Items where Author is "Maier, D"

Journal article

BENNETT, S., BRACEY, A. and MAIER, D., 2024. Controlled rummage approaches for Bummock: Tennyson Research Centre. Journal for Artistic Research (32). ISSN 2235-0225

MAIER, D., BROWN, A., LEE, J. and STEVENS, C., 2024. Returns: back stitch methodology as a reflective approach to artistic research. Research in Arts and Education, 2024 (1), pp. 192-206. ISSN 2670-2142

MAIER, D. and SCHEUREGGER, M., 2023. Score: mechanical asynchronicity - mimesis and (non-)repetition through notation and performance. ECHO (4). ISSN 2736-5824

MAIER, D. and BRACEY, A., 2020. Controlled rummage as artistic strategy: exposing the Bummock of the Lace Archive. Textile, 19. ISSN 1475-9756

MAIER, D., 2019. Looking again. Journal of Illustration, 6 (1), pp. 183-204. ISSN 2052-0204

Authored book

MAIER, D., LEE, J., BROWN, A. and STEVENS, C., 2022. Re-turning. Stoke-on-Trent: Topographies of the Obsolete Publications. ISBN 9780992693115

MAIER, D., BRACEY, A. and RENTON, L., 2019. Bummock: The Lace Archive. Waddington: Flipping the Bummock Press. ISBN 9781999883010

COCKER, E. and MAIER, D., 2019. No telos! Nottingham: Beam Editions. ISBN 9781916420083

MAIER, D., 2016. Grafting propriety: from stitch to the drawn line. London: Black Dog Publishing. ISBN 9781910433072

Book contribution

MAIER, D., 2014. Copy - repeat - respond [exhibition catalogue contribution]. In: Drawology. Nottingham: Nottingham Trent University: CADBE, pp. 50-51. ISBN 9780957600973

MAIER, D., 2014. On returning [exhibition catalogue contribution]. In: Kaunas Textiles Biennale: Unitext. Kaunas, Lithuania: NGO Kaunas Biennial, pp. 100-101.

Chapter in book

MAIER, D., 2023. Unrepeating-repeat. In: S. HORTON and V. MITCHELL, eds., Pattern and chaos in art, science and everyday life: critical intersections and creative practice. Bristol: Intellect. ISBN 9781789387803

MAIER, D., 2015. Forsaken decoration. In: A.H. MYDLAND and N. BROWNSWORD, eds., Topographies of the obsolete: site reflections. Stoke-on-Trent: Topographies of the Obsolete Publications, pp. 86-91. ISBN 9780992693114

MAIER, D., 2013. Danica Maier. In: A.H. MYDLAND and N. BROWNSWORD, eds., Topographies of the obsolete: vociferous void. Stoke-on-Trent: Topographies of the Obsolete Publications, pp. 34-35. ISBN 9780992693107

Composition

MAIER, D. and SCHEUREGGER, M., 2019. Score: mechanical asynchronicity. [Composition]

Conference contribution

BROWN, A., MAIER, D., LEE, J. and STEVENS, C., 2023. Returns: back stitch methodology as a reflective approach to artistic research. In: Art of Research VIII Re-Imagining Conference, Aalto University, Finland, 30 November - 1 December 2023.

MAIER, D. and SCHEUREGGER, M., 2019. Score: mechanical asynchronicity. In: Notation for Improvisers, Institute of Musical Research, Senate House, London, 9 February 2019.

MAIER, D., 2018. Looking again. In: Decriminalising Ornament: The Pleasures Of Pattern, Ruskin Gallery, Anglia Ruskin University, Cambridge, 17-18 November 2018.

MAIER, D., 2018. Looking again at pattern and chaos. In: Symposium 2018: Beyond Pattern And Chaos, Norwich University of the Arts, Norwich, 5 September 2018.

MAIER, D. and BRACEY, A., 2018. Bummock: new artistic responses to unseen parts of the Lace Archives. In: Textile and Place Conference, Manchester Metropolitan University and The Whitworth Art Gallery, Manchester, 12-13 April 2018.

MAIER, D. and BRACEY, A., 2017. Rummage to bypass: alternative ways of accessing the archive. In: The Archive Unbound Symposium, Cardiff University, Cardiff, 2 May 2017.

