Items where Division is "School of Arts and Humanities" and Year is 2011

UNSPECIFIED 2011. Catalogue note on Taner Ceylan's 1879 (2011). In: Sotheby's contemporary art / Turkish [auction catalogue, 7 April 2011]. London: Sotheby's, pp. 16-17.

ALLWOOD, G. and WADIA, K., 2011. The crisis of multiculturalism in the UK. In: M. LABELLE, J. COUTURE and F. REMIGGI, eds., La communauté politique en question. Regards croisés sur l'immigration, la diversité et la citoyenneté. Montreal: Presses de l'Université du Québec, pp. 97-119.

BAILEY, O. and COELHO, G.P., 2011. Transformaciones en la mediatización y percepciones diferenciadas sobre el concepto de medios de comunicación alternativos: negociaciones y resistencias en las redes sociales tecnológicas. La Trama de la Comunicación, 15, pp. 257-271.

BAILEY, O. and PRETTO, N.L., 2011. Digital culture in Brazil: building peeracy? International Journal of Media and Cultural Politics, 6 (1), pp. 265-282.

BALL, A., 2011. Review of 'Arab voices in diaspora - critical perspectives on anglophone Arab literature', ed Layla Al Maleh. Key Words, 9, pp. 153-157.

BALL, A., 2011. Things that walk with me: Hanan Al-Shaykh in conversation. Wasafiri, 26 (1), pp. 62-66.

BASSETT, A.M., 2011. Multicultural clinical interactions: the importance of the Explanatory Model (EM) concept in understanding the cultural dimensions of clinical practice. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 6-12. ISBN 9781842331453

BELBIN, D., 2011. Bone and Cane. Birmingham: Tindal Street Press. ISBN 9781906994136

BELBIN, D., 2011. Secret gardens. Nottingham: Five Leaves Publications. ISBN 1907869220

BELL, D. and HOLLOWS, J., 2011. From 'River Cottage' to 'Chicken Run': Hugh Fearnley-Whttingstall and the class politics of ethical consumption. Celebrity Studies, 2 (2), pp. 178-191.

BENNETT, M., 2011. 50th anniversary of Yuri Gagarin’s spaceflight [Frances Finn Show, 12 April 2011]. BBC Radio Nottingham.

BENNETT, M., 2011. City centre protesters [Mark Dennison Show, 25 October 2011]. BBC Radio Nottingham.

BENNETT, M., 2011. History cold case. Series Two: ‘The York 113’. BBC2.

BENNETT, M., 2011. Naseby Battlefield Project: restricted sight tour [contributions to tracks: one, two, three, five and seven]. The Naseby Project.

BENNETT, M., 2011. Raise a glass to Yuri Gagarin. Nottingham Evening Post.

BENNETT, M., 2011. Transactions of the Thoroton Society of Nottinghamshire. Nottingham: Thoroton Society of Nottinghamshire.

BENNETT, M., 2011. The class divide? [Frances Finn Show, 4 May 2011]. BBC Radio Nottingham.

BLACK, G., 2011. Museums and civil engagement. In: G. ANDERSON, ed., Reinventing the museum. UNSPECIFIED, pp. 271-290.

BLACK, G., 2011. Museums, memory and history. Cultural and Social History, 8 (3), pp. 415-427. ISSN 1478-0038

BLACK, G., 2011. Transforming museums in the 21st century. London: Routledge.

BLAJ-WARD, L., 2011. Book review: Action research in teaching and learning: a practical guide to conducting pedagogical research in universities (Norton, L.S., 2008). International Journal of Social Research Methodology, 14 (4), pp. 327-335. ISSN 1364-5579

BLAJ-WARD, L., 2011. Book review: Learning development in higher education (Hartley, P., et al., 2010). .

BLAJ-WARD, L., 2011. Skills versus pedagogy? Doctoral research training in the UK arts and humanities. Higher Education Research & Development, 30 (6), pp. 697-708. ISSN 0729-4360

BLUETT, J.E., 2011. The distracted globe: a project in the practice of writing poetry. PhD, Nottingham Trent University.

