Items where Division is "School of Art and Design" and Year is 2004

Journal article

BIRRINGER, J., 2004. Artist's statement 2 - Transspacial light and virtual choreography. Ballettanz, 6, pp. 30-32. ISSN 0947-0484

BIRRINGER, J., 2004. Dance and interactivity. Dance Research Journal, 35 (2), pp. 88-111. ISSN 0149-7677

BIRRINGER, J., 2004. Interactive dance, the body and the Internet. Journal of Visual Art Practice, 3 (3), pp. 165-178. ISSN 1470-2029

BIRRINGER, J., 2004. La danse et la perception interactives. Nouvelles de Danse, 52, pp. 99-115. ISSN 0778-9580

BROWN, A., 2004. Dance with a difference: Jerome Bel, Sandfield Centre. Evening Post (112004).

BROWN, A., 2004. Nottdance 2004 (The annual festival produced by Dance4). Dance Theatre Journal, 20 (2), pp. 6-9. ISSN 0264-9160

BROWN, A., 2004. Nottdance 2004 (The annual festival produced by Dance4). Nottingham Evening Post.

BROWN, A., 2004. An approach to live cinema: Kinugasa's 'A page of madness by Left Hand Right Hand'. Bristol Silents Journal, 5.

CRABBE, A., 2004. Alternative conventions and geometry for special relativity. Annales de la Fondation Louis de Broglie, 29 (4), pp. 589-608. ISSN 0182-4295

CRABBE, A., 2004. Contract research in design. Design Issues, 20 (4), pp. 57-67. ISSN 0747-9360

CRABBE, A., 2004. Different geometries for special relativity. Physics Essays, 17 (2), pp. 166-176. ISSN 0836-1398

CRABBE, A. and THOMPSON, P., 2004. Testing of a dual-mode microwave care regimen for hydrogel lenses. Optometry and Vision Science, 81 (6), pp. 471-477. ISSN 1040-5488

FERRY, E., 2004. Review: Middle class culture in the nineteenth century: America, Australia and Britain, Linda Young, Palgrave Macmillan, 2003. Journal of Design History, 17 (3), pp. 195-197.

FISHER, T., 2004. Motivation and cultural change. Packaging Solutions International (1), p. 28.

FISHER, T., 2004. What we touch touches us: materials, affects and affordances. Design Issues, 20 (4), pp. 20-31.

FISHER, T., 2004. What we touch touches us: materials, affects and affordances. Design Issues, 20 (4), pp. 20-31.

FLINT, R., 2004. Performance, improvisation and image processed video in FilmWaves/Art-insight. Art-Insight, pp. 11-14. ISSN 1460-4051

HARDY, C., 2004. The art of reflection: reflective practice in publishing education. Art, Design and Communication in Higher Education, 3 (1), pp. 17-32. ISSN 1474-273X

HEATHFIELD, A., 2004. In memory of little things. La Ribot.

HEATHFIELD, A., 2004. Last laughs. On Correspondence, Performance Research, 9 (2).

KANDHOLA, M., 2004. 'Illustration of life: Belfast' [photographs]. Source Magazine (38), pp. 53-54.

LESTER, P., 2004. Open theme. Polaroid International Photography Magazine, 26. ISSN 1086-9255

LESTER, P., 2004. Open theme. Polaroid International Photography Magazine, 27. ISSN 1086-9255

MASSEY, I., 2004. October/November issue. Association of Illustrators Journal. ISSN 1474-1679

MASSEY, I., 2004. 'Tome Alone' book feature. Association of Illustrators Journal. ISSN 1474-1679

PEPPER, A., 2004. Something in the air: Stephen Benton and a 'family' reunion. The Holographer.

TOWNSEND, K., 2004. Transforming shape: hybrid practice as group activity. The Design Journal, 7 (2), pp. 18-31. ISSN 1460-6925

WHITE, C.A., 2004. Digital modernism: scenography: at the end of the day. Scenography International (7). ISSN 1743-6117

WOODFIELD, R., 2004. Review: Philip Sohm 'Style in the art theory of early modern Italy'. British Journal of Aesthetics, 44 (4), pp. 441-444.

