Items where Author is "Smith, PJ"

Up a level
Export as [feed] RSS
Group by: Item Type | No Grouping
Number of items: 19.

SMITH, P.J., 2023. ‘Uneasy lies the head’: Michael Almereyda’s Halloween Cymbeline. In: E. SMITH, ed., Digital and virtual Shakespeare. Shakespeare survey (76). Cambridge University Press, pp. 52-63. ISBN 9781009392785

SMITH, P.J., 2020. 'What country, friends, is this?': Tim Supple's Twelfth Night revisited. In: E. SMITH, ed., Shakespeare survey 73: Shakespeare and the city. Shakespeare survey (73). Cambridge: Cambridge University Press, pp. 161-169. ISBN 9781108830539

SMITH, P.J., 2020. The Roman plays on film. In: R. JACKSON, ed., The new Cambridge guide to Shakespeare on film and television. Cambridge: Cambridge University Press, pp. 119-133. ISBN 9781108421164

SMITH, P.J., 2018. Goodbye wave: Trevor Nunn’s Twelfth Night – a maritime valediction. Shakespeare, 14 (4), pp. 390-398. ISSN 1745-0918

SMITH, P.J., 2017. 'Something rich and strange': Jarman's defamiliarisation of The Tempest. In: S. HATCHUEL and N. VIENNE-GUERRIN, eds., The Tempest and late romances. Shakespeare on screen . Cambridge: Cambridge University Press, pp. 147-164. ISBN 9781107113503

SMITH, P.J., 2016. Much ado: Shakespeare’s quatercentennial celebrations. Times Higher Education, 2251, pp. 40-43.

SMITH, P.J., 2016. Inaugurating the complete works (again): Shakespeare Nation, Doranism and literalism in the Royal Shakespeare Company’s 2014 summer season. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 89 (1), pp. 58-73. ISSN 0184-7678

SMITH, P.J., 2015. 'Institutionally racist': Sax’s Othello and tethered presentism. In: S. HATCHUEL and N. VIENNE-GUERRIN, eds., Shakespeare on screen: Othello. Shakespeare on screen . Cambridge: Cambridge University Press, pp. 76-91. ISBN 9781107109735

SMITH, P.J., 2013. The critical backstory. In: A. CONNOLLY, ed., Richard III: a critical reader. London: Bloomsbury Arden, pp. 22-45. ISBN 9781441127747

SMITH, P.J., 2012. Coriolanus. In: W. BAKER and K. WOMACK, eds., The Facts on File companion to Shakespeare. New York: Facts On File, pp. 579-622. ISBN 9780816078202

PRESCOTT, P., SMITH, P.J. and VALLS-RUSSELL, J., 2012. 'Nothing if not critical': international perspectives on Shakespearean theatre reviewing [special issue]. UNSPECIFIED.

EDMONDSON, P., PRESCOTT, P. and SMITH, P.J., 2010. Reviewing Shakespearean theatre: the state of the art [special issue]. UNSPECIFIED.

SMITH, P.J., 2010. Tales of the city: the plays of Ben Jonson and Thomas Middleton. In: M. HATTAWAY, ed., A new companion to English Renaissance literature and culture. Oxford: Wiley Blackwell, pp. 352-366.

SMITH, P.J., 2009. The 2009 season at London's Globe Theatre. The Upstart Crow: a Shakespeare Journal, 28, pp. 95-104.

SMITH, P.J., 2009. Exonerating rape: pornography as exculpation in Shakespeare's 'The rape of Lucrece'. Shakespeare, 5, pp. 409-424.

SMITH, P.J., 2008. Looking up: the 2008 season at London's Globe Theatre. The Upstart Crow: a Shakespeare Journal, 27, pp. 78-91.

SMITH, P.J., 2008. 'They are actions that a man might play': Hamlet and characterisation - theory, performance, criticism. In: P. BLANC, ed., Selfhood on the English stage in the sixteenth and seventeenth centuries. Cambridge: Scholars Press, pp. 114-128.

SMITH, P.J. and VALLS-RUSSELL, J., 2007. The Royal Shakespeare Company complete works frestival [special issue]. UNSPECIFIED.

SMITH, P.J., DAVIS, L. and WALKER, G., 2006. From revelation to commodity: performing messengers, language and news from the York cycle to Ben Jonson. Cahiers Élisabéthains, 70, pp. 1-3.

This list was generated on Fri Mar 29 03:06:38 2024 UTC.