Browse by ORCID

Journal article

O'SHAUGHNESSY, M., 2019. Beyond language and the subject: machinic enslavement in contemporary European cinema. Studies in European Cinema, 16 (3), pp. 197-217. ISSN 1741-1548

O'SHAUGHNESSY, M., 2019. Putting the dead to work: making sense of worker suicide in contemporary French and Francophone Belgian film. Studies in French Cinema, 19 (4), pp. 314-334. ISSN 1471-5880

O'SHAUGHNESSY, M., 2017. Review essay: Governing by debt by Maurizio Lazzarato and Signs and machines: capitalism and the production of subjectivity by Maurizio Lazzarato. SubStance, 46 (1). ISSN 0049-2426

O'SHAUGHNESSY, M., 2016. Thinking Contemporary Political Cinema with Cantet. South Central Review, 33 (2), pp. 44-56. ISSN 1549-3377

O'SHAUGHNESSY, M., 2014. The crisis before the crisis: reading films by Laurent Cantet and Jean-Pierre and Luc Dardenne through the lens of debt. SubStance, 43 (1), pp. 82-95.

O'SHAUGHNESSY, M., 2012. French film and work: the work done by work centered films. Framework: the Journal of Cinema and Media, 53 (1), pp. 155-171. ISSN 0306-7661

O'SHAUGHNESSY, M., 2011. Breaking the circle: 'Le crime de Monsieur Lange' and the contemporary illegibility of the radical text. South Central Review, 28 (3), pp. 26-44.

O'SHAUGHNESSY, M., 2011. Filming work and the work of film. L'Esprit créateur, 51 (3), pp. 59-73.

O'SHAUGHNESSY, M., 2011. French film and the new world of work: from the iron to the glass cage. Modern and Contemporary France, 19 (4), pp. 427-442.

O'SHAUGHNESSY, M., 2011. Silencing the war all the better to hear it: Renoir's 'La grande illusion' (1937). Studies in French Cinema, 11 (1).

O'SHAUGHNESSY, M., 2010. French cinema and the political. Studies in French Cinema, 10 (1), pp. 39-56. ISSN 1471-5880

O'SHAUGHNESSY, M., 2005. Eloquent fragments: French fiction film and globalization. French Politics, Culture and Society, 23 (3), pp. 75-88. ISSN 1537-6370

O'SHAUGHNESSY, M., 2004. Le surhomme à bout de souffle: le Belmondo des années 1975-1985. CinémAction, 112, pp. 107-115. ISSN 1241-8161

O'SHAUGHNESSY, M., 2004. Suffering in silence: bodily politics in post-1995 French cinema. French Cultural Studies, 15 (3), pp. 219-233. ISSN 0957-1558

O'SHAUGHNESSY, M., 2003. Post-1995 French cinema: return of the social, return of the political? Modern and Contemporary France, 11 (2), pp. 189-203. ISSN 0963-9489

O'SHAUGHNESSY, M., 2001. Le séducteur: un macho comme les autres? CinémAction, 99, pp. 14-26. ISSN 1241-8161

O'SHAUGHNESSY, M., 2001. The Parisian popular as reactionary modernisation. Studies in French Cinema, 1 (2), pp. 80-88. ISSN 1471-5880

Authored book

O'SHAUGHNESSY, M., 2022. Looking beyond neoliberalism: French and francophone Belgian cinema and the crisis. Political cinemas . Edinburgh: Edinburgh University Press. ISBN 9781474448628

O'SHAUGHNESSY, M., 2015. Laurent Cantet. Manchester: Manchester University Press. ISBN 9780719091506

O'SHAUGHNESSY, M., 2009. La grande illusion. London: I.B. Tauris. ISBN 9781848850576

O'SHAUGHNESSY, M., 2007. The new face of political cinema: French film since 1995. Berghahn. ISBN 9781845453220

O'SHAUGHNESSY, M., 2000. Jean Renoir. Manchester: Manchester University Press. ISBN 0719050634

Chapter in book

O'SHAUGHNESSY, M., 2022. Precarious narratives in French and Francophone Belgian cinema. In: E. CUTER, G. KIRSTEN and H. PRENZEL, eds., Precarity in European film: depictions and discourses. Film class, society (1). Berlin: De Gruyter, pp. 31-47. ISBN 9783110707724

O'SHAUGHNESSY, M., 2020. Beyond neoliberalism? Gift economies in the films of the Dardenne brothers. In: A. KOUTSOURAKIS and T. AUSTIN, eds., Cinema of crisis: film and contemporary Europe. Edinburgh: Edinburgh University Press. ISBN 9781474448505

O'SHAUGHNESSY, M., 2018. Representations: fiction, documentary and the political. In: M. TEMPLE and M. WITT, eds., The French cinema book. 2nd ed. London: BFI Palgrave, pp. 297-303. ISBN 9781844574667

O'SHAUGHNESSY, M., 2017. Cinema, sex tourism and globalisation in American and European cinema. In: E. MAZIERSKA and L. KRISTENSEN, eds., Contemporary cinema and neoliberal ideology. Abingdon: Routledge, pp. 217-232. ISBN 9781138235731

O'SHAUGHNESSY, M., 2015. Between the I and the we: Jean Renoir’s films of the Popular Front era. In: J. WARDAUGH, ed., Politics and the idividual in France 1930-1950. Oxford: Legenda, pp. 41-57. ISBN 9781909662247

O'SHAUGHNESSY, M., 2015. Contemporary political cinema. In: A. FOX, M. MARIE, R. MOINE and H. RADNER, eds., A companion to contemporary French cinema. Malden, MA: Wiley-Blackwell, pp. 117-135. ISBN 9781444338997

O'SHAUGHNESSY, M., 2014. Le cinéma français et le politique. In: I. VEYRAT-MASSON, S. DENIS and C. SÉCAIL, eds., Sous les images, la politique. Paris: CNRS Editions, pp. 377-388.

