Items where Author is "White, CA"
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DI BENEDETTO, S., ODDEY, A. and WHITE, C.A., 2013. Capturing attention in the epoch of the media savvy. Scene, 1 (2), pp. 157-164. ISSN 2044-3714
ODDEY, A., DI BENEDETTO, S. and WHITE, C.A., 2013. Linking languages: re-aligning design vocabularies. Scene, 1 (3), pp. 325-330. ISSN 2044-3714
ODDEY, A. and WHITE, C.A., 2013. A poetics of imagineering: scene to screen, designing for edutainment and entertainment. Scene, 1 (1), pp. 5-14. ISSN 2044-3714
ODDEY, A., WHITE, C.A., XIA, F., PING, L. and MCNICOLL, S., 2012. Entrepreneurship for the creative and media arts. In: T. HEFFERNAN, ed., Employability: insights from Chinese and UK universities. China Agricultural University Press/Emerald.
ODDEY, A. and WHITE, C.A., 2009. Modes of spectating. Bristol: Intellect Books. ISBN 9781841502397
WHITE, C.A., 2007. [Convenor - PQSI Conference]. In: Prague Quadrennial World Theatre Design Exhibition and Competition, Prague, Czech Republic, 14-24 June, 2007, Prague.
WHITE, C.A., 2007. [Convenor]. In: Modes of Spectating Conference, Anglia Ruskin University, 31 March 2007.
WHITE, C.A., 2007. Performing censorship. In: Modes of Spectating Conference, Anglia Ruskin University, 31 March 2007.
WHITE, C.A., 2007. Smart laboratories for new media. In: Space and theatre [translated into Portuguese]. Rio de Janeiro: Federal University of Rio de Janeiro Press.
WHITE, C.A., 2007. Transliteracy [keynote address]. In: Prague Quadrennial World Theatre Design Exhibition and Competition, Prague, Czech Republic, 14-24 June, 2007, Prague.
WHITE, C.A. and ODDEY, A., 2007. The potentials of spaces. In: Space and theatre [translated into Portuguese]. Rio de Janeiro: Federal University of Rio de Janeiro Press.
WHITE, C.A., 2006. 'Guys and dolls' by Frank Loesser [design consultancy for Leys School, Cambridge]. Cambridge: Leys School.
WHITE, C.A., 2006. ME-no-pause: performing the 'change'. In: Health, Illness & Representation, Association for Medical Humanities, Kings College London, 4-5 September 2006, London.
WHITE, C.A., 2006. Questions of communication. In: Global vs Local, University of Helsinki, Finland, 7-12 July 2006, Helsinki.
WHITE, C.A., 2006. Review of 'Looking over the abyss' by Arnold Aronson, and [review of] 'Technology, performance' by Christopher Baugh. New Theatre Quarterly, 3 (87).
WHITE, C.A., 2006. 'Shakers' by John Godber [design consultancy for Leys School, Cambridge]. Cambridge: Leys School.
WHITE, C.A., 2006. Smart laboratories for new media. In: The potentials of spaces. Intellect Books.
ODDEY, A. and WHITE, C.A., 2006. The potentials of spaces. Bristol: Intellect Books. ISBN 1841501379
WHITE, C.A. and ODDEY, A., 2006. The potentials of spaces: international scenography and performance for the 21st century. Intellect Books.
WHITE, C.A., 2005. Vocabularies of new technologies interdisciplinary languages: the tyranny of distance. In: IFTR, Maryland, Washington, USA, 26 June - 1 July 2005, Maryland.
WHITE, C.A., 2004. Digital modernism. In: International Federation for Theatre Research Annual Conference: 'The Director in the Theatre World', St Petersburg, Russia, 22-27 May 2004, St Petersburg.
WHITE, C.A., 2004. Digital modernism: scenography: at the end of the day. Scenography International (7). ISSN 1743-6117
WHITE, C.A. and CARVER, G.P., 2003. Computer visualisations: 3D modelling for theatre designers. Focal Press.
WHITE, C.A., 2003. Practice as research: knowledge how and knowledge whether. Contemporary Theatre Review, 12 (4), pp. 113-120. ISSN 1048-6801
WHITE, C.A., 2003. The function and perception of lighting and sound for performance art & science. In: Theatre: espace sonore, espace visuel. Lyon: Presses Universitaires De Lyon, pp. 351-358. ISBN 2729707379
WHITE, C.A., 2002. Cultural memory: the poetics of cross-art forms - 'Dad's tie'. In: International Federation for Theatre Research Annual Conference, Amsterdam, 2002, Amsterdam.
