Items where Division is "School of Art and Design" and Year is 2011

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ABBAS, J., AL-HABAIBEH, A. and SU, D., 2011. Sensor fusion for condition monitoring system of end milling operations. In: Proceedings of the 3rd International Conference on Advanced Design and Manufacture (ADM2010), Nottingham.

ABBAS, J., AL-HABAIBEH, A. and SU, D., 2011. Sensor fusion for condition monitoring system of end milling operations. Key Engineering Materials, 450, pp. 267-270.

ABBAS, J., AL-HABAIBEH, A. and SU, D., 2011. The effect of tool fixturing quality on the design of condition monitoring systems for detecting tool conditions. JJMIE - Jordan Journal of Mechanical and Industrial Engineering, 5 (1), pp. 17-22. ISSN 1995-6665

ABBAS, J., AL-HABAIBEH, A. and SU, D., 2011. The investigation of prediction surface roughness from machining forces in end milling processes. Key Engineering Materials, 486, pp. 91-94.

ABBAS, J., AL-HABAIBEH, A. and SU, D., 2011. The investigation of prediction surface roughness from machining forces in end milling processes. In: Proceedings of the 4th International Conference on Advanced Design and Manufacture (ADM2011), Kunming.

ANDERSEN, E., 2011. Emily Andersen's best shot [photograph and interview]. The Guardian (G2 Section), p. 23.

AYODEJI, J., 2011. The book an adaptation from the film: technology, narrative, business & how the book industry might adapt the film. International Journal of the Book, 8 (3), pp. 113-122. ISSN 1447-9516

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BELCHER, S., 2011. Has the internet changed the way we look at and criticize art? An interview with Matthew Collings. , pp. 64-69. ISSN 2047-9328

BELL, R., BROADBERRY, S. and AYODEJI, J., 2011. From WAC to WiD: trialling writing-intensive pedagogies with academic staff in UK higher education. In: M. DEANE and P. O'NEILL, eds., Writing in the disciplines. Basingstoke: Palgrave Macmillan, pp. 198-212. ISBN 9780230237087

BRIGGS-GOODE, A. and RUSSELL, A., 2011. Printed textile design. In: A. BRIGGS-GOODE and K. TOWNSEND, eds., Textile design: principles, advances and applications. Cambridge: Woodhead Publishing, pp. 105-128. ISBN 9781845696467

BRIGGS-GOODE, A. and TOWNSEND, K., 2011. Textile design: principles, advances and applications. Cambridge: Woodhead Publishing; The Textile Institute.

BROWN, A., 2011. Beating the bounds [Summer Lodge]. .

BROWN, A., 2011. Consequences. .

BROWN, A., 2011. Hartington walk [Winter Lodge]. .

BROWN, A., 2011. Instructions for a walk [Wanderlust group show]. .

BROWN, A., 2011. Kiss me [Wanderlust group show]. .

BROWN, A., 2011. The way back [Wanderlust group show]. .

BUNCE, G. and HAMBLIN, F., 2011. Skill development in textile design education: transition and play through manual and digital process. In: TRIP: Textiles Research In Process Conference, Loughborough University, Loughborough, 2011.

BUSSON, S., HORRIGAN, J., HUNT & DARTON, , THEODORAKI, M. and JUDD, B., 2011. Stephanie Busson, Jefford Horrigan, Hunt & Darton, Maria Theodoraki, Ben Judd. Group exhibiton held at James Taylor Gallery, London, 2011. .

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CHRISTENSEN, S. and JUDD, B., 2011. The edge of reason [exhibition catalogue]. Sandnes, Norway: KINOKINO.

COCKER, E., 2011. [Commissioned essay]. In: Beginnings. Vivid Publishing.

COCKER, E., 2011. Distancing the if and then. In: N. GANSTERER, ed., Drawing a hypothesis: figures of research. Springer Verlag/Jan Van Eyck Academy, pp. 97-108.

COCKER, E., 2011. Field notes: extracts from an event [text work] [In: Hirvanen, M., ed. Edge of Europe. Finland: Kiasma, pp. 126 -133].