Edited book

BRACEY, A. and MAIER, D., 2022. Bummock: Tennyson Research Centre. Flipping The Bummock Press. ISBN 9781999883027

Exhibition

BROWN, A., MAIER, D., LEE, J. and STEVENS, C., 2023. Returns: back stitch methodology as a reflective approach to artistic research. Art of Research VIII Re-Imagining Conference, Aalto University, Finland, 30 November - 1 December 2023.

MAIER, D., 2022. Bummock: Tennyson Research Centre. Lincoln Museum, Lincoln, 08 January-20 February 2022.

MAIER, D., 2022. Fryn Tennyson Jesse: her and me. Bummock: Tennyson Research Centre, Lincoln Museum, Lincoln, 07 January-20 February 2022.

MAIER, D., BRACEY, A. and BENNETT, S., 2019. Bummock: Tennyson. Ridges & Furrows Waddington heritage trail, Waddington, Lincolnshire, 27 July - 11 August 2019.

MAIER, D., BRACEY, A. and RENTON, L., 2019. Bummock: The Lace Archive. Ruskin Gallery, Anglia Ruskin University, Cambridge, 24 January - 16 February 2019.

MAIER, D., BRACEY, A. and RENTON, L., 2019. Bummock: The Lace Archive. Constance Howard Gallery, Goldsmiths College, London, 11 November - 20 December 2019.

MAIER, D., 2019. Score no. 3. A Share of the Future, Library and campus, China University of Mining and Technology, Beijing (CUMTB), Beijing, China, 8 March - 30 April 2019.

MAIER, D., 2018. Four glory holes. Decriminalising Ornament: The Pleasures Of Pattern, Ruskin Gallery, Anglia Ruskin University, Cambridge, 1-26 November 2018.

MAIER, D., BRACEY, A. and RENTON, L., 2018. Bummock: The Lace Archive. Backlit Gallery, Nottingham, 26 January - 18 February 2018.

MAIER, D., BROWN, A., LEE, J. and STEVENS, C., 2018. Re-Turning. AirSpace Gallery, Stoke-on-Trent, 30 November - 15 December 2018.

MAIER, D., BRACEY, A. and WILLIAMS, G., 2017. There but Different. Cornerstone Gallery, Liverpool Hope University, Liverpool, 23 October - 24 November 2017.

MAIER, D., 2016. De/Structured. Backlit Gallery, Nottingham, 25 February - 13 March 2016.

MAIER, D., 2016. In return. In return, Sheffield Institute of Arts Gallery, Sheffield Hallam University, Sheffield, 2-21 February 2016.

MAIER, D., 2016. Old Lady. Midpointness, AirSpace Gallery, Stoke-on-Trent, 19 November - 17 December 2016.

MAIER, D., 2015. Returns [group exhibition], Bonington Gallery, Nottingham Trent University, 11 February - 4 March 2015. Bonington Gallery, Nottingham Trent University, Nottingham, 11 February - 4 March 2015.

MAIER, D., 2014. Nottingham Castle Open 2014 [group exhibition], Nottingham Castle Museum, Nottingham, 13 December 2014 – 18 January 2015. Nottingham Castle Museum, Nottingham, 13 December 2014 – 18 January 2015.

MAIER, D., 2014. Stitch & Peacock. The Collection Museum and Usher Gallery, Lincoln, 26 September 2014 - 11 January 2015.

MAIER, D., 2013. Plinths & Frames. Topographies of the Obsolete: Vociferous Void .

MAIER, D., 2013. The site is the question [group exhibition]. .

MAIER, D. and WILLIAMS, G., 2012. Shot. The Broadcaster, Lincolnshire, 22 September - 22 December 2012.

MAIER, D., 2012. X [multi-disciplinary group exhibition]. .

WILLIAMS, G., MAIER, D., PLOWMAN, J. and STREETEN, N., 2011. 2nd Supper. The Monks Gallery, Lincoln, 4 November 2011.

MAIER, D., 2011. Evolution of Stitch [group exhibition]. .

MAIER, D., 2011. Landscape vs Land-Scape [group exhibition]. .

MAIER, D., 2011. Miniments(s). .

TOWNSEND, K., PERRY, G., HODES, C., LITHERLAND, G.D., MAIER, D., BECK-MATHER, S., FISHER, C., SPRAWSON, D., WHALLEY, S., TAYLOR, T. and ACTI, T., 2010. Closely Held Secrets [group exhibition]. Bonington Gallery, Nottingham Trent University, Nottingham, 29 October - 24 November 2010.

