Items where Division is "School of Art and Design" and Year is 2018

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Number of items: 132.

A

ABOUALI, L., WU, Z. and KANER, J., 2018. Chinese visual traditions encountered on Safavid furniture. Bulletin of the Transilvania University of Brasov. Series II: Forestry, Wood Industry, Agricultural Food Engineering, 11 (2), pp. 81-94. ISSN 2065-2135

ADLAM, C., 2018. Armistice & legacy. London: The National Archives.

ADLAM, C., 2018. World Illustration Awards 2018. Falmouth Art Gallery, Falmouth, November 2018 - January 2019.

ADLAM, C., 2018. World Illustration Awards 2018. The Art House, University of Worcester, Worcester, October - November 2018.

ADLAM, C., 2018. World Illustration Awards 2018. Somerset House, London, July 2018.

ADLAM, C., 2018. World Illustration Awards 2018. COEX Center, Seoul, South Korea, July 2018.

ANDERSEN, E., 2018. Exhibition 209 Women: 209 photographers photograph 209 women. MP’s Portcullis House, Westminster, London, December 2018 - February 2019.

ANDERSEN, E., 2018. [Photograph of Ruth Fainlight and book cover]. In: Somewhere else entirely. Hexham: Bloodaxe Books. ISBN 9781780374383

ANDERSEN, E., 2018. Portraits: black and white. London: Anomie Publishing. ISBN 9781910221174

ANDERSEN, E., 2018. Portraits: black and white. Tintype Gallery, London, October 2018.

ANDERSEN, E., 2018. Portraits: black and white. Nottingham Trent University, Nottingham, November - December 2018.

ANDERSEN, E., 2018. Portraits: black and white. Nottingham City Library, Nottingham, December 2018 - January 2019.

ANDERSEN, E. and ANDERSEN, L., 2018. Mudgirl. Niijournal, III, pp. 16-25.

ANDERSEN, E. and ANDERSEN, L., 2018. Protection: 30 Artists 30 Prints. [Digital or Visual Media]

ANDERSEN, E. and ANDERSEN, L., 2018. Protection: 30 Artists 30 Prints. Coal Drops Yard, London, December 2018.

ARBOUIN, A., 2018. Black British graduates: untold stories. Stoke-on-Trent: Trentham Books. ISBN 9781858568539

B

BALASKAS, B., 2018. Anarchy near the UK. Trajectories, Watermans Arts Centre, London, 2018.

BAXTER, G., 2018. Nottingham lace: a story of connecting threads. In: Shadow Writing (Lace / Variations), Nottingham Contemporary, Nottingham, 26 May 2018.

BLACKLEY, N. and KENT, A., 2018. There is hope for the high street – here’s how to transform it. The Conversation.

BRIGGS-GOODE, A., 2018. Lace Unarchived. Bonington Gallery, Nottingham Trent University, Nottingham, 23 February - 29 March 2018.

BRIGGS-GOODE, A., 2018. Lace Unarchived Exhibition. Bonington Gallery, 23 February - 29 March 2018.

BROWN, A., 2018. Listening and Whispering Pots - Re-Turning. Airspace Gallery, Hanley, Stoke-on-Trent, 30 November - 15 December 2018.

BROWN, A., 2018. OpenCity Nine Elms. Art Night, St. George’s Wharf Pier, London SW8 2LU, 7 July 2018.

BROWN, A., 2018. OpenCity Stoke - Re-Turning. Airspace Gallery, Hanley, Stoke-on-Trent, 30 November - 15 December 2018.

BROWN, V., 2018. Cool, sunglasses and the modern woman: icons of the 1960s. Film, Fashion & Consumption, 7 (2), pp. 97-114. ISSN 2044-2823

C

CARPENTER, B. and KNIGHT, V., 2018. Potential unlocked: art in prison. Scene, 6 (1), pp. 7-12. ISSN 2044-3714

CHAMBERS, L., 2018. Soft edge-ness in contemporary abstract painting.

CLIFFORD, R., 2018. Challenging hierarchies, enhancing capabilities: innovations in design and business education for handloom weavers in India. PhD, Nottingham Trent University.

COCKER, E., 2018. Chewing the cud: conversation-as-material. In: 9th SAR International Conference on Artistic Research: Artistic Research Will Eat Itself, University of Plymouth, Plymouth, 11-13 April 2018.

