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Bohr, M. 
ORCID: 0000-0003-4942-7980,
2021.
Reconfiguring materiality in contemporary Japanese photography after 3.11.
Photographies, 14 (1), pp. 78-83.
ISSN 1754-0763
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Abstract
In this essay I analyze landscape photography produced in the aftermath of the tsunami and earthquake that hit Japan in March 2011. The aim of the essay is to unpack the profound impact the disaster has had, and is having, and how this can be observed in the type of photographic practices that since emerged in Japan. As I will argue, one of the greatest transformations can be seen in the way artists and photographers subvert the material integrity of the image itself.
| Item Type: | Journal article | ||||||
|---|---|---|---|---|---|---|---|
| Publication Title: | Photographies | ||||||
| Creators: | Bohr, M. | ||||||
| Publisher: | Taylor and Francis | ||||||
| Date: | 2021 | ||||||
| Volume: | 14 | ||||||
| Number: | 1 | ||||||
| ISSN: | 1754-0763 | ||||||
| Identifiers: |
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| Divisions: | Schools > School of Art and Design | ||||||
| Record created by: | Linda Sullivan | ||||||
| Date Added: | 11 Aug 2020 12:55 | ||||||
| Last Modified: | 12 Sep 2023 03:00 | ||||||
| URI: | https://irep.ntu.ac.uk/id/eprint/40432 |
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