BORIA, M., 2011. Sabina Guzzanti: from TV satire to political documentary. Studies in European Cinema, 8 (2), pp. 101-113.

BOULÉ, J.-P., 2011. Cédric Klapisch's 'The Spanish apartment' and 'Russian dolls' in 'Nausea's' mirror. In: J.-P. BOULÉ and E. MCCAFFREY, eds., Existentialism and contemporary cinema: a Sartrean perspective. Berghahn Books.

BOULÉ, J.-P., 2011. What can philosophers teach politicians? In: J.-P. BOULÉ and B. O'DONOHOE, eds., Jean-Paul Sartre: mind and body, word and deed. Cambridge Scholars Press.

BOULÉ, J.-P. and MCCAFFREY, E., 2011. Existentialism in contemporary cinema: a Sartrean perspective. Oxford: Berghahn Books. ISBN 9780857453204

BOULÉ, J.-P. and MCCAFFREY, E., 2011. Introduction. In: J.P. BOULÉ and E. MCCAFFREY, eds., Existentialism and contemporary cinema: a Sartrean perspective. Oxford: Berghahn Books, pp. 1-14. ISBN 9780857453204

BOULÉ, J.-P. and O'DONOHOE, B., 2011. Jean-Paul Sartre: mind and body, word and deed. Cambridge Scholars Press.

BRABER, N., 2011. Linking teaching and research through scholarship projects. Journal of University Teaching and Learning Practice (8), pp. 2-1.

BRAGANCA, M., 2011. De l’ère du soupçon à l’ère néo-oulipienne. Mot Dit, 6, pp. 44-46.

BRAGANCA, M., 2011. French studies: literature, 1945–1999. The Year's Work in Modern Language Studies, 71, pp. 181-204. ISSN 0084-4152; 2222-4297

BRAGANCA, M., 2011. Introduction: échanges et changements dans et par l’espace littéraire. In: M. BRAGANCA and S. WILSON, eds., E/Change: transitions et transactions dans la littérature française. Oxford: Peter Lang, pp. 1-8.

BRAGANCA, M., 2011. Le survivant à la Shoah et les autres, des échanges nécessaires et impossibles? In: M. BRAGANCA and S. WILSON, eds., E/Change: transitions et transactions dans la littérature française. Oxford: Peter Lang, pp. 147-165.

BRAGANCA, M., 2011. Sartre and his literary alter ego Mathieu in Les chemins de la liberté (1938-1949): from the "roads to personal freedom" to the "roads of humanism"? In: G. HOFMANN, R. MAGSHAMHRÁIN, M. PAJEVIC and M. SHIELDS, eds., German and European poetics after the Holocaust. Rochester, NY: Camden House, pp. 219-232.

BRAGANCA, M. and WILSON, S., 2011. E/Change: transitions et transactions dans la littérature française. Oxford: Peter Lang.

BURCH, S., 2011. Enacting identities in the EU–Russia borderland: an ethnography of place and public monuments. East European Politics & Societies, 26 (2), pp. 400-424. ISSN 1533-8371

BURCH, S., 2011. Impressionist and Modern Art Galleries, National Museum Cardiff [exhibition review]. Museums Journal, 111 (4), pp. 46-47. ISSN 0027-416X

BURCH, S., 2011. Låt det nordiska komma in. In: J. BJÖRKMAN, B. FJÆSTAD and J. HARVARD, eds., Ett nordiskt rum: historiska och framtida gemenskaper från Baltikum till Barents hav. Stockholm: Makadam, pp. 60-71.

BURCH, S., 2011. Narva: past, present and future. , pp. 10-11. ISSN 1744-5744

BURCH, S., 2011. Ude godt, men hjemme bedst: Dansk og Nordisk kunst 1750-1900 [exhibition review]. Danske Museer, 24 (5), pp. 9-13. ISSN 0416-7120

BURCH, S., 2011. A museum director and his go-betweens: Lars Nittve's patronage of Neil Cummings and Marysia Lewandowska. Museum and Society, 9 (1), pp. 34-48. ISSN 1479-8360

CARTER, S., 2011. Book review: Jane Kingsley-Smith, 'Cupid in early modern literature and culture' (Cambridge: Cambridge University Press, 2010). Cahiers Élisabéthains, 79.