COCKER, E., 2018. Conversation-as-material. In: Critical Reinventions Symposium, University of East Anglia, Norwich, 12 May 2018.

COCKER, E., 2018. The Italic I. In: Documents, Alternatives - a Symposium of Artistic Process And Practice, Bath School of Art and Design, Bath Spa University, Bath, 20 April 2018.

COCKER, E., 2018. The Italic I. In: Translation Zone(s): Constellations Hong Kong part of the 6th International Association of Translation and Intercultural Studies (IATIS) Conference, Hong Kong Baptist University, Hong Kong, 3-6 July 2018.

COCKER, E., 2018. What now, what next—kairotic coding and the unfolding future seized. Digital Creativity, 29 (1), pp. 82-95. ISSN 1462-6268

COCKER, E., 2018. Writing without writing: conversation-as-material. In: K. HILEVAARA and E. ORLEY, eds., The creative critic: writing as/about practice. Abingdon: Routledge, pp. 47-54. ISBN 9781138674820

COCKER, E., 2018. The work of the work and when the work works. In: L. WATTS, ed., Four hundred and twenty-nine significant moments: documenting an artist's research and processes. Sheffield: Dust. ISBN 9780992839215

COCKER, E. and THORNTON, C., 2018. The Italic I. Documents, Alternatives #2, Verge Gallery, Sydney, Australia, 18 January - 24 February 2018.

COCKER, E. and THORNTON, C., 2018. The Italic I. Documents, Alternatives 3, Bath School of Art and Design, Bath Spa University, Bath, 20 April - 11 May 2018.

COCKER, E. and THORNTON, C., 2018. The Italic I. Translation Zone(s): Constellations, Dr. and Mrs. Sze Chi Ching Exhibition Gallery, Hong Kong Baptist University, Hong Kong, 3-6 June 2018.

COCKER, E. and THORNTON, C., 2018. The Italic I: between liveness and the lens. Studies in Theatre and Performance, 38 (3), pp. 238-250. ISSN 1468-2761

CUMMINS, S., 2018. Where None Exists. One Thoresby Street, Nottingham, 19 April 2018.

D

DIAS, T., LUGODA, P. and CORK, C.R., 2018. Microchip technology used in textile materials. In: J. MCLOUGHLIN and T. SABIR, eds., High-performance apparel: materials, development, and application. The Textile Institute book series . Elsevier, pp. 451-471. ISBN 9780081009048

DIAS, T. and RATHNAYAKE, A., 2018. Electronically functional yarns. EP3191632 B1.

E

EVANS, M., TWIGGER HOLROYD, A., CASSIDY, T., WALKER, S. and JUNG, J., 2018. Strategies for revitalization of culturally significant designs, products and practices. In: S. WALKER, M. EVANS, T. CASSIDY, J. JUNG and A. TWIGGER HOLROYD, eds., Design roots: culturally significant designs, products, and practices. London: Bloomsbury Academic. ISBN 9781474241816

F

FORD, P. and TERRIS, D., 2018. An intimate approach to the management and integration of design knowledge for small firms. Design Management Journal, 12 (1), pp. 58-70. ISSN 1942-5074

G

GOWOREK, H., OXBORROW, L., MCLAREN, A., CLAXTON, S., COOPER, T. and HILL, H., 2018. Creativity at work and sustainable product development: practitioner perspectives from the clothing industry. In: L. MARTIN and N. WILSON, eds., The Palgrave handbook of creativity at work. Cham, Switzerland: Palgrave Macmillan, pp. 563-582. ISBN 9783319773506

H

HALL, N. and VELEZ-COLBY, F., 2018. AMFI's Reality School: a circular economy agenda for fashion education. Art, Design & Communication in Higher Education, 17 (1), pp. 11-24. ISSN 1474-273X

HAMBLIN, F., 2018. A place of gloop as a space for becoming... In: 9th SAR International Conference on Artistic Research: Artistic Research Will Eat Itself, University of Plymouth, Plymouth, 11-13 April 2018.

HAMBLIN, F. and HAMILTON, J., 2018. A call to GLOOP. [Digital or Visual Media]

HAMILTON, J., 2018. Rough ideas not polish, animatic communication tools for graphic design students. In: Graphic Design Educators' Network Annual Conference, W * * C H C R A F T ?, Northumbria University, Newcastle upon Tyne, 6-7 September 2018.