WOODFIELD, R., 2004. Review: Philippe-Alain Michaud 'Aby Warburg and the image in motion'. .

WOODFIELD, R., 2004. The UK fine art PhD and research in art & design. Lier en Boog: Series of Philosophy of Art & Art Theory, 18, pp. 103-108. ISSN 0925-8191

Authored book

AYERS, A., 2004. The locus is the thing: when the visible becomes tangible. Lincoln: Usher Gallery.

BANNISTER, A., 2004. (p)lace to (s)pace. UNSPECIFIED.

HEATHFIELD, A. and GLENDINNING, H., 2004. Live: art and performance. London: Tate Pub. (Worldwide)/Routledge (USA). ISBN 1854375016

KANDHOLA, M. and TULLOCH, C., 2004. Black style [catalogue of an exhibition held at Victoria & Albert Museum, London]. London: Victoria & Albert Museum Publications. ISBN 1851774246

MOTTRAM, J. and AYERS, A., 2004. Marks in Space: drawing and sculptural form. Lincoln: Usher Gallery.

NEWLING, J., 2004. Stamping uncertainty: [exhibition catalogue] published to coincide with an installation project at The Chapter House, Cantebury Cathedral, 16th April- 5th May 2004. SWPA Limited. ISBN 0954730003

NEWLING, J., 2004. The Westonbirt wishes. London: SWPA. ISBN 0954730011

ROBINSON, H.S., CARRILLO, P.M., ANUMBA, C.J. and BOUCHLAGHEM, N.M., 2004. Investigating current practices, participation and opportunities in private finance initiative. Loughborough University. ISBN 1897911297

SPRAWSON, D., 2004. Agape & Selah. Southwell: Southwell Minster.

SPRAWSON, D. and DAVEY, R., 2004. Faith. Nottingham: Nottingham City Museums and Galleries. ISBN 0905634705

TAN, H.C., UDEJA, C.E., CARRILLO, P.M., KAMARA, J.M., ANUMBA, C.J. and BOUCHLAGHEM, N.M., 2004. Knowledge capture and re-use in construction projects: concepts, practices and tools. Loughborough University. ISBN 1897911289

Book contribution

ODDEY, A., 2004. Elizabeth Careless [dictionary entry]. In: New dictionary of national biography. Oxford University Press.

ODDEY, A., 2004. Mrs Frances Abington [dictionary entry]. In: New dictionary of national biography. Oxford University Press.

ODDEY, A., 2004. Mrs Sarah Gardner [dictionary entry]. In: New dictionary of national biography. Oxford University Press.

Chapter in book

AYERS, A., 2004. Think locally act globally. In: P. BONAVENTURA and S. FARTHING, eds., A curriculum for artists. Oxford: Oxford University Press and New York Academy of Art. ISBN 953852539

BIRRINGER, J., 2004. Der transmediale Tanz. In: K. KRUSCHKOVA and N. LIPP, eds., Tanz Anders Wo: Tanz intra-und interkulturell: Jahrbuch der Gesellschaft für Tanzforschung 2004. Hamburg: LIT, pp. 23-56.

FORD, P. and MARSDEN, M., 2004. CAD and fostering creativity within the studio environment. In: P. LLOYD, N. ROOZENBURG, C. MCMAHON and E. BRODHURST, eds., The changing face of design education. Proceedings of the Engineering and Product Design Education Conference, Delft University of Technology, Delft, The Netherlands, 2-3 September 2004. Glasgow: The Design Society, pp. 617-624.

GOODRUM, A., MOLLOY, M. and LARNER, W., 2004. Wear in the world? Auckland's designer fashion industry. In: I. CARTER, D. CRAIG and S. MATTHEWMAN, eds., A sociology of Auckland. Dunedin: Dunmore Press, pp. 257-274.