COCKER, E., 2011. Moves towards the incomprehensible wild. art&research, 4 (1).

COCKER, E., 2011. Moves towards the incomprehensible wild. In: S. DUTTON and S. SWINDELLS, eds., Institute of beasts. Sheffield: Site Gallery, pp. 1-19.

COCKER, E., 2011. Over and over again and again. In: W.I. LORING and J. HIRSH, eds., Contemporary art and classical myth. Burlington, USA: Ashgate, pp. 267-293.

COCKER, E., 2011. Pay attention to the footnotes Kuopio [text work] [In: Hirvanen, M., ed. Edge of Europe. Finland: Kiasma, pp. 35 -51].

COCKER, E., 2011. Performing stillness: community in waiting. In: D. BISSELL and G. FULLER, eds., Stillness in a mobile world. Routledge, pp. 87-106.

COCKER, E., 2011. Permission granted. Drain, 14.

COCKER, E., 2011. Re - (repeat, rework, rewrite, remember). In: PSi # 17 Camillo: Memory, Technology, Performance Conference, Utrecht University, 25 -29 May 2011, Utrecht.

COCKER, E., 2011. Review of Anti Festival, Kuopio. .

COCKER, E., 2011. Review of Hanne Darboven and Raphael Hefti, Camden Arts Centre. .

COCKER, E., 2011. Room for manoeuvre: ways of operating along the margins. In: Manual for marginal places. London: closeandremote.

COCKER, E., 2011. Without rhyme or reason. In: V. HORVAT, ed., In other words in other's words and other words. Norway: Bergen Kunsthall, pp. 15-17.

COCKER, E., 2011. The yes of the no! Drain, 14.

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

COCKER, E. and GANGSTERER, N., 2011. Drawing on drawing a hypothesis. .

CRABBE, A., 2011. Where form follows function. In: 5th Design Principles & Practices Conference, La Sapienza University, Rome, Rome.

CRANE, D. and SHERLOCK, A., 2011. Book reviews. Critical Studies in Fashion and Beauty, 2 (12), pp. 237-247. ISSN 2040-4417

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DALLABONA, A., 2011. Creating Italian fashion. In: D. SCOTT, J. MC CARRRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 35-39. ISBN 9781842331453

DIAS, T., 2011. Electronically active smart textiles [special lecture]. HiNOW, Summer 2011, 4, pp. 16-18. ISSN 1752-2390

DIAS, T., 2011. Electronically active yarns. In: Smart Fabrics 2011 Proceedings, London.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. CA2623171.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. EP1976429.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. NZ566921.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. WO2007036741.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. GB2444203.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. US2009203984.

DIAS, T., BEATTY, P.C.W., HURLEY, W., MITCHAM, K., GRIFFITHS, A. and RAMGULAM, R.B., 2011. Contact sensors. AU2006296395.

DIAS, T., HURLEY, W. and MITCHAM, K., 2011. Knitting techniques. UK GB2444443.

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EDWARDS, E., 2011. Textiles and dress of Gujarat. London: V&A Publishing in association with Mapin Publishing. ISBN 9781851776450

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FERGUSON, N., PLANT, A. and HARDY, C., 2011. Venturing abroad - from my computer in Nottingham: researching student engagement with the internationalization agenda from a student perspective. In: Inaugural RAISE Conference: Engaging Students in Challenging Times, Nottingham Conference Centre, Nottingham, 15-16 September 2011.

FERRY, E., 2011. Review of 'Fashion, interior design and the contours of modern identity', Alla Myzelev and John Potvin (eds.), Ashgate, 2010. Textile History.

FERRY, E., 2011. Tiles and taste: the search for Mrs Orrinsmith. In: William Morris Society, Kelmscott House, Hammersmith, London, February 2011, London.

FERRY, E., 2011. The other Miss Faulkner': Mrs Orrinsmith and the 'Art at home series'. The Journal of William Morris Studies (3), pp. 47-64.