CARTER, S., 2011. Ovidian myth and sexual deviance in early modern English literature. Basingstoke: Palgrave Macmillan. ISBN 9780230244238

CLAY, C., 2011. 'What we might expect - if the highbrow weeklies advertized like the patent foods': Time and Tide, advertising, and the 'battle of the brows'. Modernist Cultures, 6 (1), pp. 60-95.

CLUGHEN, L. and HARDY, C., 2011. Creating participatory writing cultures in UK higher education. Journal of Academic Writing, 1 (1), pp. 71-78. ISSN 2225-8973

COLEMAN, D., 2011. Disintegrating the rock: Ian Paisley, British Shakespeare, and Ulster Protestantism. In: C. DE and A. GALEY, eds., Shakespeare, the Bible, and the form of the book: contested scriptures. London: Routledge, pp. 178-191.

CORBEANU, L., 2011. The novelty of the Romanian press. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 17-22. ISBN 9781842331453

COULBERT, E., 2011. 'The glory of motion' and 'The open road': a comparative study of three travel narratives from the horse-drawn epoch and the age of the motorcar. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 23-28. ISBN 9781842331453

CUMMINGS, L., 2011. Considering risk assessment up close: the case of bovine spongiform encephalopathy. Health, Risk and Society, 13 (3), pp. 255-275. ISSN 1369-8575

CUMMINGS, L., 2011. Pragmatic disorders and their social impact. Pragmatics and Society, 2 (1), pp. 17-36. ISSN 1878-9714

EDLEY, N., 2011. Critical discursive psychology and the study of masculinity. In: N. BOZATZIS and T. DRAGONAS, eds., Social psychology: the discursive turn [in Greek]. Athens, Greece: Metaixmio Press, pp. 157-176. ISBN 9789605011628

EL-ANIS, I., 2011. (Dis)integration and the emergence of the state system in the Middle East. Journal of Global Analysis, 2 (2), pp. 9-28.

EL-ANIS, I., 2011. Jordan and the United States: the political economy of trade and economic reform in the Middle East. London: I.B. Tauris. ISBN 9781848854710

FEATHERSTONE, M., 2011. Societal values: value formation and the value of life, in R Bachika and M.S. Schulz (eds) 'Values and culture: the social shaping of the future'. Current Sociology, 59 (2).

FOUST, E. and FUGGLE, S., 2011. Word on the street: competing discourses of public space. London: Institute of Germanic and Romance Studies. ISBN 9780854572298

FUGGLE, S., 2011. Postface: the signature that remains. In: S. PEROVIC, ed., Fragments of religion: sacred and secular agency in early modern France. London: Continuum, pp. 173-184. ISBN 9781441185297

FUGGLE, S., 2011. Street for sale: signs, space, discourse. In: E. FOUST and S. FUGGLE, eds., Word on the street: competing discourses of public space. London: Institute of Germanic and Romance Studies, pp. 231-250. ISBN 9780854572298

FUGGLE, S., 2011. Student essentials: essay writing. Richmond: Crimson Publishing. ISBN 9781844552733

GENZ, S., 2011. Under the knife: feminism and cosmetic surgery in contemporary culture. In: M. WATERS, ed., Women on screen: feminism and femininity in visual culture. London: Palgrave Macmillan, pp. 123-135. ISBN 9780230229655

GIBERT, M.V., 2011. The new European security architecture: an example of 'messy multilateralism'? In: T. CHAFER and G. CUMMING, eds., From rivalry to partnership? New approaches to the challenges of Africa. Ashgate, pp. 179-194. ISBN 9781409405177

GIBERT, M.V., 2011. The securitisation of the EU's development agenda in Africa: insights from Guinea-Bissau. In: X. KUROWSKA and P. PAWLAK, eds., The politics of European security policies. Routledge, pp. 128-144. ISBN 9780415689625

GOODSON, R.P., 2011. Writing The see-through man: poetry and commentary. PhD, Nottingham Trent University.