WILLIAMS, G., MAIER, D., PLOWMAN, J. and STREETEN, N., 2009. B-Noticed. The Broadcaster: The Postmethodists, Lincolnshire, 22 July - 22 September 2009.

MAIER, D., 2009. Make, Shift and Bend [group exhibition]. .

MAIER, D., 2009. Midlands & Tooraloorals. .

MAIER, D., 2008. On Time. .

MAIER, D., 2007. East wing collection 8. .

MAIER, D., 2007. Parade. .

MAIER, D. and WILLIAMS, G., 2007. Unpicked and Dismantled. 6th Kaunas Art Biennale: Textile '07, M. K. Čiurlionis National Museum of Art, Kaunas, Lithuania, 1 December 2007 - 3 March 2008.

MAIER, D. and THRULEY, J., 2006. Hortus. .

MAIER, D. and WHALL, M., 2005. Adam and Eve it. .

MAIER, D., 2005. Intraducible. .

MAIER, D., 2005. Textile '05: Kaunas art biennial. .

MAIER, D., 2004. Crown and feathers. .

MAIER, D., 2004. Open house. .

MAIER, D., 2004. Pants. .

MAIER, D. and WILLIAMS, G., 2004. ...dreaming of a white... London, 1 December 2004 - 10 January 2005.

MAIER, D., 2003. CO/OP. .

MAIER, D., 2002. Bookmobile [travelling exhibition through the US and Canada]. .

MAIER, D., 2002. Random cross stitch [curated by Maier]. .

MAIER, D., 2001. Blunt. .

MAIER, D., 2001. Danica Maier. .

MAIER, D., 2001. Drive slowly. .

MAIER, D., 2001. Just ripe. .

MAIER, D., 2001. May bride. .

MAIER, D., 2001. Night of 1,000 drawings. .

MAIER, D., 2001. Works on paper. .

MAIER, D., 2000. Fresh blood. .

MAIER, D., 2000. Photocopied. .

MAIER, D., 1997. Works on paper. .

MAIER, D., 1996. One man show [group show]. .

MAIER, D., 1996. Painting with fabric. .

MAIER, D., 1996. Recent work. .

MAIER, D., 1994. Recent paintings. .

Newspaper or popular journal contribution

MAIER, D., 2015. Purdah. .

Performance

MAIER, D. and SCHEUREGGER, M., 2022. Score no. 1 and film Score: mechanical asynchronicity: lockdown, presentation and discussion. Performative and Experiential Translation Conference, King’s College London, London, 13-15 July 2022.

MAIER, D. and SCHEUREGGER, M., 2021. Score: mechanical asynchronicity III. Prix Annelie de Man, Orgelpark, Amsterdam, Netherlands, 1 December 2021.

MAIER, D. and SCHEUREGGER, M., 2019. Score: mechanical asynchronicity. Constance Howard Gallery, Goldsmiths College, London, 22 November 2019.

MAIER, D. and SCHEUREGGER, M., 2019. Score: mechanical asynchronicity. Nottingham Contemporary, Nottingham, 28 September 2019.

MAIER, D. and SCHEUREGGER, M., 2019. Score: mechanical asynchronicity. Ruskin Gallery, Anglia Ruskin University, Cambridge, 31 January 2019.

MAIER, D., 2019. Associated thoughts on line. Convocation On Expanded Language-Based Practices, Research Pavilion, Giudecca, Venice, Italy, 16-18 June 2019.

MAIER, D., 2018. |:Score:|. Urban Soundings as part of POP OUT Festival 2018, Lincoln Central Car Park, Lincoln, 10 October 2018.

MAIER, D., MAIER, F., WILLIAMS, G., PLOWMAN, J., PLOWMAN, S. and STREETEN, N., 2014. 2nd Supper Redux. Creating a Scene Exhibition, Terry O'Toole Theatre, Lincoln, April 2014.

Review

MAIER, D., 2014. Review of Kaunas Textiles Biennale [exhibition review]. Craft Research, 5 (1), pp. 121-127. ISSN 2040-4689

Other

MAIER, D., 2016. From stitch to the drawn line: the complex nature of the relationship between stitched line verse the drawn line.

MAIER, D., 2006. Gallery discussion with Jane Thruley and Katie Doubleday held at the Surface Gallery, Nottingham, UK.

MAIER, D., 2006. Panel leader for Gallery discussion for the exhibition 'Excess' held at the Angel Row Gallery, Nottingham, UK.

