Items where Author is "Woodfield, R"

WOODFIELD, R., 2010. Gombrich on the Renaissance: period or movement? In: Poreia: a festschrift for Professor Dionysis A. Zivas. Athens: National Technical University of Athens - School of Architecture, pp. 617-625.

WOODFIELD, R., 2010. Review: Iconography without texts, Warburg Institute Colloquia, 13 by Paul Taylor (ed.). Art Book, 17 (2), pp. 42-43.

WOODFIELD, R., 2009. The 1721 English Treatise of Painting: a Masonic moment in the culture of Newtonianism. In: C. FARAGO, ed., Re-reading Leonardo: The Treatise on Painting across Europe from 1550 to 1900. Burlington, Vermont: Ashgate, pp. 475-491.

WOODFIELD, R., 2009. Critique of the exhibition 'Mind Map, Mind the Gap: fine artists' responses to a collection of old Korean maps'. In: Korean Wave in Nottingham [exhibition catalogue]. Nottingham: Nottingham Trent University, pp. 15-16.

WOODFIELD, R., 2009. [Editorial]. UNSPECIFIED.

WOODFIELD, R., 2009. Ernst Gombrich. Iconology and the 'Linguistics of the image'. In: I Saperi di Ernst Gombrich. Teoria del Visibile e Analisi dell'Arte, Università Iuav di Venezia: Scuola di Dottorato, Venice, 5-6 March 2009, Venice.

WOODFIELD, R., 2009. Review: Claire Farago (ed.), 'Leonardo da Vinci and the ethics of style'. Art Book, 16 (4), pp. 47-48.

WOODFIELD, R., 2008. Gombrich and Panofsky on iconology. In: J.N. ERZEN, ed., International Yearbook of Aesthetics. International Association for Aesthetics, pp. 151-164.

WOODFIELD, R., 2008. Kunstwissenschaft versus Ästhetik: the historians' revolt against aesthetics. In: F. HALSALL and J. JANSEN, eds., Re-discovering aesthetics. Stanford, California: Stanford University Press, pp. 19-33.

WOODFIELD, R., 2007. Boots D90 Do_u Projesi. In: Sanat ve Bilim. Anarka: Sanart, pp. 157-161.

WOODFIELD, R., 2007. Sanat ve Çevre: Eski Tarti_ma,Yeni Konular. In: Sanat ve Çevre. Anarka: Sanart, pp. 33-40.

WOODFIELD, R., 2007. The bookshelf. , p. 13.

WOODFIELD, R., 2006. Aesthetics at the end of the century: Dessoir's project. In: SANART Symposium Retrospective: Aesthetics and Art in the 20th Century, Ankara, Turkey, 2006, Ankara, Turkey.

WOODFIELD, R., 2006. Ernst Gombrich and the idea of human nature. Human Affairs: A Postdisciplinary Journal for Humanities and Social Sciences, 13 (2), pp. 163-170. ISSN 1210-3055

WOODFIELD, R., 2006. Ernst Gombrich's contributions to Kritische Berichte. In: Colloquium on art history and the German philosophical tradition. Williamstown, Mass.: Sterling & Francine Clark Art Institute.

WOODFIELD, R., 2006. The Gombrich Archive.

WOODFIELD, R., 2006. The October questionnaire: Riegl, Warburg and Gombrich. In: Framing Art History: reflections on the discipline, ESF Conference, Edinburgh, Scotland, 2006, Edinburgh.

WOODFIELD, R., 2006. Participation in 'the art seminar' and assessment. In: J. ELKINS, ed., Aesthetics versus art history. New York; London: Routledge.

WOODFIELD, R., 2006. Review: Thomas Heyd and John Clegg 'Aesthetics and rock art',. caa.reviews.

WOODFIELD, R., 2006. The history of art and the history of the mind. In: XVI International Congress of Aesthetics, Rio de Janeiro, Brazil, 2006, Rio de Janeiro, Brazil.

WOODFIELD, R., 2005. Gombrich. In: S. BROWN, ed., Thoemmes Continuum dictionary of 20th century British philosophers. Bristol: Thoemmes Continuum, pp. 332-335.

WOODFIELD, R., 2005. Podro. In: S. BROWN, ed., Thoemmes Continuum dictionary of 20th century British philosophers. Bristol: Thoemmes Continuum, pp. 793-794.