HARDY, D.A., ANASTASOPOULOS, I., NASHED, M.-N., OLIVEIRA, C., HUGHES-RILEY, T., KOMOLAFE, A., TUDOR, J., TORAH, R., BEEBY, S. and DIAS, T., 2018. An automated process for inclusion of package dies and circuitry within a textile yarn. In: Design, Test, Integration and Packaging of MEMS/MOEMS (DTIP 2018), Rome, Italy, 22-25 May 2018.

HARDY, D.A., MONETA, A., SAKALYTE, V., CONNOLLY, L., SHAHIDI, A. and HUGHES-RILEY, T., 2018. Engineering a costume for performance using illuminated LED-yarns. Fibers, 6 (2): 35. ISSN 2079-6439

HARDY, D.A., OLIVEIRA, C., NASHED, M.-N. and DIAS, T., 2018. Textiles illuminated with electronic yarn. In: IDTechEx: Connecting Emerging Technologies With Global Brands, Estrel Convention Center, Berlin, Germany, 11-12 April 2018.

HEALY, R. and KENT, A., 2018. Editorial. Art, Design & Communication in Higher Education, 17 (1), pp. 3-10. ISSN 1474-273X

HIGGINS, D., 2018. Down on the farm. M.K. Čiurlionis National Museum of Art, Lithuania, 26 April 2018.

HIGGINS, D., 2018. Down on the farm. City Art Museum, Skopje, Macedonia and Macedonian International Arts Festival, Macedonia, 26 June 2018.

HIGGINS, D., 2018. European dreams. 25. Ročník - Mikulovské Výtvarné Sympozium "Dílna" 2018, Mikulov Chateau, Czech Republic, 14 July 2018.

HIGGINS, D., 2018. Nomadic dialogues. Arendalsuka 2018, Arendal, Norway, 13-16 August 2018.

HUGHES-RILEY, T. and DIAS, T., 2018. Developing an acoustic sensing yarn for health surveillance in a military setting. Sensors, 18 (5): 1590. ISSN 1424-8220

HUGHES-RILEY, T. and DIAS, T., 2018. The development of acoustic and vibration sensing yarns for health surveillance. In: 25th International Congress on Sound and Vibration (ICSV25), Hiroshima, Japan, 8-12 July 2018.

HUGHES-RILEY, T., DIAS, T. and CORK, C.R., 2018. A historical review of the development of electronic textiles. Fibers, 6 (2): 34. ISSN 2079-6439

HUNT, K.J., 2018. Exploring the senses in art and design. In: School of Art & Design Research Conference, Nottingham Trent University, Nottingham, 21-22 June 2018.

HUNT, K.J., 2018. Eyes, sight and the senses on film and in fashion: crossmodal correspondences and sensorial empathy between Lars von Trier's Dancer in the dark (2000) and Johan Ku's "Selma" collection s/s (2014). Fashion Theory, 22 (1), pp. 31-67. ISSN 1362-704X

HUNT, K.J., 2018. 'Feeling' film and making fashion: cross sensory transfer between film and fashion design. In: Fashion, Costume and Visual Cultures Conference (#FCVC2018), University of Zagreb, Croatia, 17-19 July 2018.

HUNT, K.J., 2018. Follow the glitch: Vendela Grundell's book Flow and Friction shows how glitch art, shaky and unstable, can recalibrate our ways of seeing [book review]. Eye Magazine.

HUNT, K.J., 2018. Hella Jongerius: Breathing Colour. The Senses and Society, 13 (2), pp. 244-249. ISSN 1745-8927

HUNT, K.J., 2018. Systematic play: using intuition, research and process, the work of Armin Lindauer and Betina Müller revitalises connections between art, design and science. Eye, 24 (95), pp. 68-73.

HUNT, K.J., 2018. To infinity and beyond - How to make repeat patterns: a guide for designers, architects and artists by Paul Jackson. Eye Magazine.

J

JUDD, B., 2018. Apart, we are together [Ben Judd 24/50]. In: F. USTEK, ed., fig-2: 50 projects in 50 weeks. London: Black Dog Publications.

JUDD, B., 2018. Art night. London, July 2018.

JUDD, B., 2018. Farfuglar – birds of passage. Skeftfell Centre for Visual Art, Seyðisfjörður, Iceland, 26 May - 10 June 2018 .