HEATHFIELD, A., 2004. As if Things Got More Real. A Conversation with Tim Etchells= Als ob die Dinge wirklicher wurden. Ein Gesprach mit Tim Etchells. In: J. HELMER and F. MALZACHER, eds., 'Not even a game anymore': The Theatre of Forced Entertainment= Das Theater von Forced Entertainment. Berlin: Alexander Verlag, pp. 77-99. ISBN 3895811157

MOTTRAM, J., 2004. Marks in Space: thinking about drawing. In: A. AYERS and J. MOTTRAM, eds., Marks in Space: drawing and sculptural form. Lincoln: Usher Gallery, pp. 8-18.

MOTTRAM, J., 2004. Textile fields and workplace emotions. In: D. MCDONAGH, P. HEKKERT and J. VAN ERP, eds., Design and emotion: the experience of everyday things. London: Taylor & Francis, pp. 53-57. ISBN 041530363X

RUMNEY, P., 2004. Jumping on my shadow. In: A. AYCKBOURN, ed., Plays for children 2. London: Faber and Faber, pp. 225-293. ISBN 571220800

Conference contribution

AYERS, A., 2004. Booting up: maps without roads/ challenging the frame. In: ELIA 8th Biennial Conference, Lucerne, Switzerland, 2-7 November 2004, Lucerne, Switzerland.

AYERS, A., 2004. Brilliant: sharing brilliant ideas, visions, concepts and practices for the future of higher education in Fine Art in a European setting. In: Brilliant: Sharing Brilliant Ideas, Visions, Concepts and Practices for the Future of Higher Education in Fine Art in a European Setting, Cluj-Napoca, Romania, 5-6 March 2004, Cluj-Napoca, Romania.

CHALLENDER, C., 2004. Approach of teaching fashion knitwear. In: UNSPECIFIED.

CORK, C.R., 2004. Improved ballistic protection using narrow fabrics. In: Technical Textiles for Security and Defence, Royal Armouries, Leeds, 15-17 November 2004, Leeds.

DIAS, T. and BEATTY, P., 2004. Functions and performance of knitted electrodes. In: International Conference on Technical Textiles, April 2004.

DIAS, T., WIJESIRIWARDANA, R. and MITCHAM, K., 2004. Fibre meshed transducers based real time wearable physiological information monitoring system. In: 8th IEEE Conference of Wearable Computers, November 2004.

FERRY, E., 2004. 'A novelty among exhibitions': the loan exhibition of women's industries, Bristol 1885. In: Women's History Network Conference, University of Hull, September 2004, Hull.

FISHER, T., 2004. Attitudes to materials in the life span of consumer products: delight and acquisition, disgust and disacquisition. In: Eurosyn Human Engineering Seminar, Paris, France, June, 2004, Paris, France.

FISHER, T., 2004. Material values and affordances. In: Here's One I Re-used Earlier; Day Workshop, Sheffield Hallam University, Sheffield, March, 2004, Sheffield Hallam University, Sheffield.

HARDY, C. and SHARP, H., 2004. Making the transition to higher education: tutor support in entry level student development. In: NTU 6th Annual Learning and Teaching Conference: Access, Application and Achievement, Nottingham Trent University, Nottingham, 2004, Nottingham.

HUGHES, A., 2004. From aims to assessment: 'technical rationality' versus 'artistry' in teaching design. In: The Annual University Learning and Teaching Conference, Nottingham Trent University, Nottingham, April 2004, Nottingham.

HUGHES, A., 2004. Hierarchy versus equity: a case study of higher education providers on the global scene. In: Globalisation and Representation International Conference, Nottingham, 12-13 March 2005, Nottingham.

HUGHES, A., 2004. Technical rationality and artistry in teaching design. In: Annual Learning and Teaching Conference, Nottingham Trent University, Nottingham, UK, 4 April 2006, Nottingham Trent University.

KNOX, A., HUTTON, G., BAYLEY, M. and CONNELL, L.J., 2004. Body shape objective measures for clothing. In: 3D Numerisation Conference - Human Modelling and Scanning, Paris, France, 2004, Paris, France.