WOODFIELD, R., 2005. Reflections on writing the history of aesthetics. Literature and Aesthetics, 15 (1), pp. 35-41. ISSN 1036-9368

WOODFIELD, R., 2005. Representational meaning. In: I. LORENC, ed., Odlamki, Pozbitych, Luster: rozprawy z filozofii kultury sztuki I etsetyki ofiarowane Pani Professor Alicji Kuczyn'skiej. Warszawa: Uniwersytet Warszawski: Wydzial Filozofii I Socjologii, pp. 275-286.

WOODFIELD, R., 2005. Review: Alois Riegl (trans. Jacqueline E. Jung, foreword Benjamin Binstock) 'Historical grammar of the arts'. caa.reviews. ISSN 1543-950X

WOODFIELD, R., 2005. Review: Michael Kelly (ed.) 'Encyclopedia of aesthetics'. Art Bulletin, 83 (3), pp. 559-563.

WOODFIELD, R., 2005. Review: Michael Kelly (ed.) 'Una nueva enciclopedia de Estética' [translation]. Revisiones, 1, pp. 69-79.

WOODFIELD, R., 2005. Una nueva enciclopedia de Estética. Revisiones, 1, pp. 69-79.

WOODFIELD, R., 2004. Are the arts elitist ? In: Cultural conversation with Dominic Lopes, John Armstrong and Jennifer McMahon, The University of Adelaide Art and Heritage Collections, Australia, 06 October, 2004, The University of Adelaide Art and Heritage Collections.

WOODFIELD, R., 2004. Reflections on writing the history of aesthetics. In: Second Pacific Rim Conference in Transcultural Aesthetics, Sydney, Australia, 2004, Sydney, Australia.

WOODFIELD, R., 2004. Review: Philip Sohm 'Style in the art theory of early modern Italy'. British Journal of Aesthetics, 44 (4), pp. 441-444.

WOODFIELD, R., 2004. Review: Philippe-Alain Michaud 'Aby Warburg and the image in motion'. .

WOODFIELD, R., 2004. The UK fine art PhD and research in art & design. Lier en Boog: Series of Philosophy of Art & Art Theory, 18, pp. 103-108. ISSN 0925-8191

WOODFIELD, R., 2004. Understanding pictures: what pictures do. In: Round table on realism in pictures: the plasticity of representational systems, Adelaide, Australia, 2004, Adelaide, Australia.

WOODFIELD, R., 2003. Das Gombrich Lesebuch. Berlin: Phaidon Press.

WOODFIELD, R., 2003. Gombrich l'essentiel. Paris: Phaidon Press.

WOODFIELD, R., 2003. Gombrich's 1955 lecture to the British Psychological Society: 'Art History and the psychology of perception.'. In: LIZARRAGA, , ed., E.H. Gombrich: In memoriam. EUNSA, pp. 167-184. ISBN 8431321253

WOODFIELD, R., 2003. Key writers on art: the Twentieth Century. In: Aby Warburg. UNSPECIFIED, pp. 262-269. ISBN 041522201X

WOODFIELD, R., 2003. Pictorial experience. In: SUKLA, , ed., Art and experience. Praeger, pp. 71-90. ISBN 275973948

WOODFIELD, R., 2003. Review: 'Journal of Visual Art Practice' (volume 1, numbers 1, 2 and 3). Art, Design and Communication in Higher Education, 2 (12), pp. 89-93.

WOODFIELD, R., 2003. Review: Charles Harrison, Paul Wood, and Jason Gaiger (eds.) 'Art in theory 1648-1815: an anthology of changing ideas'. Journal of Aesthetics and Art Criticism, 61 (2), pp. 201-203.

WOODFIELD, R., 2003. Review: Chris Wood (ed.) 'The Vienna School reader: politics and art historical method in the 1930s'. .

WOODFIELD, R., 2003. Review: James Elkins 'Stories of art'. British Journal of Aesthetics, 43 (3), pp. 336-338.

WOODFIELD, R., 2002. Aesthetics at the end of the century: Dessoir's project. In: I. TURELI, ed., Proceedings of Retrospective: aesthetics and art in the 20th century. Ankara: SANART/Chamber of Architects of Turkey, pp. 81-86.