MAIER, D., 2006. Seminar for visual art students: professional practice seminar held at the Galway-Mayo Institute of Technology (GMIT), Galway, Ireland.

MAIER, D., 2006. Visiting artist talk for visual art and textile students: discussion of the artist's art practice held at the Galway-Mayo Institute of Technology (GMIT), Galway, Ireland.

MAIER, D., 2005. Artist talk for visual art students and the general public: discussion of the artist's art practice and the concerns inherent within it, a Broadway Live Lecture, Nottingham, UK.

MAIER, D., 2005. One-day workshop working with sight specific and installation work held at the Art School of the National University, Asuncion, Paraguay.

MAIER, D., 2005. Professional practice seminar for post graduate fine arts: discussion of the artist's artistic career, held at Lincoln University, Lincoln, UK.

MAIER, D., 2005. Public talk: discussion of the artist's residency in Paraguay, its influence on her practice, art works created, pieces collected, and personal experiences, held at the Constance Howard Resource and Research Centre, Goldsmiths College, London, UK.

MAIER, D., 2005. Six week residency researching and developing work around ñanduti lace held at the Fundación Migliorisi, Asuncion, Paraguay.

MAIER, D., 2005. Three day workshop working with young adults held at the Gasworks and London Printworks.

MAIER, D., 2005. Two-week workshop with 30 artists from different countries held at the Braziers International Artist Workshop.

MAIER, D., 2005. Visiting artist talk for visual art students: discussion of the artist's art practice, held at Lincoln University, Lincoln, UK.

MAIER, D., 2005. Visiting artist talk for visual art students: discussion of the artist's art practice, held at the Art School of the National University, Asuncion, Paraguay.

MAIER, D., 2004. Consultancy with the Dean of School at Beacon House National University, Lahore, Pakistan.

MAIER, D., 2004. One-day workshop with visual and performing arts students, creating soft sculptures while working with the negative space surrounding the body held at Beacon House National University, Lahore, Pakistan.

MAIER, D., 2004. Public talk: discussion of the artist's residency in Pakistan, its influences on her practice, art works created, pieces collection and personal experiences, held at the Constance Howard Resource and Research Centre, Goldsmiths College, London.

MAIER, D., 2004. Public talk: the artist's art practice, her experience in Pakistan, and its influence on work created during her residency at Indus Valley School of Art and Architecture, held at the British Council, Karachi, Pakistan.

MAIER, D., 2004. Six week residency with Vasl at Indus School of Art and Architecture held at Vasl (Karachi, Pakistan) with Gasworks (London).

MAIER, D., 2004. Visiting artist talk for visual art students: discussion of the artist's artwork, and experience within the contemporary arts in London and abroad, held at the Tyler School of Art, Philadelphia, Pennsylvania.

MAIER, D., 2004. Visiting artist talk for visual art students: discussion of the artist's artwork, practice, career path as an artist, and experiences within the art world in London, held at the University of Delaware, Newark, Delaware.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at Beaconhouse National University, Lahore, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at Karachi University, Karachi, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the Indus Valley School of Art and Architecture, Karachi, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the National College of Arts, Lahore, Pakistan.

MAIER, D., 2004. Visiting artist talk: the artist's experience of working at the Fabric Workshop and Museum, London Printworks Trust and Goldsmith College, held at the Textile Institue Pakistan, Karachi, Pakistan.

MAIER, D., 2004. A two-week 3-D workshop, working with the body as a sight specific location held at the Indus Valley School of Art and Architecture, Karachi, Pakistan.

MAIER, D., 2003. Tour-leading group member with Jenni Lomax and Gerard Williams: leading group discussion of all exhibited work produced during a two-week workshop, held at the Braziers International Artists Workshop '03.

MAIER, D., 2002. Public talk: the artist's personal experiences of working at the Fabric Workshop and Museum, held at the Constance Howard Resource and Research Centre, Goldsmiths College, London.

MAIER, D., 2001. Public exhibition talk / tour of the show at the Vox Populi Gallery, Philadelphia, PA.

MAIER, D., 1999. Talk for visual art students: the artist's personal artwork and experience since graduating, held at Beaver College, Glenside, PA.

MAIER, D., 1999. Three month comprehensive fabric screen-printing apprenticeship, focusing on repeat printing held at the Fabric Workshop and Museum, Philadelphia, PA.