MARCHANT, L., 2004. The price of fame. In: The Photograph as Commodity Culture: a Symposium, University of Brighton, Brighton, UK, 27 November 2004, University of Brighton.

MCCULLAGH, J.F., 2004. Providing interactive education. In: National Annual Teaching and Learning Conference, Nottingham Trent University, Nottingham, UK, April 2004, Nottingham.

NEWLING, J., 2004. Twenty first century methodolgies for arts production. In: Presentation delivered at PZI Institute, Rotterdam, 2004, Rotterdam, Netherlands.

ODDEY, A., 2004. Deborah Warner: a contemporary snapshot of directing in the theatre world of Australia, America, France, Italy and the UK. In: International Federation of Theatre Research Conference, The Director in the Theatre World, St. Petersburg, Russia, 2004.

ODDEY, A., 2004. Different directions: a contemporary snapshot [keynote paper]. In: Different Directions Symposia, International Symposium, Scenography and Performance, Loughborough University, 2004.

ODDEY, A., 2004. Performing buildings, architecture, space and performance: the political intervention of an East London landscape. In: University of Reading International Conference, Political Futures: Alternative Theatre in Britain Today, Reading, 2004.

ODDEY, A., 2004. The cross-art form, the politics of non-category, the poetics and shifting discourse of the postfeminist interdisciplinary landscape. In: International Symposium, Interdisciplinary Landscapes: Postfeminist Practices in the Arts, University College, Northampton, 2004.

PROCTOR, G., 2004. Sexuality and silhouette [guest speaker]. In: NCAD, Dublin, Ireland, 2004.

RUMNEY, P., 2004. Boyz 2 men [seminar]. In: ACE Insights Conference, Nottingham Playhouse, Nottingham, 2004, Nottingham.

TOWNSEND, K., 2004. Transforming shape: a simultaneous approach to the body, cloth and print. In: Creativity: Designer meets Technology USA Conference, University of Philadelphia, Philadelphia, PA, USA, 10-12 May 2004, Philadelphia.

TOWNSEND, K., 2004. Transforming shape: hybrid practice as group activity. In: Pixel Raiders 2, Sheffield Hallam University, Sheffield, 6-8 April 2004, Sheffield.

TOWNSEND, K., 2004. A simultaneous approach to the body, cloth and print. In: Creativity: Designer Meets Technology USA Conference, University of Philadelphia, PA, 10-12 May 2004, Philadelphia.

WELLING, C., 2004. The state of photography. In: APHE Conference, University of Sunderland, Sunderland, UK, February 2004, University of Sunderland.

WHITE, C.A., 2004. Digital modernism. In: International Federation for Theatre Research Annual Conference: 'The Director in the Theatre World', St Petersburg, Russia, 22-27 May 2004, St Petersburg.

WOODFIELD, R., 2004. Are the arts elitist ? In: Cultural conversation with Dominic Lopes, John Armstrong and Jennifer McMahon, The University of Adelaide Art and Heritage Collections, Australia, 06 October, 2004, The University of Adelaide Art and Heritage Collections.

WOODFIELD, R., 2004. Reflections on writing the history of aesthetics. In: Second Pacific Rim Conference in Transcultural Aesthetics, Sydney, Australia, 2004, Sydney, Australia.

WOODFIELD, R., 2004. Understanding pictures: what pictures do. In: Round table on realism in pictures: the plasticity of representational systems, Adelaide, Australia, 2004, Adelaide, Australia.

Design

DOUGLAS, W., 2004. Design for : 'Alice: through the looking glass: and what Alice found there' by Lewis Carroll (Author), Peter Blake (Illustrator).

HARLAND, R.G., 2004. Graphic design for Jonathan Edwards Consulting: 'Rethink Relocation' - 01/01/2001-31/12/2004.

HARRISON, C., 2004. Design and manufacturing consultant, Dado Manufacturing, Nigeria. Nigeria: Dado Manufacturing.

ROGUE, L., 2004. 'Hobson's choice' by Harold Brighouse [theatre design]. York: Main Stage, York Theatre Royal.