WOODFIELD, R., 2002. Art in a corporate context: contemporary art at Boots the Chemist. In: Art and Social Engagement: International Symposium, Middle East Technical University, Ankara, Turkey, 01-03 May, 2002, Middle East Technical University, Ankara, Turkey.

LEE, J. and WOODFIELD, R., 2002. Didactic parameters. Lier en Boog: Series of Philosophy of Art & Art Theory, 17, pp. 127-130. ISSN 0925-8191

WOODFIELD, R., 2002. Gombrich and psychology. In: WILDE, , ed., Blackwell companion to art theory. UNSPECIFIED, pp. 426-435. ISBN 631207627

WOODFIELD, R., 2002. Some reflections on theatre iconography. In: E. BALME and B. MOLINARI, eds., European theatre iconography. Roma: Editore Roma, pp. 49-64.

WOODFIELD, R., 2001. Aesthetics at the end of the Century: Dessoir's Project. In: K. SASAKI and T. OTABE, eds., The great book of aesthetics: the 15th International Congress of Aesthetics, Japan, 2001: proceedings. Tokyo: Organizing Committee of the 15th International Congress of Aesthetics. ISBN 4990170105

WOODFIELD, R., 2001. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International. ISBN 9057010232

WOODFIELD, R., 2001. Ernst Gombrich's contributions to Kritische Berichte. In: Colloquium on art history and the German philosophical tradition.

WOODFIELD, R., 2001. Framing formalism: Riegl's work. Amsterdam: G+B Arts International. ISBN 9057013126

WOODFIELD, R., 2001. Gombrich's 1955 lecture to the British Psychological Society: 'Art History and the psychology of perception.'. In: Congreso E.H. Gombrich (Viena 1909- Londrea 2001).

WOODFIELD, R., 2001. Point 12: Framing the Future. CHEAD.

WOODFIELD, R., 2001. Review of Michael Kelly (ed) 'Encyclopedia of aesthetics'. Art Bulletin, 83 (3), pp. 559-563.

WOODFIELD, R., 2001. Review: Ellen Dissanayake 'Art and intimacy: how the arts began'. British Journal of Aesthetics, 41 (3), pp. 343-345.

WOODFIELD, R., 2001. Review: Francis Ames-Lewis 'The intellectual life of the early renaissance artist'. British Journal of Aesthetics, 42 (1), pp. 86-88.

WOODFIELD, R., 2001. Yearbook of the International Association for Aesthetics. International Association for Aesthetics.

WOODFIELD, R., 2000. Gombrich on style and culture. The Misulsa Hakbo (Korean Art History Review), 14.

WOODFIELD, R., 2000. Style and nationality. In: Art, Life, Culture: 2000 International Association for Aesthetics Executive Committee Meeting and Colloquium, Korean Society for Aesthetics & Institute for Arts and Culture, College of Humanities, Seoul National University, Korea, Seoul.

WOODFIELD, R., 1999. The Daedalus Project: art, science and technology in the Western European tradition. In: Inaugural Lecture, Nottingham Trent University, February 1999, Nottingham.

WOODFIELD, R., 1999. Ernst Gombrich, dal mio tempo: città, maestri, incontri. Torino: Einaudi.

WOODFIELD, R., 1999. Gombrich's Kunstwissenschaft: the use of art for the study of the mind. In: Annual Conference of the Deutsche Gesellschaft für Ästhetik, Hanover, 1999, Hanover.

WOODFIELD, R., 1999. Photography and the imagination: proceedings of the XIVth International Congress on Aesthetics, Ljubljana. Filozofski Vestnik (2), pp. 271-278.

WOODFIELD, R., 1999. Review: Bjarne Sode Funch 'The psychology of art appreciation'. British Journal of Aesthetics, 39 (2), pp. 207-208.

WOODFIELD, R., 1999. Review: James Elkins 'On pictures and words that fail them'. American Journal of Aesthetics and Art Criticism, 57 (4), pp. 471-473.

WOODFIELD, R., 1999. Review: John Willats 'Art and representation: new principles in the analysis of pictures'. Journal of Aesthetics and Art Criticism, 57 (1), pp. 99-100.

WOODFIELD, R., 1998. Art and evidence. In: ESF Network Conference on Theatre Iconography: Identification and interpretation of images, Mainz, 1998, Mainz.