FISHER, C., 2011. Pile [curatorial project]. .

FISHER, C., 2011. Pile [group exhibition]. .

FISHER, C., 2011. Reckless Behaviour [solo exhibition]. .

FISHER, C., 2011. X YEARS [group exhibition]. .

FROST, H. and SADLER, L., 2011. Mould map 2. London: Landfill Editions.

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GAMBLE, R., 2011. The artist as host: participatory performance in hybrid space. In: D. SCOTT, J. MC CARRON, M. MANDERE, R. WARWICK and S. APPIAH, eds., Creative Connections: Exploring and Discovering Relationships. Nottingham: Nottingham Trent University, pp. 46-51. ISBN 9781842331453

GAN, D.S.S., 2011. A nation's visual language: nation branding and the visual identity of contemporary Malaysia. PhD, Nottingham Trent University.

GOODRUM, A., 2011. Adroit with simplicity: the culture of female riding dress in interwar America. In: History of Women in the Americas Conference, Brunel University, London, 6 July 2011, London.

GOODRUM, A., 2011. Clothes maketh the horsewoman. National Sporting Library and Museum Newsletter (982010), p. 6.

GOODRUM, A., 2011. Geographies of fashion: the case for intellectual bricolage and a geography of (rural) fashion. In: Futurescan: mapping the territory. UNSPECIFIED. ISBN 9781907382307

GOODRUM, A., 2011. A severity of plainness: the culture of female riding dress in America during the 1920s and 1930s. In: 10th Australian and New Zealand Association of Leisure Studies (ANZALS) Conference, University of Otago, Dunedin, New Zealand, 6-8 December 2011, Dunedin, New Zealand.

GOODRUM, A. and HUNT, K.J., 2011. Framing rural fashion: observations from Badminton horse trials. Journal of Visual Communication, 10 (3), pp. 287-322.

GOODRUM, A.L. and HUNT, K.J., 2011. Framing rural fashion: observations from Badminton horse trials. Visual Communication, 10 (3), pp. 287-324. ISSN 1470-3572

GOWOREK, H. and COOPER, T., 2011. An exploration of own brand retailers' perspectives on sustainable consumption of clothing. In: Emerging Issues in Uncertainty and Ethical Consumption, University of Glasgow Workshop, 13 June 2011, Glasgow.

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HALL, N.A. and VELEZ-COLBY, F., 2011. Inclusive education: enhancing the student experience through simple learning technologies. In: Education in a Changing Environment: 6th International Conference, 2011.

HALL, N.A. and VELEZ-COLBY, F., 2011. Responding to design industry skill gaps: a model of business practice education of undergraduate design students. In: 13th International Conference on Engineering and Product Design Education (EPDE2011), City University London, London, 8-9 September 2011.

HAMBLIN, F., 2011. Archaeology of practice. Archipelago Exhibition, Bonington Gallery, Nottingham Trent University, Nottingham, 2011.

HAMILTON, H., 2011. Green Gate Farm – 2010/11. Uisdean Mor Publishing. ISBN 9781447803560

HAMILTON, H., 2011. Michael Spender: a British pioneer of military aerial photographic mapping in World War II. In: H. HÄUSLER and R. MANG, eds., International handbook military geography, volume 2, proceedings of the 8th International Conference on Military Geosciences. Vienna: Austrian Ministry of Defence & Sports, pp. 249-257. ISBN 9783901183577

HAMILTON KNIGHT, M., 2011. [Photographs]. In: 61/11 Continuous collective: BDP. [United Kingdom]: BDP. ISBN 9780956352316

HARDY, C. and BRYSON, C., 2011. The Class of 2012: engaged students or consumers? In: Inaugural RAISE Conference: Engaging Students in Challenging Times, Nottingham Conference Centre, Nottingham, 15-16 September 2011.

HARDY, C. and BRYSON, C., 2011. Student engagement: conceptions and ways forward. Anglohigher, 3 (2), pp. 15-16.

