Materializing data: a macramé-inspired framework for evaluating the effectiveness of creative participatory research

Shercliff, E, Ward, A, Bliesemann de Guevara, B, Hackney, F, Njaka, C, Sánchez-Aldana, E, Strohmayer, A, Twigger Holroyd, A ORCID: https://orcid.org/0000-0003-3403-3516 and Wellesley-Smith, C, 2025. Materializing data: a macramé-inspired framework for evaluating the effectiveness of creative participatory research. In: Karyda, M, Çay, D, Bakk, AK, Dezső, R and Hemmings, J, eds., Proceedings: EKSIG 2025: Data as Experiential Knowledge and Embodied Processes. Experiential Knowledge (EKSIG) Conference . London: Design Research Society.

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Abstract

This paper presents the development of a macramé-inspired framework for evaluating the effectiveness of creative participatory research (CPR), addressing gaps in conventional framework models that overlook the complex, multidimensional and experiential nature of these research approaches. The framework was designed to visualize and materialize the evolving nature of CPR, where participant engagement, contextual factors, and the sometimes organic and unpredictable creative activities shape both the research process and its outcomes. To achieve this, we worked with a group of experienced researchers with expertise in participatory textile-making methods in a series of three online workshops. Through these sessions, the research team explored the challenges of evaluating creative participatory approaches to research, critiqued existing evaluation framework models and developed potential alternatives before finalising the proposed macramé-inspired framework prototype presented here. The resulting framework employs macramé components such cords, interconnecting knots, and anchor points metaphorically to highlight different aspects of creative participatory research processes including the research context, participant engagement levels, project scope and duration, key research activities and participant interactions. In order to support robust evaluation of research effectiveness, we have devised question prompts to encourage shared reflection and discussion between researcher(s) and participants, rather than the one-sided assessment more usually offered by a set of fixed evaluation ‘criteria’, thereby shifting the focus from static metrics to embodied, experiential data. The prototype macramé framework presented here has the potential to be adapted to a diverse range of creative participatory projects beyond its origins in participatory textile-making. We anticipate it to be particularly useful for researchers and practitioners seeking evaluation models that highlight experiential knowledge, contextual nuance and participant agency experienced ‘live’ in the unpredictable contexts of creative participatory research. Future research plans for this experimental prototype framework will include testing through case studies of real-life contextualised research settings.

Item Type:	Chapter in book
Description:	Paper presented at EKSIG 2025: Data as Experiential Knowledge and Embodied Processes, Moholy-Nagy University of Art and Design, Budapest, Hungary, 12-13 May 2025.
Creators:	Shercliff, E., Ward, A., Bliesemann de Guevara, B., Hackney, F., Njaka, C., Sánchez-Aldana, E., Strohmayer, A., Twigger Holroyd, A. and Wellesley-Smith, C.
Publisher:	Design Research Society
Place of Publication:	London
Date:	12 May 2025
Identifiers:	Number Type 10.21606/eksig2025.107 DOI 2566202 Other
Rights:	This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Divisions:	Schools > Nottingham School of Art & Design
Record created by:	Jonathan Gallacher
Date Added:	04 Feb 2026 11:25
Last Modified:	04 Feb 2026 11:25
Related URLs:	Publisher
URI:	https://irep.ntu.ac.uk/id/eprint/55176

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