WOODFIELD, R., 1998. Photography and imagination. In: XIVth International Congress on Aesthetics, Ljubljana, 1998, Ljubljana.

WOODFIELD, R., 1997. Art and the environment. In: SANART Conference and Exhibition, Ankara, October 1997, Ankara.

WOODFIELD, R., 1997. Gombrich e la semiotica. In: M.V. FERRIOLO, ed., La polifonia estetica: specificità e raccordi. Milano: Guerini Studio, pp. 15-25.

WOODFIELD, R., 1997. Gombrich esencial: textos escogidos sobre arte y cultura. Madrid: Debate.

WOODFIELD, R., 1997. History of art and the psychology of picture perception [conference paper]. In: University of Copenhagen, December 1997, Copenhagen.

WOODFIELD, R., 1997. Sentieri verso l'arte: I testi chiave di Ernst H. Gombrich. Milano: Leonardo Arte.

WOODFIELD, R., 1997. Valuing primitive art: Danto and Gombrich [conference paper]. In: Nordic Society of Aesthetics, Oslo, May 1997, Oslo.

WOODFIELD, R., 1996. Form, expression and the photograph. Interface: Bradford Studies in Language, Culture and Society, pp. 263-284.

WOODFIELD, R., 1996. Gombrich on art and psychology. Manchester: Manchester University Press.

WOODFIELD, R., 1996. Gombrich on perception and mental set. Nordisk Estetisk Tidskrift, 16, pp. 65-75.

WOODFIELD, R., 1996. Gombrich on semiotics and psychology. In: Annual Conference of the Nordic Association of Aesthetics, Lund, 1996, Lund.

WOODFIELD, R., 1996. Gombrich's project. In: University of East Anglia World Art Research Seminar, 1996.

WOODFIELD, R., 1996. Gombrich's story of art. British Journal of Aesthetics, 36 (3), pp. 313-316. ISSN 0007-0904

WOODFIELD, R., 1996. Images coming to life: art and ontology. In: Conference on Virtual Reality, Beeld & Universiteit, Brussels, 1996, Brussels.

WOODFIELD, R., 1996. Sheldon Richmond, "Aesthetic Criteria: Gombrich and the Philosophies of Science of Popper and Polanyi.". Canadian Philosophical Review, 16 (1), pp. 50-52.

WOODFIELD, R., 1996. Virtual reality, videogames and the story of art. In: Oxford University Department of Art History, 1996, Oxford.

WOODFIELD, R., 1996. The essential Gombrich. London: Phaidon Press.

WOODFIELD, R., 1995. Contemporary photographic education in an international perspective [conference paper]. In: Vevey, Switzerland, 1995, Vevey.

WOODFIELD, R., 1995. Gombrich on psychology and semiotics [international guest speaker]. In: Annual Conference of the Italian Association of Aesthetics, 1995.

WOODFIELD, R., 1995. Tradition and bildung. Annales d'Esthétique, 34, pp. 173-181.

WOODFIELD, R., 1995. 'The reception of the Vienna School of Art History' in Austrian exodus: the creative achievements of refugees from national socialism. Austrian Studies, 6, pp. 169-175.

WOODFIELD, R., 1994. Expression, form and Kunstwissenschaft. In: L.O. ÅHLBERG and T. ZAIN, eds., Aesthetic matters: essays presented to Göran Sörbom on his 60th birthday. Uppsala: Uppsala University, pp. 154-163.

WOODFIELD, R., 1994. Gombrich on art, style and culture. Nordisk Estetisk Tidskrift, 12, pp. 79-94.

WOODFIELD, R., 1994. Gombrich on style and culture. In: Vintermote held at the Department of Aesthetics, University of Uppsala, Sweden, 1994, Uppsala.

WOODFIELD, R., 1994. Gombrich, formalism and the description of works of art. British Journal of Aesthetics, 34 (2), pp. 134-145.

WOODFIELD, R., 1994. On contemporary British aesthetics [conference paper]. In: Slovakian Society of Aesthetics, Bratislava, Slovakia, Bratislava.

WOODFIELD, R., 1994. Tradition and bildung. In: Joint Meeting of the Hellenic and British Societies of Aesthetics, Athens, 1994, Athens.

WOODFIELD, R., 1994. Wittgenstein and Popper on aesthetics. In: Annual Conference of the Hungarian Association of Aesthetics, 1994.

