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ANDERSEN, E., 2011. Emily Andersen's best shot [photograph and interview]. The Guardian (G2 Section), p. 23.

BENNETT, M., 2011. Raise a glass to Yuri Gagarin. Nottingham Evening Post.

COCKER, E., 2011. Review of Anti Festival, Kuopio. .

COCKER, E., 2011. Review of Hanne Darboven and Raphael Hefti, Camden Arts Centre. .

GRIFFITHS, M., 2011. Attracting new punters: the role of trust, personalisation and context. i-Gaming Business Affiliate, p. 60.

GRIFFITHS, M., 2011. Is there a ‘gambling personality’? i-Gaming Business Affiliate, pp. 38-39.

GRIFFITHS, M.D., 2011. Who and what is an online casino gambler? i-Gaming Business Affiliate, pp. 36-37.

HARRIS, T., 2011. CoMA: the next generation. CoMA (Contemporary Music for All) News (14), pp. 9-10.

JACKSON, S., 2011. 'Host'. , p. 24.

JACKSON, S., 2011. 'I have not discovered yet' and 'Vocal chords'. , pp. 142-143.

JACKSON, S., 2011. Review: Christ Preddle's 'Cattle console him' and Andrew McNeillie's 'In mortal memory'. .

JACOBS, A., 2011. What’s in a name: the EU’s Common Security and Defence Policy. Fair Observer. ISSN 2372-9112

LEE, J., 2011. Soon all your neighbours will be artists. , p. 29. ISSN 0261-3425

LEE, J., 2011. Voodoo Chanel. , p. 13. ISSN 0261-3425

LEE, N.J.-Y., 2011. Korean cinema today: popular genre dominates. Bulletin of the Calcutta International Film Festival, pp. 1-2.

LEE, N.J.-Y., 2011. Korean independent films (and youth) in Jeonju: The 12th Jeonju International Film Festival. Senses of Cinema.

LOCK, G., 2011. Fast girl. .

PELL, C., 2011. Call centre welfare: coalition plans to dehumanise the state. openDemocracy.

RAMONE, J., 2011. Trixie Delicious on the bus home from Derby at twilight. .