HARDY, D.A., KERROUCHE, A., ROAF, S.C. and RICHARDS, B.S., 2011. The search for building-integrated PV materials with good aesthetic potential: a survey. In: M.G. HUTCHINS and N. PEARSALL, eds., Proceedings of the 7th Photovoltaic Science, Applications and Technology Conference (PVSAT-7), Heriot-Watt University, Edinburgh, 6-8 April 2011. Oxford: Oxford Brookes University, pp. 205-208. ISBN 9780904963779

HARTY, D., 2011. luminous//black//dust. In: Kaleidoscope: New Perspectives on the Humanities, Warwick University, 28-29 May 2011, Warwick.

HAYLEY, A., MCINNES, I., PARKER, M. and SCHENK, P., 2011. Drawing research and the implications for industrial practice and curriculum development. In: Knowhow2: thoughts on drawing and textiles studies. Reykjavik: European Commission, pp. 37-43. ISBN 9789979709961

HAYLEY, A., MCINNES, I., PARKER, M. and SCHENK, P., 2011. Drawing research and the implications for industrial practice and curriculum development. Reykjavik National Museum and Conference Centre, Reykjavik, Iceland, November 2011.

HIELSCHER, S., 2011. Are you worth it? A practice-orientated approach to everyday hair care to inform sustainable consumption strategies. PhD, Nottingham Trent University.

HIGGINS, D., 2011. Antiphony fuge. .

HIGGINS, D., 2011. Down on the Farm [installation]. .

HIGGINS, D., 2011. Flowers Violence Landscapes. .

HIGGINS, D., 2011. Losing Darkly. .

HIGGINS, D., 2011. Losing Darkly. .

HIGGINS, D., 2011. [Oral presentation]. In: White Flowers + An Elephant in the Room, Bergen Academy of Art, Bergen, Norway, 2011, Bergen, Norway.

HIGGINS, D., 2011. Tracing Mobility: Cartography and Migration in Networked Space. .

HIGGINS, D., 2011. Unloud: Down on the Farm [solo exhibition]. .

HIGGINS, D., 2011. [Workshop]. In: UNSPECIFIED, Dlezew, Poland.

HUNT, K.J., 2011. Else/where: mapping: new cartographies of networks and territories [book review]. Material Culture, 43 (1), pp. 122-125. ISSN 0883-3680

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JACHNA, T., LAM, Y.Y. and TZVETANOVA YUNG, S., 2011. Education into industry: collaboration, transition, mutation. In: DesignEd Asia Conference, Hong Kong Convention & Exhibition Centre, Hong Kong, 29-30 November 2011, Hong Kong.

JACKSON, C., CUNNINGHAM, S. and KANDHOLA, M., 2011. Wounding the black male [exhibition catalogue]. New Jersey, USA: TCNJ Gallery.

JUDD, B., 2011. Celebrating: ritual and performance [invited public lecture].

JUDD, B., 2011. Love video 2011. Group exhibition held at Center of Contemporary Art of Tbilisi, Tbilisi, Georgia, 2011. .

JUDD, B., 2011. Mysterium. Exhibition held at James Taylor Gallery, London, 2011. .

JUDD, B., 2011. Superhybrid. Group exhibition held at Highlight Club, Leeds, 2011. .

JUDD, B., 2011. The edge of reason. Group exhibition held at KINOKINO, Sandnes, Norway, 2011. .

JUDD, B., 2011. The spirit is a radium in decay. Group exhibition held at Apiary Projects, London, 2011. .

JUDD, B. and CHRISTENSEN, S., 2011. The edge of reason. Group exhibition held at KINOKINO, Sandnes, Norway, 2011 [curators]. .

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KANDHOLA, M., 2011. Wounding the Black Male. [Former] Church of St. Barnabas King Square, London, 22 April - 31 July 2011. .

KANDHOLA, M., GOODHEW, S., NEWLING, J., MOTTRAM, J. and EVANS, P., 2011. Wonder Cabinet. Newton Building, Nottingham Trent University, Nottingham, April 2011 - January 2013. .

