Items where Author is "Ayodeji, J"

AYODEJI, J., 2017. To genre or not to genre? Typecasting the screenwriter. In: A.C. VALENTE and R. CAPUCHO, eds., Avanca / Cinema 2017. Avanca: Edições Cine-Clube de Avanca, pp. 250-255.

AYODEJI, J., 2012. The screenplay as research palimpsest. In: S.A. ARBURY, ed., The visual and performing arts: an international anthology: volume II. Athens, Greece: Athens Institute for Education and Research (ATINER), pp. 7-18. ISBN 9789609549318

BELL, R., BROADBERRY, S. and AYODEJI, J., 2011. From WAC to WiD: trialling writing-intensive pedagogies with academic staff in UK higher education. In: M. DEANE and P. O'NEILL, eds., Writing in the disciplines. Basingstoke: Palgrave Macmillan, pp. 198-212. ISBN 9780230237087

AYODEJI, J., 2011. The book an adaptation from the film: technology, narrative, business & how the book industry might adapt the film. International Journal of the Book, 8 (3), pp. 113-122. ISSN 1447-9516

AYODEJI, J., 2009. Boat gypsies. .

AYODEJI, J., 2009. Ending panel. .

BELL, R., AYODEJI, J. and BOTTOM, S., 2009. Experiences of the writing across the curriculum project at Nottingham Trent University. In: European Association for the Teaching of Academic Writing, 5th Annual Conference, Coventry University, Coventry, 30 June - 2 July 2009.

AYODEJI, J. and PERKINS, S., 2009. Rehearsal as a naming process central to the development of creative identities. In: Designs on e-Learning International Online Conference 2009 (DeL Online 2009), University of the Arts London, 1-3 September 2009.

PERKINS, S. and AYODEJI, J., 2009. Rehearsing identities via online journals. In: Australian and New Zealand Communication Association Conference 2009, (ANZCA09), Queensland University of Technology, Brisbane, Australia, 8-10 July 2009.

AYODEJI, J., 2009. The many wives of Fela Kuti. .

AYODEJI, J., 2006. Natural breaks and rhythms. .

AYODEJI, J., 2006. Natural breaks and rhythms. Methuen Drama. ISBN 0413776107

AYODEJI, J., 2005. Lift March. .

AYODEJI, J., 2004. The times grow worthy of our voice. .