JUDD, B., 2018. From ritual to theatre [invited public lecture]. Nottingham: Nottingham Contemporary.

JUDD, B., 2018. Malevolent eldritch shrieking. Attercliffe Gallery, Sheffield, 24 March - 5 May 2018.

JUDD, B., 2018. Nothing Human is Strange to Me. fig-futures, The Gallery, De Montfort University, Leicester, 13-17 November 2018.

JUDD, B., 2018. The part versus the whole. New Perspectives, The Victoria Gallery and Museum, Liverpool, 9 June - 18 August 2018.

K

KANDHOLA, M., 2018. Flatland: a Landscape of Punjab. Stop/Look/Art, Waltham Forest, London, March - September 2019.

KANDHOLA, M., 2018. 'u fucking Paki'. In: S. EVANS and S. GUPTA, eds., India: contemporary photographic and new media art. Amsterdam: Schilt Publishing. ISBN 9789053309001

KANDHOLA, M., 2018. 'u fucking Paki'. In: Fotofest 2018 biennial catalogue. Amsterdam: Schilt Publishing. ISBN 9789053309131

KANDHOLA, M., 2018. 'u fucking paki'. FotoFest 2018 Biennial: India/Contemporary Photographic and New Media Art, Houston, Texas, United States, 10 March - 22 April 2018.

KANER, J., LAMESKI, P., TOMSONE, S., BURNARD, M. and METERO, F., 2018. First sheld-on conference meeting. Proceedings of the first COST Action CA16226 Conference Meeting Riga, Latvia, 10 October 2018. Riga: Rīga Stradiņš University.

KENT, A., 2018. Why the high street should better harness digital technology – inside its shops. The Conversation.

KENT, A.M., DAVIDSON, J. and FOWLER, R., 2018. Ellistons department store: merchandising strategies for a multichannel retailer. London: Bloomsbury.

KENT, A.M., PHIPPS, C., SCHWARZ, E. and BLASQUEZ CANO, M., 2018. Fashion space and place: convergence of consumer experience. In: D. VENTURI, ed., Momenting the memento: proceedings of the 17th Annual IFFTI Conference, Polimoda, Florence, Italy, 12-16 May 2015. Florence: Edizione Polistampa. ISBN 9788859617747

KIRK, E.J., CLAYFIELD, A. and STORY, I., 2018. Cuba's forgotten decade: how the 1970s shaped the revolution. Lexington studies on Cuba . Lanham: Lexington Books. ISBN 9781498568739

KITCHENER, D., WYLLIE, C.B., LEWIS, R.A., JURAITE, I., DIAS, T. and HURLEY, W., 2018. Fabric antenna. US 2018/0076510.

KONCZAK, J., 2018. Transmedia storytelling and transcendental experience: using media archaeology in creative practice to explore narrative and space within the virtual screen. PhD, Nottingham Trent University.

L

LIAO, Y. and FISHER, T., 2018. The 'real art school': the cultural roots of authenticity in art schools in UK and China. The Design Journal: an International Journal for All Aspects of Design. ISSN 1460-6925

LONERGAN, P.P., PATTERSON, M. and LICHROU, M., 2018. More than clothes hangers: cultural intermediaries in the field of fashion. European Journal of Marketing. ISSN 0309-0566

LUGODA, P., 2018. Development of a yarn capable of measuring localised temperature. PhD, Nottingham Trent University.

LUGODA, P., DIAS, T., HUGHES-RILEY, T. and MORRIS, R., 2018. Refinement of temperature sensing yarns. Proceedings, 2 (3), p. 123. ISSN 2504-3900

LUGODA, P., HUGHES-RILEY, T., MORRIS, R. and DIAS, T., 2018. A wearable textile thermograph. Sensors, 18 (7): 2369. ISSN 1424-8220

LUGODA, P., HUGHES-RILEY, T., OLIVEIRA, C., MORRIS, R. and DIAS, T., 2018. Developing novel temperature sensing garments for health monitoring applications. Fibers, 6 (3): 46. ISSN 2079-6439

M

MAHONEY, P., CARR, D., ARM, R., GIBB, I., HUNT, N. and DELANEY, R.J., 2018. Ballistic impacts on an anatomically correct synthetic skull with a surrogate skin/soft tissue layer. International Journal of Legal Medicine, 132 (2), pp. 519-530. ISSN 0937-9827

MAIER, D., 2018. Four glory holes. Decriminalising Ornament: The Pleasures Of Pattern, Ruskin Gallery, Anglia Ruskin University, Cambridge, 1-26 November 2018.