FAULKNER, C., O'SHAUGHNESSY, M. and PERKINS, V.F., 2013. La Règle du jeu: lies, truth, and irresolution (a critical round table). In: A. PHILLIPS and G. VINCENDEAU, eds., A companion to Jean Renoir. Wiley-Blackwell, pp. 144-165. ISBN 9781444338539

O'SHAUGHNESSY, M., 2013. Nowhere to run, somewhere to hide: Laurent Cantet’s L’Emploi du temps. In: M. GOTT and T. SCHILT, eds., Open roads, closed borders: the contemporary French-language road movie. Bristol: Intellect, pp. 155-170. ISBN 9781841506623

O'SHAUGHNESSY, M., 2013. Shooting in deep time: the mise-en-scène of history in Renoir's films of the 1930s. In: A. PHILLIPS and G. VINCENDEAU, eds., A companion to Jean Renoir. Wiley-Blackwell, pp. 16-34. ISBN 9781444338539

O'SHAUGHNESSY, M., 2011. French cinema and neo-liberal globalization. In: J. KAPUR and K. WAGNER, eds., Neoliberalism and global cinema: capital, culture, and Marxist critique. New York ; London: Routledge.

O'SHAUGHNESSY, M., 2011. Hidden violences: work and the working class in recent French film. In: J. MCCORMACK, M. PRATT and A. ROLLS, eds., Hexagonal variations: diversity, plurality and reinvention in contemporary France. Amsterdam: Rodopi, pp. 261-276. ISBN 9789042032453

O'SHAUGHNESSY, M., 2010. The bafflement of Gabin and Raimu and the breathlessness of Belmondo: a dialogue with the work of Ginette Vincendeau. In: W. HIGBEE and S. LEAHY, eds., Studies in French cinema: UK perspectives. Intellect.

O'SHAUGHNESSY, M., 2008. Belgium year zero: filming in the ruins of the social. In: Y. SARRI and D. MOUZAKI, eds., Jean-Pierre and Luc Dardenne. Thessaloniki International Film Festival: Oxy publications, pp. 22-29. ISBN 9790000000000

O'SHAUGHNESSY, M., 2008. Ethics in the ruins of politics: the Dardenne brothers. In: K. INCE, ed., Five directors: auteurism from Assayas to Ozon. Manchester: Manchester University Press, pp. 59-83. ISBN 9780719074318

O'SHAUGHNESSY, M., 2007. Cinematic stardom, shifting masculinities. In: C.E. FORTH and B. TAITHE, eds., French masculinities: history, politics and culture. Palgrave MacMillan, pp. 190-205. ISBN 9.78023E+12

O'SHAUGHNESSY, M., 2006. La règle du jeu. In: P. POWRIE, ed., The cinema of France. London: Wallflower, pp. 41-49. ISBN 1904764460

O'SHAUGHNESSY, M., 2005. Reprise et les nouvelles formes du cinéma politique. In: G. HAYES and M. O'SHAUGHNESSY, eds., Cinéma et engagement. L'Harmattan, pp. 83-98. ISBN 2747578410

O'SHAUGHNESSY, M., 2004. Femmes marginales, espaces marginaux. In: C. BARD, ed., Le genre des territoires. University of Angers, pp. 327-334. ISBN 2903075980

O'SHAUGHNESSY, M., 2004. Poor propaganda: French colonial films of the 1930. In: M. EVANS, ed., Culture and empire. Palgrave, pp. 27-40. ISBN 333791819

O'SHAUGHNESSY, M., 2001. Republic of cinema or fragmented public sphere: the debate between film-makers and critics. In: J. MARKS and E. MCCAFFREY, eds., French cultural debates. University of Delaware Press, pp. 65-79.

Edited book

HAYES, G. and O'SHAUGHNESSY, M., 2005. Cinéma et engagement. L'Harmattan. ISBN 2747578410

Journal editorship

REYNOLDS, C. and O'SHAUGHNESSY, M., 2012. La France et la crise [special issue]. UNSPECIFIED.

O'SHAUGHNESSY, M. and HAYES, G., 2007. French cinema and globalisation (special issue). UNSPECIFIED.

Review

O'SHAUGHNESSY, M., 2002. The shifting identities of French popular cinema. Film-Philosophy, 6 (2). ISSN 1466-4615

Thesis

DITCH, Z., 2024. Locating regional cultures of drag in medium-sized English cities: an ethnographic case study of Nottingham’s drag scene. PhD, Nottingham Trent University.

SCOTT, B., 2023. Representations of neoliberal work in contemporary Francophone film. PhD, Nottingham Trent University.

NJANJI, A., 2023. Speaking back to the hostile environment: exploring refugee voice and developing representational agency through a refugee-centred documentary practice. PhD, Nottingham Trent University.