GRAHAM, A. and MONTEITH, S., 2011. Media. The new encyclopedia of southern culture, 18 . Chapel Hill: University of North Carolina Press. ISBN 9780807871430

GRITT, A. and PARK, P., 2011. The workhouse populations of Lancashire, 1881. Local Population Studies (86), pp. 37-65. ISSN 0143-2974

HAYNES, J., HOUGH, P., MALIK, S. and PETTIFORD, L., 2011. World politics. Harlow: Pearson (Longman). ISBN 1408266555

HODGSON, N., 2011. Conflict and cohabitation: marriage and diplomacy between Latins and Cilician Armenians, c. 1097-1253. In: C. KOSTICK, ed., The crusades and the Near East: cultural histories. Abingdon: Routledge, pp. 83-106.

HOLLOWS, J., 2011. Overview: domesticity. In: S. SMITH, ed., The international encyclopedia of housing and home. Elsevier.

HUGHES, N., 2011. 'Young people took to the streets and all of a sudden all of the political parties got old': the 15M movement in Spain. Social Movement Studies, 10 (4), pp. 407-413. ISSN 1474-2837

INKSTER, I., 2011. Anthropologies of enthusiasm: Charlotte Salwey, Shinji Ishii, and Japanese colonialism in Formosa circa 1913-1917. Taiwan Journal of Anthropology, 9 (1), pp. 1-32.

JACKSON, S., 2011. Dis-tanz: 29 tangos. Oxford Literary Review, 33 (2), pp. 167-187. ISSN 0305-1498

JACKSON, S., 2011. 'Host'. , p. 24.

JACKSON, S., 2011. 'I have not discovered yet' and 'Vocal chords'. , pp. 142-143.

JACKSON, S., 2011. 'Light over Ratcliffe'. In: R. LUMSDEN, ed., The best British poetry 2011. London: Salt, p. 53.

JACKSON, S., 2011. Review: Christ Preddle's 'Cattle console him' and Andrew McNeillie's 'In mortal memory'. .

KEEBLE, A., 2011. Marriage, Relationships, and 9/11: The Seismographic Narratives ofFalling Man, the Good Life, andThe Emperor's Children. The Modern Language Review, 106 (2), pp. 355-373. ISSN 00267937

KERRY, M., 2011. The holiday and British film. Basingstoke: Palgrave Macmillan. ISBN 9780230301047

LEAHY, C.B.L., 2011. Electronic role-play as a manifestation of open task computer-assisted language learning: a case study. PhD, Nottingham Trent University.

LEE, N.J.-Y., 2011. "Asia" as regional signifier and transnational genre-branding: the Asian horror omnibus movies Three (2002) and Three … extremes (2004). In: V.P.Y. LEE, ed., East Asian cinemas: regional flows and global transformations. Basingstoke: Palgrave Macmillan, pp. 103-117.

LEE, N.J.-Y., 2011. East Asian cinema 2010: general tendencies, industrial development and key films. In: Asie: catastrophes naturelles, dynamisme socio- économique et questionnements politiques. Paris: La Documentation Française, Asia, pp. 111-126.

LEE, N.J.-Y., 2011. Korean cinema today: popular genre dominates. Bulletin of the Calcutta International Film Festival, pp. 1-2.

LEE, N.J.-Y., 2011. Korean independent films (and youth) in Jeonju: The 12th Jeonju International Film Festival. Senses of Cinema.

LEE, N.J.-Y., 2011. Localized globalization and a monster national: the host (2006) and the South Korean film industry. Cinema Journal, 50 (3), pp. 45-61.

LEE, N.J.-Y., 2011. Questions of cultural proximity and the Asian popular: South Korean audiences watching Zhang Yimou’s martial arts blockbusters. In: P. GATES and L. FUNNELL, eds., Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange. London: Routledge, pp. 101-114.

LEONARD, P., 2011. Geopoiesis; or the responsibility of literature. Oxford Literary Review, 33 (2), pp. 189-205.

LOCK, G., 2011. Fast girl. .