KANDHOLA, M. and HAWTHORNE, M., 2011. Wanderlust. Bonington Gallery, Nottiingham Trent University, Nottingham, January - February 2011. .

KANDHOLA, M., JACKSON, C. and CUNNINGHAM, S., 2011. Wounding the Black Male. TCNJ Art Gallery, Ewing, NJ, USA, March 2011. .

KNOX, A., OXBORROW, L., HILL, H., ROBINET, P. and BACHMANN, J.-M., 2011. SERVice Oriented Intelligent Value Adding nEtwork for Clothing-SMEs embarking in Mass-Customisation [as a result of the Automatic knitting Sites pilot, Task D6.2a]. CORDIS. CORDIS.

KUKSA, I., SCRIVEN, N. and RUMNEY, P., 2011. The Cosmos Project: a journey to the stars. Youth Theatre, 25 (1), pp. 87-100. ISSN 0892-9092

KUKSA, I. and TUCK, D., 2011. 'Breaking the glass': preserving social history in virtual environments. International Journal of Arts and Technology, 4 (4), pp. 392-407.

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LEE, J., 2011. Ian Helliwell. In: Telenesia [exhibition catalogue]. Southampton: Hidrazone/Southampton Solent University, p. 16. ISBN 9780956314031

LEE, J., 2011. Pam Flett Press. Brighton: Pam Flett Press/Joanne Lee.

LEE, J., 2011. Pam Flett Press. Brighton: Pam Flett Press/Joanne Lee.

LEE, J., 2011. Soon all your neighbours will be artists. , p. 29. ISSN 0261-3425

LEE, J., 2011. Voodoo Chanel. , p. 13. ISSN 0261-3425

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MAIER, D., 2011. Evolution of Stitch [group exhibition]. .

MAIER, D., 2011. Landscape vs Land-Scape [group exhibition]. .

MAIER, D., 2011. Miniments(s). .

MCINNES, I., 2011. Material thinking: drawing to record, understand and respond. In: A. KANTROWITZ, A. BREW and M. FAVA, eds., Thinking through drawing: practice into knowledge. Proceedings of an interdisciplinary symposium on drawing, cognition and education. New York: Teachers College Press, pp. 127-133.

MCINNES, I., 2011. The interplay of integral and applied patterning in weft knitted textiles combining digital print and selective needle patterning. Scottish Academy of Fashion Showcase Exhibition, Centre for Informatics, Edinburgh University, Edinburgh, July 2011.

MCINNES, I. and SCHENK, P., 2011. Conveying the spontaneity of drawing through the knitted textile production process. In: TRIP International Symposium, School of the Arts, Loughborough University, Loughborough, 16-17 November 2011.

MCINNES, I. and SCHENK, P., 2011. Drawing as a precursor for innovation in knitted textile design and production. In: 6th UNDICOM International Conference, Lisbon, Portugal, 5 October 2011.

MONETA, A., 2011. ScenArchitettura: un contributo per la ri-definizione delle discipline dello spazio. Contemporary Scenography, pp. 1-4.

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NEIDDERER, K. and TOWNSEND, K., 2011. Expanding craft: reappraising the value of skill [editorial essay]. Craft Research, 2 (1), pp. 3-10. ISSN 2040-4689

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ODDEY, A., 2011. Beyond the gallery: the human foot as masterpiece of engineering, a work of art and window on our health. In: International Conference on Health, Wellness & Society, University of Berkley, California, USA, 20-22 January 2011.

ODDEY, A., 2011. Changing cinematic spaces. In: Avanca Film Festival and Conference, Portugal, 2011.

ODDEY, A., 2011. Greet the feet. Dame Laura Knight Studio, Nottingham Trent University, Nottingham, 2011.

ODDEY, A., 2011. [associate editor]. Common Ground Publishing.

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PATEL, R., 2011. [Design exhibit] 'Transformation and Revelation': the UK design for performance exhibition 2007-2011. .

PEPPER, A., 2011. 140 Characters [group exhibition]. Moss Public Library, Moss, Norway, February 2011. .