WOODFIELD, R., 1993. Gombrich on style and culture. In: Research Seminar of the Department of Aesthetics at the Jagiellonian University, Cracow, 1993, Cracow.

WOODFIELD, R., 1993. Kunst und Kritik [by E.H. Gombrich]. Stuttgart: Klett-Cotta.

WOODFIELD, R., 1993. On form and expression in the photograph. In: Annual Conference of the Scandinavian Society of Aesthetics, 1993.

WOODFIELD, R., 1993. On semiotics and the photograph. In: Research Seminar of the Swire School of Design, Hong Kong, 1993, Hong Kong.

WOODFIELD, R., 1993. On theoretical approaches to photography. In: Research Seminar of the Department of Aesthetics at the Jagiellonian University, Cracow, 1993, Cracow.

WOODFIELD, R., 1992. Bill Brandt. Kvartalstidsskrift for Fotografi, 4 (3), pp. 3-11.

WOODFIELD, R., 1992. Gombrich, formalism and the description of works of art. In: Proceedings of the International Colloquium on Formalism, Ljubljana.

WOODFIELD, R., 1992. Resemblance. In: D. COOPER, ed., A companion to aesthetics. Oxford: Blackwell, pp. 369-372.

WOODFIELD, R., 1991. The European aesthetics network. In: G. MARCHIANO, ed., Le grandi correnti dell'estetica novecentesca. Milano: Guerini Studio, pp. 261-263.

WOODFIELD, R., 1991. [Guest editor]. UNSPECIFIED.

WOODFIELD, R., 1991. Riflessioni sulla storia dell'arte [by E.H. Gombrich]. Torino: Einaudi.

WOODFIELD, R., 1991. Réflexions sur l'histoire de l'art [by E.H. Gombrich]. Nimes: Éditions Jacqueline Chambon.

WOODFIELD, R., 1990. [Editor]. Nottingham: Nottingham Trent Polytechnic Press.

WOODFIELD, R., 1990. Review: John Hyman 'The imitation of nature'. British Journal of Aesthetics, 30 (3), pp. 280-282.

WOODFIELD, R., 1990. The creation of a network of European scholars in aesthetics [conference presentation]. In: Siena, 1990, Siena.

WOODFIELD, R., 1990. The institutional theory of art. Iskusstvo, pp. 46-49.

WOODFIELD, R., 1989. L'effet du réel: an alternative account. Dialectics and Humanism.

WOODFIELD, R., 1989. Rewriting symbolism: towards a critique of semiotics [paper]. In: Birmingham Polytechnic Postgraduate Seminar, 1989, Birmingham.

WOODFIELD, R., 1988. Peetz and Wollheim on Gombrich's illusions. British Journal of Aesthetics, 28 (3), pp. 278-280.

WOODFIELD, R., 1987. Art in the service of history - The Guardian on modernism and post-modernism. Over Here: An American Studies Journal, 7 (1), pp. 1-11.

WOODFIELD, R., 1987. Reflections on the history of art [by E.H. Gombrich]. London: Phaidon Press.

WOODFIELD, R., 1987. Review: Wolfgang Haug 'Critique of commodity aesthetics'. British Journal of Aesthetics, 27 (4), pp. 377-378.

WOODFIELD, R., 1986. Review: Moshe Barasch 'Theories of art from Plato to Winckelmann'. British Journal of Aesthetics, 26 (4), pp. 395-396.

WOODFIELD, R., 1986. Words and pictures. British Journal of Aesthetics, 26 (4), pp. 357-370.

WOODFIELD, R., 1985. Gombrich on language and meaning. British Journal of Aesthetics, 25 (4), pp. 389-393.

WOODFIELD, R., 1985. [Guest editor - Harold Osborne's festschrift]. UNSPECIFIED.

WOODFIELD, R., 1985. Review: Norman Peterson 'Photographic art: media and disclosure'. British Journal of Aesthetics, 25 (3), pp. 292-293.

WOODFIELD, R., 1985. Some notes on Roland Barthes' photographic message. Trent Occasional Papers in Photography.

WOODFIELD, R., 1985. Words and pictures. In: British Society of Aesthetics Conference, 1985.

WOODFIELD, R., 1984. On H.R. Jauss's art history and pragmatic history [paper]. In: Nottingham University Staff Critical Theory Seminar, 1984, Nottingham.