LOCK, G., 2011. Honouring the wound: war and performance in the lives of Hannah Snell, Deborah Sampson and Pauline Cushman. Linguaculture, 2 (2), pp. 23-38. ISSN 2067-9696

LOCK, G., 2011. Performance and performing in Lady Mary Wortley Montagu’s letters from the Embassy at Istanbul. In: G. MACLEAN, ed., Britain and the Muslim world: historical perspectives. Cambridge: Cambridge Scholars Publishing. ISBN 1443825905

LUGO-OCANDO, J., BAILEY, O. and CANIZALEZ, A., 2011. Framing revolution and re-framing counter revolution: history, context and journalism in the new leftwing Latin American paradigm. Journalism Practice, 5 (5), pp. 599-612.

MATEESCU, D., 2011. The European Union, state of exception and state transformation - Romania, Turkey and ethnic minority politics. PhD, Nottingham Trent University.

MCCAFFREY, E., 2011. Crimes of passion, freedom and a clash of Sartrean moralities in the Coen brothers’ No country for old men. In: J.P. BOULÉ and E. MCCAFFREY, eds., Existentialism and contemporary cinema: a Sartrean perspective. Oxford: Berghahn Books, pp. 125-142. ISBN 9780857453204

MCCAFFREY, E., 2011. Ethics and crisis. In: Comparative and Continental Philosophy Circle Conference, University College Cork, Cork, Ireland, 3-5 March 2011, Cork.

MCCAFFREY, E., 2011. Introduction to screening of Jean Genet’s 'Un chant d’amour'. Jean Genet Exhibition, Nottingham Contemporary Art, Nottingham, 28 July 2011 .

MCCAFFREY, E., 2011. The 'eclectic' deficit: philosophical and ethical responses to the 2008 financial crisis in France. French Politics, 9 (3), pp. 282-298. ISSN 1476-3427

MCCAFFREY, E., 2011. The intertexts of ‘seeing’ and ‘non-seeing’ in Schnabel’s Le scaphandre et le papillon. French Cultural Studies, 22 (4), pp. 345-357. ISSN 1957-1558

MCCAFFREY, E. and PRATT, M., 2011. Erasmus, exchange value and Euronormativity in Cédric Klapisch's L'auberge espagnole and Les poupées russes. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi, pp. 433-435. ISBN 9789042032453

MCCAFFREY, E. and PRATT, M., 2011. Euronormativity and exchange values. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi. ISBN 9789042032453

MCCALLUM, J., 2011. Poverty or prosperity? The economic fortunes of ministers in post-reformation Fife, 1560–1640. Journal of Ecclesiastical History, 62 (3), pp. 472-490.

MCCORMACK, J., 2011. Social memories in (post)colonial France: remembering the Franco-Algerian War. Journal of Social History, 44 (4), pp. 1129-1138. ISSN 1527-1897

MCCORMACK, J., PRATT, M. and ROLLS, A., 2011. Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi. ISBN 9789042032453

MILLER, D., 2011. Black, grey and white: a book of visual sonnets. London: Veer Books. ISBN 9781907088322

MILLER, D., 2011. Spiritual letters (series 1-5). Tucson, Arizona: Chax Press. ISBN 9780925904980

MILLER, D., 2011. Words owed, given, owned... Poetry Salzburg Review (20), pp. 138-145.

MONTEITH, S., 2011. Exploiting civil rights: pulp movies in the 1960s. In: K. MCKEE and D. BARKER, eds., American cinema and the southern imaginary. Athens: University of Georgia Press, pp. 194-217. ISBN 9780820337104

MORRISH, L. and O'MARA, K., 2011. Queering the discourse of diversity. Journal of Homosexuality, 58 (67), pp. 974-990. ISSN 0091-8369

MORRISH, L. and SAUNTSON, H., 2011. Discourse and identity in a corpus of lesbian erotica. Journal of Lesbian Studies, 15 (1), pp. 122-139.