MAIER, D., 2018. Looking again. In: Decriminalising Ornament: The Pleasures Of Pattern, Ruskin Gallery, Anglia Ruskin University, Cambridge, 17-18 November 2018.

MAIER, D., 2018. Looking again at pattern and chaos. In: Symposium 2018: Beyond Pattern And Chaos, Norwich University of the Arts, Norwich, 5 September 2018.

MAIER, D., 2018. |:Score:|. Urban Soundings as part of POP OUT Festival 2018, Lincoln Central Car Park, Lincoln, 10 October 2018.

MAIER, D. and BRACEY, A., 2018. Bummock: new artistic responses to unseen parts of the Lace Archives. In: Textile and Place Conference, Manchester Metropolitan University and The Whitworth Art Gallery, Manchester, 12-13 April 2018.

MAIER, D., BRACEY, A. and RENTON, L., 2018. Bummock: The Lace Archive. Backlit Gallery, Nottingham, 26 January - 18 February 2018.

MAIER, D., BROWN, A., LEE, J. and STEVENS, C., 2018. Re-Turning. AirSpace Gallery, Stoke-on-Trent, 30 November - 15 December 2018.

MARVIN, J., BOLING, B., MILES, G. and KIM, D., 2018. Occasional picture stories. Nottingham: Fall Line Press & Outlaw Books. ISBN 9780995765221

MBISE, E., DIAS, T., HURLEY, W. and MORRIS, R., 2018. Development of a test method for investigating moisture transfer rate of textiles. Journal of Textile Engineering & Fashion Technology, 4 (3), pp. 254-261. ISSN 2574-8114

MBISE, E., DIAS, T., HURLEY, W. and MORRIS, R., 2018. The study of applying heat to enhance moisture transfer in knitted spacer structures. Journal of Industrial Textiles, 47 (7), pp. 1584-1608. ISSN 1528-0837

MCLAREN, F., 2018. 53 degrees parallel north. In: C. GOLDIE and D. WHITE, eds., Northern light: landscape, photography and evocations of the North. Image, 120 . Bielefeld: Transcript, pp. 117-132. ISBN 9783839439753

MILES, G., 2018. Serendib. Nottingham: Hemlockstone Press. ISBN 9780995765290

MILES, G., 2018. Views of Matlock Bath. Haarlem Artspace, Derbyshire, 1 November - 1 December 2018.

MOGHADDASSIAN SHAHIDI, A., DIAS, T. and NANDASIRI, G.K., 2018. The impact of direct and indirect pressure measuring systems on the pressure mapping for the medical compression garments. World Academy of Science, Engineering and Technology International Journal of Materials and Textile Engineering, 12 (2), p. 120. ISSN 1307-6892

O

OGUNDANA, O., GALANAKIS, K., SIMBA, A. and OXBORROW, L., 2018. Women-owned sewing businesses in Lagos-State, Nigeria: a study of the factors influencing their business growth. In: BAM 2018 Conference proceedings. London: British Academy of Management.

P

PEPPER, A., 2018. Analogue Ensemble - Extending the Frame. 2018 Whitstable Biennale, Studio 3 Gallery, University of Kent, Canterbury, 10 May - 8 June 2018.

PEPPER, A., 2018. Art in Holography: Light, Space & Time. Aveiro City Museum, Portugal, 26 June - 30 September 2018.

PEPPER, A., 2018. Colour holography: perception versus technical reality. In: R. GUENTHER and D. STEEL, eds., Encyclopedia of modern optics. 2nd ed. Oxford: Elsevier, pp. 102-105. ISBN 9780128149829

PEPPER, A., 2018. Documents Alternatives (#2). Verge Gallery, University of Sydney, New South Wales, Australia, 28 January - 24 February 2018.

PEPPER, A., 2018. Documents Alternatives (#3). BSAD Gallery, Bath School of Art and Design, Bath Spa University, Bath, 20 April - 1 May 2018.