PEPPER, A., 2011. Contemporary Sculpture: Transit [group exhibition]. Nottingham Trent University, School of Art and Design, Bonington Building, Nottingham, 1-13 December 2011. .

PEPPER, A., 2011. Garden of Light [group exhibition]. Gallery 175, Seoul, South Korea, 1-18 November 2011. .

PEPPER, A., 2011. Holograms 2 [group touring exhibition]. Banbury Museum, Banbury, Oxfordshire, 23 July - 30 September 2011. .

PEPPER, A., 2011. Holograms 2 [group touring exhibition]. The Oxfordshire Museum, Woodstock, Oxfordshire, 15 January - 6 March 2011. .

PEPPER, A., 2011. Miniment(s) [group exhibition]. Nottingham Trent University, School of Art and Design, Bonington Building, Nottingham, 13 April - 20 May 2011. .

PIEBALGA, A., 2011. Archipelago, Bonington Gallery, Nottingham, 16 January - 10 February 2011. .

PIEBALGA, A., 2011. Immortal. Wayward Gallery, London, June 2011. .

PIEBALGA, A., 2011. Parallel connections art exhibition, London, 2 April 2011. .

PIEBALGA, A., 2011. [Poster exhibition]. In: Nottingham Trent University Research Conference, Nottingham 7 July 2011, Nottingham.

PIEBALGA, A., 2011. Shaping the ride. The power of making exhibition at the Victoria and Albert Museum, London, September 2011. .

PIEBALGA, A., 2011. [Symposium]. In: Super vision: insight and interaction in graduate art and design research, University of Wales Institute, Cardiff, 23 March 2011, Cardiiff.

PREECE, S.J., KENNEY, L.P.J., MAJOR, J.M., DIAS, T., LAY, E. and FERNANDES, B.T., 2011. Automatic identification of gait events using an instrumented sock. Journal of NeuroEngineering and Rehabilitation, 8 (32), pp. 1-10.

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RUMNEY, P., 2011. DreamPlay [writer of interactive performance for 3-4 Year olds, 2011-2012]. Big Window Theatre.

RUMNEY, P., 2011. Wanderlust exhibition, Bonington Gallery, Nottingham Trent University, 2011. .

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SAICHEUA, V., COOPER, T. and KNOX, A., 2011. Public understanding towards sustainable clothing and the supply chain. In: Fashion Colloquia, London College of Fashion, London, 21 September 2011.

SHORTHOSE, J. and MAYCROFT, N., 2011. New spectacles for Juliette: values and ethics for creative business. Nottingham: Nottingham Creative Network. ISBN 9781842331460

SPRAWSON, D., 2011. Erase & rewind. The Refectory Gallery, Nottingham City Artists, Nottingham, 2011.

SPRAWSON, D., 2011. The island of 20,000 saints. All Saints Church, Laughton, Lincolnshire, 2011.

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TOWNSEND, K., 2011. Closely held secrets: transgressing the surface. In: TRIP (Textiles Research in Progress): an international symposium exploring the role and relevance of traditional ‘hand skills’ in contemporary textiles, and the value and status of craft process, School of the Arts, Loughborough University, 16-17 November, Loughborough.

TOWNSEND, K., 2011. Simultaneous design: synthesising advanced and digital crafting methods in fashion and textiles [invited speaker]. In: Postgraduate Research Lecture, Wolverhampton School of Art & Design, March 2011, Wolverhampton.

TOWNSEND, K., 2011. The denim garment as canvas: exploring the notion of wear as a fashion and textile narrative. Textile: The Journal of Cloth and Culture, 9 (1), pp. 90-107. ISSN 1475-9756

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WILLIAMS, G., 2011. The Collected Works. Handel Street Projects, Holborn, London, 25 February – 31 March 2011.

WILLIAMS, G., MAIER, D., PLOWMAN, J. and STREETEN, N., 2011. 2nd Supper. The Monks Gallery, Lincoln, 4 November 2011.