MORRISH, L. and SAUNTSON, H., 2011. Gender, desire and identity in a corpus of lesbian erotica. In: B. SCHERER and M. BALL, eds., Queering paradigms II: interrogating agendas. Oxford: Peter Lang, pp. 63-82. ISBN 9783034302951

MORTON, N., 2011. In subsidium: the declining contribution of Germany and Eastern Europe to the Crusades to the Holy Land, 1221-91. German Historical Institute London Bulletin, 33 (1), pp. 38-66. ISSN 0269-8552

MOSES, G., 2011. Passive and impoverished? A discussion of rural popular culture in the mid-Victorian years. Rural History, 22 (2), pp. 183-206. ISSN 0956-7933

MURAVYEVA, M., ROWBOTHAM, J. and NASH, D., 2011. Examining blame and shame in history [in Russian]. Moscow: Russian Academy of Sciences.

NEEDHAM, G., 2011. Greek cinema without Greece: investigating alternative formations. In: L. PAPADIMITRIOU and Y. TZIOUMAKIS, eds., Greek cinema: texts, histories, identities. Intellect.

NEEDHAM, G., 2011. TransAmerica: the road to the multiplex after New Queer Cinema. In: H. RADNER and R. STRINGER, eds., Feminism at the movies: understanding gender in contemporary popular culture. New York: Routledge.

NIVEN, B., 2011. Die Wilhelm Gustloff: Geschichte und Erinnerung eines Untergangs. Halle: Mitteldeutscher Verlag. ISBN 9783898127813

NIVEN, B., 2011. German victimhood discourse in comparative perspective. In: H. SCHMITZ and A. SEIDEL-ARPACI, eds., Narratives of trauma: discourses of German wartime suffering in national and international perspective. Amsterdam: Rodopi, pp. 163-180.

O'CONNOR, P., 2011. Learning habits and teaching techniques: developing a handbook of practices. In: Foundations for the Future Conference, HEA-PRS, University of Greenwich, London, 13-14 July 2011.

O'CONNOR, P. and PETCH, M., 2011. The embodied writer: Merleau-Ponty, writing groups and the possibilities of space. In: L. CLUGHEN and C. HARDY, eds., Writing in the disciplines: building supportive cultures for student writing in UK higher education. Bingley: Emerald.

O'SHAUGHNESSY, M., 2011. Breaking the circle: 'Le crime de Monsieur Lange' and the contemporary illegibility of the radical text. South Central Review, 28 (3), pp. 26-44.

O'SHAUGHNESSY, M., 2011. Filming work and the work of film. L'Esprit créateur, 51 (3), pp. 59-73.

O'SHAUGHNESSY, M., 2011. French cinema and neo-liberal globalization. In: J. KAPUR and K. WAGNER, eds., Neoliberalism and global cinema: capital, culture, and Marxist critique. New York ; London: Routledge.

O'SHAUGHNESSY, M., 2011. French film and the new world of work: from the iron to the glass cage. Modern and Contemporary France, 19 (4), pp. 427-442.

O'SHAUGHNESSY, M., 2011. Hidden violences: work and the working class in recent French film. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi, pp. 261-276. ISBN 9789042032453

O'SHAUGHNESSY, M., 2011. Silencing the war all the better to hear it: Renoir's 'La grande illusion' (1937). Studies in French Cinema, 11 (1).

PITCHFORD, J., 2011. Writing US identities in the wars without frontlines: literary perspectives on the Persian Gulf and Iraq wars. PhD, Nottingham Trent University.

PRATT, M., 2011. 'Un jeu avec le jeu': Frédéric Beigbeder and the value of the authorial paratext. In: A. ROLLS and M. VUAILLE-MARCAN, eds., Masking strategies: unwrapping the French paratext. Berne: Peter Lang, p. 85. ISBN 978303437468

PRATT, M. and PROVENCHER, D.M., 2011. (Re)casting Sami Bouajila: an ambiguous model of integration, belonging and citizenship. In: S. DURMELAT and V. SWAMY, eds., Screening integration: recasting Maghrebi immigration in contemporary France. Lincoln: University of Nebraska Press, pp. 194-210. ISBN 9780803228252

PRATT, M. and ROLLS, A., 2011. Hexagonal France. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi. ISBN 9789042032453

PRATT, M. and ROLLS, A., 2011. Variations on the hexagon: getting the measure of culture change in contemporary France. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi, pp. 21-42. ISBN 9789042032453

RAMONE, J., 2011. Online appropriations: collaborative technologies, digital texts, and Shakespeare’s authority. Authorship, 1 (1). ISSN 2034-4643

RAMONE, J., 2011. Paint, patronage, power, and the translator’s visibility. In: A. MENDES, ed., Salman Rushdie and visual culture: celebrating impurity, disrupting borders. London: Routledge.