PEPPER, A., 2018. I am here – you are there: let's meet sometime. Studies in Theatre and Performance. ISSN 1468-2761

PEPPER, A., 2018. Light wedge. In: H.I. BJELKHAGEN and P.M.M. POMBO, eds., Art in holography, light, space & time: catálogo da exposição. Aveiro: University of Aveiro, pp. 20-21. ISBN 9789727895519

PEPPER, A., 2018. There-Ness, the unsupported mark and its peripheral view. In: 11th International Symposium on Display Holography - ISDH 2018, Aveiro, Portugal, 25-29 June 2018.

PEPPER, A., 2018. The Unsupported Mark - Drawing with Holography. Gallery 286, Earl’s Court, London, 13-30 March 2018.

S

SATHARASINGHE, A., HUGHES-RILEY, T. and DIAS, T., 2018. Photodiodes embedded within electronic textiles. Scientific Reports, 8 (1): 16205. ISSN 2045-2322

SELBY, L., 2018. For all addicts and people with mental/physical health issues, being fucked over. In: Patricide: the end of a 60-year old mistake. London: Freedom Press, pp. 12-22.

SIREGAR, Y., 2018. User experience and interactive technology in fashion stores. PhD, Nottingham Trent University.

STORY, I., 2018. Debating the revolution: the evolving role of the visual arts in Cuba. Journal of Languages, Texts, and Society, 2 (2018), pp. 4-24. ISSN 2517-648X

STORY, I., 2018. Utopian cultural construction: Cuban cultural organisation in the 1970s. In: E.J. KIRK, A. CLAYFIELD and I. STORY, eds., Cuba's forgotten decade: how the 1970s shaped the revolution. Lexington studies on Cuba . Lanham: Lexington Books, pp. 179-194. ISBN 9781498568739

T

THURLOW, L. and FORD, P., 2018. Ideal ideation: a framework for the management of sketch inhibition among undergraduate designers. In: D. MARJANOVIĆ, M. ŠTORGA, S. ŠKEC, N. BOJČETIĆ and N. PAVKOVIĆ, eds., Proceedings of the DESIGN 2018, 15th International Design Conference, Dubrovnik, Croatia, 21-24 May 2018. Glasgow: The Design Society, pp. 2517-2528. ISBN 9789537738594

THURLOW, L. and FORD, P., 2018. An analysis of sketch inhibition within contemporary design education. Universal Journal of Educational Research, 6 (9), pp. 2036-2046. ISSN 2332-3205

THURLOW, L., FORD, P. and HUDSON, G., 2018. Skirting the sketch: an analysis of sketch inhibition within contemporary design higher education. International Journal of Art & Design Education. ISSN 1476-8062

TONUK, D. and FISHER, T., 2018. Natural materials – nature of materials. In: Design Research Society 2018 (DRS2018): Catalyst, University of Limerick, Limerick, Ireland, 25-28 June 2018.

TOWNSEND, K. and SADKOWSKA, A., 2018. Textiles as material Gestalt: cloth as a catalyst in the co-designing process. Journal of Textile Design Research and Practice, 5 (2), pp. 1-24. ISSN 2051-1787

TWIGGER HOLROYD, A., 2018. Digital transformations, amateur making and the revitalisation of traditional textile crafts. In: S. WALKER, T. CASSIDY, M. EVANS, J. JUNG and A. TWIGGER HOLROYD, eds., Design roots: culturally significant designs, products, and practices. London: Bloomsbury Academic. ISBN 9781474241816

TWIGGER HOLROYD, A., 2018. Finding distinctiveness in the dustbin: engendering a sense of place through waste. The Journal of Resourcefulness, 1, pp. 70-79.

TWIGGER HOLROYD, A., 2018. Forging new futures: cultural significance, revitalization and authenticity. In: S. WALKER, T. CASSIDY, M. EVANS, J. JUNG and A. TWIGGER HOLROYD, eds., Design roots: culturally significant designs, products and practices. London: Bloomsbury Academic. ISBN 9781474241816

TWIGGER HOLROYD, A., 2018. Reknit revolution: knitwear design for the domestic circular economy. Journal of Textile Design Research and Practice, 6 (1), pp. 89-111. ISSN 2051-1787

W

WALKER, S., EVANS, M., CASSIDY, T., JUNG, J. and TWIGGER HOLROYD, A., 2018. Design roots: culturally significant designs, products, and practices. London: Bloomsbury Academic. ISBN 9781474241816

WILLIAMS, G., 2018. Pattern into Structure. General Practice Artists Studio, Lincoln, 19 October - 2 November 2018.

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