WHITE, C.A., 2001. 'Talking with angels' by Neil Duffield [lighting design for the Quicksilver Theatre Company]. London: Quicksilver Theatre Company.
WHITE, C.A., 2001. Technical theatre. Arnold Press.
WHITE, C.A., 2000. 'Crazy lady' directed by Nona Shepphard [lighting design for the production for The Fairer Hand of Strength, Women & Mental Health]. The Fairer Hand of Strength.
WHITE, C.A., 2000. 'Future perfect' by Judith Weir and Vayu Naidu [lighting design for the Birmingham Contemporary Music Group and Brumhalata Storytelling]. Birmingham Contemporary Music Group.
WHITE, C.A., 2000. New technologies of theatre lighting design and their influence. In: I. EYNAT-CONFINO, ed., Space and the postmodern stage. Prague: UNSPECIFIED. ISBN 8070081066
WHITE, C.A., 2000. The function and perception of lighting and sound. In: International Federation for Theatre Research Annual Conference Lyon, France, 18-23 September 2000, Lyon.
WHITE, C.A., 2000. The theatre comprehension process: movement in the theatre space. Scenography International. ISSN 1743-6117
WHITE, C.A., 2000. 'The witch's kitchen' by Shaun Prendergast [lighting design for the Quicksilver Theatre Company]. London: Quicksilver Theatre Company.
WHITE, C.A., 1999. 'Cafe Vesuvio' directed by Nona Shepphard [lighting design for the premiere production for the Manchester Royal Exchange]. Manchester: Manchester Royal Exchange.
WHITE, C.A., 1999. [Editorship of all issues, 1999-]. UNSPECIFIED.
WHITE, C.A., 1999. The aesthetic of scenography. Scenography International (1). ISSN 1743-6117
WHITE, C.A., 1999. 'The sound collector' by Roger McGough [lighting design for the premiere for the Quicksilver Theatre Company]. London: Quicksilver Theatre Company.
WHITE, C.A., 1998. Digital technologies for theatre lighting design and their influence on practice. In: Theatrical Space in Postmodern Times: International Meeting on Scenography, Theatre Institute and International Quadrennial at the Charles University, Prague, Czech Republic 17-19 June 1998, Prague.
WHITE, C.A., 1998. Playing in the dark. In: International Federation for Theatre Research Conference, University of Kent at Canterbury, 6-12 July 1998, Canterbury.
WHITE, C.A., 1998. Under construction: exhibition and lighting designer, for 'The gallery of the future', multimedia fine art and installation exhibition, 21-25 April 1998. .
MILLS, S.L. and WHITE, C.A., 1997. Discursive categories of desire: feminists negotiating relationships. In: C. SHALOM and K. HARVEY, eds., Language and desire. Routledge, pp. 372-410. ISBN 0415136911
WHITE, C.A., 1995. 'Acting by design'. Actor, actress on stage. In: IFTR, International Federation for Theatre Research Conference, University of Montreal, Quebec, Canada, 22-27 May 1995, Quebec.
WHITE, C.A., 1995. Scenography and the fourth dimension: the use of computer rendering to replicate the 'time' dimension of theatricality [keynote paper]. In: 4D Dynamics: An International Interdisciplinary Conference on Design and Research Methodologies for Dynamic Form, De Montfort University, Leicester, 1995. Leicester: De Montfort University. ISBN 1857211308
WHITE, C.A., 1995. When theatre and fine arts meet. In: International Meeting on Scenography at the Prague Quadrennial World Scenography Conference, Prague, Czech Republic, 1-4 July 1995, Prague.
WHITE, C.A., 1994. Magic shoes: lighting design. In: Make SPACE! [exhibition catalogue]. Theatre Design Umbrella.
WHITE, C.A., 1994. Magic shoes: lighting design for the 'Make SPACE!' exhibition of design for theatre and alternative spaces, 8 November - 3 December 1994.
WHITE, C.A., 1994. 'Movement in the theatre space'. Performance past and present: current trends in theatre research. In: IFTR, International Federation for Theatre Research XIIth World Congress, Moscow, 1994, Moscow.
WHITE, C.A., 1994. On recycling Hamlet: a consideration of the play's staging. In: I. CLARKE, ed., Hamlet: essays. Loughborough: Loughborough Theatre Texts, pp. 47-65. ISBN 1898726019