RAMONE, J., 2011. Postcolonial theories. London: Palgrave Macmillan.

RAMONE, J., 2011. Review: Elizabeth Podnieks and Andrea O’Reilly (eds), 'Textual mothers – maternal texts'. Journal of the Motherhood Initiative, 2 (2).

RAMONE, J., 2011. Trixie Delicious on the bus home from Derby at twilight. .

RAMONE, J., 2011. What really matters is the story: interview-article with Andrew Smith. In: J. RAMONE and H. COUSINS, eds., The Richard and Judy Book Club reader: popular texts and the practices of reading. London: Ashgate.

RAMONE, J., 2011. The lives of the storytellers: Richard and Judy read The Jane Austen Book Club. In: J. RAMONE and H. COUSINS, eds., The Richard and Judy Book Club reader: popular texts and the practices of reading. London: Ashgate.

RAMONE, J. and COUSINS, H., 2011. The Richard and Judy Book Club reader: popular texts and the practices of reading. London: Ashgate.

REYNOLDS, C., 2011. May-June 1968. Reflector and vector of a nation's diversity: the case of Strasbourg, Alsace. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi, pp. 261-276. ISBN 9789042032453

REYNOLDS, C., 2011. Memories of May'68: France's convenient consensus. Cardiff: University of Wales Press. ISBN 9780708324158

REYNOLDS, C., 2011. The collective European memory of 1968 - the case of Northern Ireland. Etudes Irlandaises, 36 (1), pp. 73-90. ISSN 0183-973X

REYNOLDS, C., OSEKA, P. and FÜRST, J., 2011. Breaking the walls of privacy: how rebellion came to the street. Cultural and Social History, 8 (4), pp. 493-512.

RODDIS, M., 2011. 'Her scarlet paintwork': the use of nature and technology as metaphor in literary representations of female subjectivity. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 59-63. ISBN 9781842331453

ROLLS, A. and PRATT, M., 2011. Introduction: unwrapping the French paratext. In: A. ROLLS and M. VUAILLE-MARCAN, eds., Masking strategies: unwrapping the French paratext. Berne: Peter Lang, pp. 1-12. ISBN 978303437468

ROWBOTHAM, J., 2011. The gendered dock: reflections on the impact of gender stereotyping in the criminal justice system. In: J. JONES, A. GREAR, R.A. FENTON and K. STEVENSON, eds., Gender, sexualities and law. Abingdon: Routledge. ISBN 9780415574396

ROWBOTHAM, J., 2011. The shifting nature of blame: revisiting issues of blaming and shaming in the English criminal justice system [Russian translation]. In: M. MURAVYEVA, J. ROWBOTHAM and D. NASH, eds., Examining blame and shame in history [in Russian]. Moscow: Russian Academy of Sciences.

ROWBOTHAM, J., CHARLESWORTH, L. and KANDIAH, M., 2011. 2nd Biennial War Crimes Conference [War Crimes II]: Justice? - Whose Justice? Punishment Mediation or Reconciliation? Institute of Advanced Legal Studies, London, 3-5 March 2011 [conference report]. Law, Crime & History, 1 (2), pp. 194-214. ISSN 2045-9238

SCOTT, D., MCCARRON, J.P., MANDERE, M., WARWICK, R. and APPIAH, S., 2011. Creative connections: exploring and discovering relationships. Research Practice Course Third Annual Conference, Nottingham Trent University, Nottingham, May 2011. Nottingham: Nottingham Trent University. ISBN 9781842331453

SICKERT, W. and STEVENS, B., 2011. Vernet's Dance Hall: Daily Mirror. Sylph Editions. ISBN 9780956509246

SILCOCK, N., 2011. Disciplinary linkages: development on paper to development in the field. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 65-69. ISBN 9781842331453

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