Reconfiguring materiality in contemporary Japanese photography after 3.11

Bohr, M ORCID: https://orcid.org/0000-0003-4942-7980, 2021. Reconfiguring materiality in contemporary Japanese photography after 3.11. Photographies, 14 (1), pp. 78-83. ISSN 1754-0763

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Abstract

In this essay I analyze landscape photography produced in the aftermath of the tsunami and earthquake that hit Japan in March 2011. The aim of the essay is to unpack the profound impact the disaster has had, and is having, and how this can be observed in the type of photographic practices that since emerged in Japan. As I will argue, one of the greatest transformations can be seen in the way artists and photographers subvert the material integrity of the image itself.

Item Type:	Journal article
Publication Title:	Photographies
Creators:	Bohr, M.
Publisher:	Taylor and Francis
Date:	2021
Volume:	14
Number:	1
ISSN:	1754-0763
Identifiers:	Number Type 10.1080/17540763.2020.1848910 DOI 1345733 Other
Divisions:	Schools > School of Art and Design
Record created by:	Linda Sullivan
Date Added:	11 Aug 2020 12:55
Last Modified:	12 Sep 2023 03:00
URI:	https://irep.ntu.ac.uk/id/eprint/40432

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