Digital or visual media

BOWCOTT, P., ELSTONE, G. and HALL, T., 2004. Model citizen. [Digital or Visual Media]

BROWN, A. and JASILEK, S., 2004. In dissent. [Digital or Visual Media]

BROWN, A. and JASILEK, S., 2004. Kitchen. [Digital or Visual Media]

Edited book

COCKER, E., KIVLAND, S. and JOSEPH-LESTER, J., 2004. Transmission: speaking and listening. Vol. 4: Provenance/inscription. Sheffield: Site Gallery.

COCKER, E., KIVLAND, S. and SANDERSON, L., 2004. Transmission: speaking and listening. Ornament and utility/responsibility. Sheffield: Site Gallery. ISBN 1899926518

Exhibition

AYODEJI, J., 2004. The times grow worthy of our voice. .

BAIRD, J., 2004. Magic within reason. .

BARTHOLOMEW, J., 2004. 100% Design. [Design project for Margaret Howell; design and manufacturing project for Fenwicks Department Store; third commission for Essenza Style...]. .

BEECROFT, R., 2004. Open Print Exhibition. .

BIRRINGER, J., SCHMIDT-LENHARD, U. and BEHRINGER, K., 2004. Wechselwirkung: International Interaktionslabor 2003-04. .

CUMMINS, S., 2004. Cleave. .

CUMMINS, S., 2004. Food and paranoia alphabetised. ''Wilkommen' - a group show of ten artists, Metropole Gallery, Folkestone, 11 September - 02 October, 2004. Wilkommen, Metropole Gallery, Folkestone, 11 September - 2 October 2004.

FISHER, C., 2004. Aftermath [solo exhibition]. .

FISHER, C., 2004. Boys who sew. Exhibition held at Crafts Council Gallery, London, 05 February - 04 April, 2004. .

FLINT, R., 2004. Foreign correspondence. .

HARRISON, C., 2004. Birmingham International Trade Fair. .

HEATHFIELD, A. and GLENDINNING, H., 2004. Lax. .

HIGGINS, D., 2004. Unloud. The Blue Gallery London, 06 April - 01 May, 2004. .

HOCK, K., 2004. Interior: a portrait of my grandmother. Best of 'Ein Blick in die Sammlung', SK Stiftung Kultur Photographische Sammlung, Köln, Germany, 27 February - 25 April, 2004. .

JUDD, B., 2004. Contemporary Belém art flux. Group exhibition held in Belém, Brazil, 2004. .

JUDD, B., 2004. Impakt Festival. Group exhibition held in Utrecht, Netherlands, 2004. .

JUDD, B., 2004. Island Art Film and Video Festival 2004. Group exhibition held at the Prenelle Gallery, London, 2004. .

JUDD, B., 2004. Lost and found. Group exhibition held at Bernal's, Los Angeles, USA, 2004. .

JUDD, B., 2004. Lost and found. Group exhibition held at Theatrum Anatomicum, Amsterdam, Netherlands, 2004. .

JUDD, B., 2004. Rooie oogjes. Group exhibition held at Showroom Mama, Rotterdam, Netherlands, 2004. .

JUDD, B., 2004. Social creatures. Group exhibition held at the Sprengel Museum, Hannover, Germany, 2004. .

JUDD, B., 2004. Stuft. Group exhibition held at the Red Gallery, Hull, 2004. .

JUDD, B., 2004. Tape. Group exhibition held at the 291 Gallery, London, 2004. .

JUDD, B., 2004. Trackers. Group exhibition held at the Pitzhangar Museum, London, 2004. .

JUDD, B., 2004. Wanting. Group exhibition held at Carleton University Art Gallery, Ottowa, Canada, 2004. .

JUDD, B., 2004. The future never looks how you expected it to look. 'The futarians' exhibition, Taro Nasu Gallery, Tokyo, 16 July - 07 August, 2004. .

KANDHOLA, M., 2004. Illustration of life. Millais Gallery, Southampton Institute, Southampton, June - August, 2004. .

KANDHOLA, M., 2004. Illustration of life. Q Arts Gallery, Derby, January - February, 2004. .

