Items where Author is "Needham, G"

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Number of items: 29.

Journal article

ÇAKIRLAR, C. and NEEDHAM, G., 2020. The monogamous/promiscuous optics in contemporary gay film: registering the amorous couple in Weekend (2011) and Paris 05:59: Theo & Hugo (2016). New Review of Film and Television Studies, 18 (4), pp. 402-430. ISSN 1740-0309

ABDO, H., MANGENA, M., NEEDHAM, G. and HUNT, D., 2018. Disclosure of provisions for decommissioning costs in annual reports of oil and gas companies: a content analysis and stakeholder views. Accounting Forum, 42 (4), pp. 341-358. ISSN 0155-9982

NEEDHAM, G., 2015. Cruising: another way of looking. Wuxia (1-2), pp. 44-67.

NEEDHAM, G., 2014. Bringing out the gimp: fashioning the SM imaginary. Fashion Theory, 18 (2), pp. 149-168. ISSN 1362-704X

NEEDHAM, G., 2004. Review of Lalitha Gopolan 'Cinema of interruptions: action genres in Indian cinema'. Screen, 45 (2).

Authored book

NEEDHAM, G., 2010. Brokeback Mountain. Edinburgh: Edinburgh University Press. ISBN 9780748633838

Book contribution

NEEDHAM, G., 2007. [Encyclopedia entry]. In: 501 movie stars. Cassell.

NEEDHAM, G., 2007. [Encyclopedia entry]. In: 100 European horrors. BFI.

NEEDHAM, G., 2005. [Encyclopedia entry]. In: The encyclopaedia of France and the Americas. ABC-Clio.

Chapter in book

ÇAKIRLAR, C. and NEEDHAM, G., 2023. Queer relay in postmillennial British cinema (2000-2020). In: A. INZERILLO, ed., Atlas of contemporary queer cinema: Europe 2000-2020 = Atlante del cinema queer contemporaneo Europa 2000-2020. Milan: Meltemi Editore, pp. 147-176. ISBN 9788855196789

ABDO, H., MANGENA, M., NEEDHAM, G. and HUNT, D., 2017. Provisions for oil and gas decommissioning costs: compliance with disclosure requirements by oil and gas companies listed in the UK. In: A. AHMI, S.Z. SAIDIN, N. SAWANDI, H. SHAARI, O. MUSE and J. POPOOLA, eds., Proceedings of the International Conference on Accounting Studies (ICAS) 2017, Putrajaya , Malaysia, 18-20 September 2017. Kedah, Malaysia: Institute for Strategic and Sustainable Accounting Development (ISSAD), Tunku Puteri Intan Safinaz School of Accountancy, Universiti Utara Malaysia, pp. 4-9. ISBN 9789670910482

NEEDHAM, G., 2013. Bufferin commercial. In: G. DAVIS and G. NEEDHAM, eds., Warhol in ten takes. London: Palgrave Macmillan on behalf of the British Film Institute, pp. 142-151. ISBN 9781844574018

NEEDHAM, G., 2012. Disco sucks! Popular music and pornography in the 1970s. In: X. MENDIK, ed., Global peep shows. New York: Columbia University Press.

NEEDHAM, G., 2012. Hong Kong action cinema. In: G. BETTISON, ed., Directory of world cinema: China. Intellect.

NEEDHAM, G., 2012. Queer Korean cinema. In: C. BALMAIN, ed., Directory of world cinema: South Korea. Intellect.

NEEDHAM, G., 2011. Greek cinema without Greece: investigating alternative formations. In: L. PAPADIMITRIOU and Y. TZIOUMAKIS, eds., Greek cinema: texts, histories, identities. Intellect.

NEEDHAM, G., 2011. TransAmerica: the road to the multiplex after New Queer Cinema. In: H. RADNER and R. STRINGER, eds., Feminism at the movies: understanding gender in contemporary popular culture. New York: Routledge.

NEEDHAM, G. and WOODS, D., 2010. Delivery is king: cable TV in the digital era. In: P. BANTIMAROUDIS, M. KOKONIS and G. PASCHALIDES, eds., Ta psifiaka mesa enimerosis ston 21 aiona [Digital media in the 21st century]. Athens: Kritiki.

NEEDHAM, G., 2009. Sound and music in Hong Kong cinema. In: G. HARPER, R. DOUGHTY and J. EISENSTRAUT, eds., Sound and music in film and visual media: an overview. New York: Continuum, pp. 363-374. ISBN 9.78E+12

NEEDHAM, G., 2008. Closer than ever: French cinema and the male body in close-up. In: S. FOUZ-HERNANDEZ, ed., Mysterious skin: the male body in global cinema. I.B. Tauris.

NEEDHAM, G., 2008. Fashioning modernity in the Hong Kong musical. In: L. HUNT and W. LEUNG, eds., East Asian cinemas: exploring transnational connections in film. I.B. Tauris.

NEEDHAM, G., 2008. Playing with genre: introduction to the Italian 'giallo'. In: E. MATHIJS and X. MENDIK, eds., The cult film reader. McGraw-Hill/OUP.

NEEDHAM, G. and DAVIS, G., 2008. Queer(ying) 'Lost'. In: R. PEARSON, ed., Reading Lost: critical approaches. I.B. Tauris.

NEEDHAM, G., 2007. All that diaspora allows: film between queer and diaspora. In: O. BAILEY, M. GEORGIOU and H. HARANDRANATH, eds., Transnational lives and the media. Palgrave, pp. 231-248. ISBN 9.78023E+12

NEEDHAM, G., 2006. Ozu and the colonial encounter in Hou Hsiao-hsien. In: G. NEEDHAM and D. ELEFTHERIOTIS, eds., Asian cinemas: a reader and guide. Edinburgh University Press, pp. 369-383. ISBN 748617760

NEEDHAM, G., 2000. The bird with the crystal plumage. In: C. GALLANT, ed., Art of darkness: the films of Dario Argento. London: FAB Press.

Conference contribution

NEEDHAM, G., 2016. Investigating compliance of oil and gas companies listed in the UK with the disclosure requirements of the International Accounting Standards on provisions for decommissioning costs. In: The British Accounting and Finance Association Accounting and Finance in Emerging Economies (AFEE). Special Interest Group, University of Bristol, Bristol, 24 June 2016.

Edited book

NEEDHAM, G. and DAVIS, G., 2008. Queer TV. Routledge.

NEEDHAM, G. and ELEFTHERIOTIS, D., 2006. Asian cinemas: a reader and guide. Edinburgh University Press.

This list was generated on Thu Mar 28 13:35:00 2024 UTC.