work], * periphery. YH485 Press.

COCKER, E., 2009. Re-writing: 1993-2009, 2000 words [text work], RITE. London: Open Dialogues/New Work Network.

COCKER, E., 2009. Re-writing: not yet there [text work]. Nascent.

COCKER, E., 2009. To try, a tentative attempt [text work], Essaying Essays: an assembling #1. EssayingEssays.

COCKER, E., 2009. The yes of the no! [commissioned text work], Summer of dissent. Bristol: Plan 9.