KEEN, S., 2004. No time like the future. [A mass fashion realtime digital image capture of Nottingham youth over 3 days] Bonington Gallery, Nottingham Trent School of Art and Design, Nottingham; annual project from October, 2004. .

KENNY, H. and KEEN, S., 2004. Notime - fashionmap installation and colloquium. Exhibition held at the Bonington Gallery, Nottingham Trent University, 05 - 20 February, 2004. .

LEWIS, S., 2004. One person. Exhibition held at Oriel, Wrexham, Wales, October, 2004 - January, 2005. .

LEWIS, S., 2004. An anxious optimism: selection of paintings on the theme of place and memory of place, Duru Artspace and Gallery, South Korea, 23 June - 11 July, 2004. .

LEWIS, S., JOURNEAUX, J. and GREEN, R., 2004. Seeing the light. Exhibition held at Forteleza Gallery, Sagres, Portugal, 15 May - 27 June, 2004. .

LOCK, A., 2004. Orchard Park. Focal Point Gallery, Southend, Essex, May-June 2004. .

LYCOURIS, S., 2004. Bodysight (audio-visual installation in collaboration with digital artist Konstantinos Papakostas). .

LYCOURIS, S., 2004. BridgeWAVES, Dublin, Ireland: Rejoyce festival, 10-24 June. .

LYCOURIS, S., 2004. E-motions in urban networks (single screen animation film based on motion-capture data in collaboration with architect Thomas Kitazawa). .

LYCOURIS, S., 2004. Rite of spring (as part of Security Bytes Conference, Lancaster University, 18 July). .

MAIER, D., 2004. Crown and feathers. .

MAIER, D., 2004. Open house. .

MAIER, D., 2004. Pants. .

MAIER, D. and WILLIAMS, G., 2004. ...dreaming of a white... London, 1 December 2004 - 10 January 2005.

MCCULLAGH, J.F., 2004. 'Open Studios' group exhibition. .

MCCULLAGH, J.F., 2004. 'The breath behind the line' exhibition. .

NEWLING, J., 2004. Chatham Vines. .

NEWLING, J., 2004. International Environmental Artists Exhibition. .

NEWLING, J., 2004. Stamping uncertainty. .

NEWLING, J., 2004. The Westonbirt wishes. .

PATEL, R., 2004. The Living Image Installation. .

PROCTOR, G., 2004. The Heritage Fund & Costume Society of Great Britain fashion competition. .

PROCTOR, G., 2004. Lingerie: practical solution or erotic fantasy. .

SARGENT, P., 2004. Glass Exhibition, Shipley and Gateshead Museum. .

SARGENT, P., 2004. Graft Joint exhibitors. .

SARGENT, P., 2004. Selected works Galleri Ford. .

SARGENT, P., 2004. Selected works: Glass Museum, Sunderland. .

SIMMONDS, G., 2004. Gary Simmonds: One in the other gallery. London, 10 December, 2004 - 23 January, 2005. .

SPRAWSON, D., 2004. Agape & Selah. .

SPRAWSON, D., 2004. Faith. .

SPRAWSON, D., 2004. Si forte attrectent eum. .

WILLIAMS, G., 2004. GDP. Frieze Art Fair for Parker's Box, New York, London, 15-18 October 2004.

WILLIAMS, G. and DEACON, R., 2004. Fragments. medievalmodern, Marylebone, London, May 2004.

Newspaper or popular journal contribution

LEE, J., 2004. Why I believe students are too concerned with failure to experiment with art. . ISSN 0049-3929

Patent/Published patent application

CRABBE, A., MOLYNEUX, P. and MOLYNEUX, H., 2004. Secure telephone voting. UK GB0028940.

DIAS, T., 2004. Precision delivery system. USA US6745598.

Performance

BROWN, A. and BROWN, T., 2004. A page of madness. .

BROWN, A. and BROWN, T., 2004. A page of madness. .

BROWN, A. and BROWN, T., 2004. A page of madness. .

HAWTHORN, M., 2004. Haunt - Ghosts architecture project. .

LYCOURIS, S., 2004. Eyetoy. .

Professional or trade journal contribution

BANNISTER, A., 2004. Review of 'Transmission: speaking and listening, vol. 2'. , p. 7. ISSN 0261-3425

Research report for external body

KNOX, A., CONNELL, L.J. and HUTTON, G., 2004. Body shape analysis with respect to pattern engineering. NTC Project. National Textile Center.

Review

GOODRUM, A., 2004. Exhibition review: 'The first New Zealand fashion week'. Fashion Theory: the Journal of Dress, Body and Culture, 8 (1), pp. 99-104.

HUNT, K.J., 2004. Review of 'Fat boys: a slim book' by Sander L. Gilman. Cercles: Revue Pluridisciplinaire du Monde Anglophone. ISSN 1292-8968

HUNT, K.J., 2004. Review of 'Olivia Joules and the overactive imagination' by Helen Fielding. Cercles: Revue Pluridisciplinaire du Monde Anglophone. ISSN 1292-8968

MASSEY, I., 2004. 'Fashion Illustration Next' book review. Association of Illustrators Journal. ISSN 1474-1679

MASSEY, I., 2004. 'Hand to Eye' book review. Association of Illustrators Journal. ISSN 1474-1679

MASSEY, I., 2004. 'Us and Them' book review. Association of Illustrators Journal. ISSN 1474-1679

Website content

AYERS, A., 2004. On the way to a shared set of core values in fine art education across Europe. ELIA Fine Art Steering Group.

LYCOURIS, S., 2004. Coming closer. Nottingham: Active Ingredient.

Other

BARTHOLOMEW, J., 2004. Grand designs. Channel 4.

JUDD, B., 2004. [Invited public lecture].

MAIER, D., 2004. Consultancy with the Dean of School at Beacon House National University, Lahore, Pakistan.

MAIER, D., 2004. One-day workshop with visual and performing arts students, creating soft sculptures while working with the negative space surrounding the body held at Beacon House National University, Lahore, Pakistan.

MAIER, D., 2004. Public talk: discussion of the artist's residency in Pakistan, its influences on her practice, art works created, pieces collection and personal experiences, held at the Constance Howard Resource and Research Centre, Goldsmiths College, London.

MAIER, D., 2004. Public talk: the artist's art practice, her experience in Pakistan, and its influence on work created during her residency at Indus Valley School of Art and Architecture, held at the British Council, Karachi, Pakistan.

MAIER, D., 2004. Six week residency with Vasl at Indus School of Art and Architecture held at Vasl (Karachi, Pakistan) with Gasworks (London).

MAIER, D., 2004. Visiting artist talk for visual art students: discussion of the artist's artwork, and experience within the contemporary arts in London and abroad, held at the Tyler School of Art, Philadelphia, Pennsylvania.

MAIER, D., 2004. Visiting artist talk for visual art students: discussion of the artist's artwork, practice, career path as an artist, and experiences within the art world in London, held at the University of Delaware, Newark, Delaware.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at Beaconhouse National University, Lahore, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at Karachi University, Karachi, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the Indus Valley School of Art and Architecture, Karachi, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the National College of Arts, Lahore, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the Textile Institue Pakistan, Karachi, Pakistan.

MAIER, D., 2004. A two-week 3-D workshop, working with the body as a sight specific location held at the Indus Valley School of Art and Architecture, Karachi, Pakistan.

MCCULLAGH, J.F. and FREITAS, M., 2004. Advancing providing interactive education. Nottingham: School of Art and Design, Nottingham Trent University.

RUMNEY, P., 2004. Speaking, listening and writing in schools. Creative Partnerships.

RUMNEY, P. and SCRIVEN, N., 2004. Developing creative curricula [project]. Nottingham: Action Research Projects with Creative Partnerships, 2004-2010.

RUMNEY, P. and SCRIVEN, N., 2004. Dragon breath: theatre design course. Nottingham: Performance and Participatory Workshop Programme, Waverley Theatre, Nottingham Trent University.