WOODFIELD, R., 1983. Walter Benjamin on the mechanical reproduction of works of art [paper]. In: Nottingham University Staff Critical Theory Seminar, 1983, Nottingham.

WOODFIELD, R., 1982. Towards a new photographic history [paper]. In: Birmingham Polytechnic Postgraduate Seminar, 1982, Birmingham.

WOODFIELD, R., 1981. Review: Ernst Buschor 'On the meaning of Greek statues'. British Journal of Aesthetics, 21 (2), pp. 175-176.

WOODFIELD, R., 1981. Review: Rose-Carol Washton Long 'Kandinsky'. British Journal of Aesthetics, 21 (4), pp. 380-381.

WOODFIELD, R., 1980. Thomas Hobbes and the formation of aesthetics in England. British Journal of Aesthetics, 20 (2), pp. 146-152.

WOODFIELD, R., 1978. On the emergence of aesthetics. British Journal of Aesthetics, 18 (3), pp. 217-227.

WOODFIELD, R., 1977. Review: Rudolph Makkreel 'Dilthey philosopher of the human sciences'. British Journal of Aesthetics, 17 (3), pp. 282-283.

WOODFIELD, R., 1976. Review: Göran Hermeren 'Influence in art and literature'. British Journal of Aesthetics, 16 (4), pp. 376-377.

WOODFIELD, R., 1975. Analysis of beauty [by Hogarth]. Menston: Scolar Press.

WOODFIELD, R., 1975. On the emergence of aesthetics [paper]. In: Nottingham University Society of Philosophical Aesthetics, 1975, Nottingham.

WOODFIELD, R., 1975. Reflections on the painting and sculpture of the Greeks [by Winckelmann]. Menston: Scolar Press.

WOODFIELD, R., 1975. Review: F.J.W. Harding 'Jean-Marie Guyau'. British Journal of Aesthetics, 15 (2), pp. 179-180.

WOODFIELD, R., 1975. The freedom of Shaftsbury's classicism. British Journal of Aesthetics, 15 (3), pp. 254-266.

WOODFIELD, R., 1973. Review: David Irwin 'Winckelmann, writings on art'. British Journal of Aesthetics, 13 (1), pp. 86-87.

WOODFIELD, R., 1973. Review: Donald Posner 'Annibale Carracci'. British Journal of Aesthetics, 13 (3), pp. 309-310.

WOODFIELD, R., 1973. Review: J.P. Hodin 'Eduard Munch'. British Journal of Aesthetics, 13 (3), p. 89.

WOODFIELD, R., 1973. Winckelmann and the Abbé du Bos. British Journal of Aesthetics, 13 (3), pp. 271-275.

WOODFIELD, R., 1972. Neoclassical art theory [paper]. In: British Society of Aesthetics, London, 1972, London.

WOODFIELD, R., 1972. Review: Anita Brookner 'The genius of the future'. British Journal of Aesthetics, 12 (4), pp. 408-409.

WOODFIELD, R., 1972. Review: Ferenc Tokei 'Genre theory in China'. British Journal of Aesthetics, 12 (3), pp. 305-306.

WOODFIELD, R., 1972. Review: John Adkins Richardson 'Modern art and scientific thought'. British Journal of Aesthetics, 12 (3), pp. 303-304.

WOODFIELD, R., 1972. Review: Michael Baxandall 'Giotto and the orators'. British Journal of Aesthetics, 12 (2), pp. 199-200.

WOODFIELD, R., 1972. Two discourses [by Richardson]. Menston: Scolar Press.

WOODFIELD, R., 1971. Analysis of beauty [by Hogarth]. Menston: Scolar Press.

WOODFIELD, R., 1971. Hobbes on the laws of nature and the atheist. Renaissance and Modern Studies, 15 (1), pp. 34-43. ISSN 0486-3720

WOODFIELD, R., 1971. Mannerist art theory. In: British Society of Aesthetics Annual Conference, London, 1971, London.

WOODFIELD, R., 1971. Mannerist art theory [abstract]. British Journal of Aesthetics, 12 (2), pp. 118-119.

WOODFIELD, R., 1971. Seven discourses [by Reynolds]. Menston: Scolar Press.

WOODFIELD, R., 1971. An essay on the theory of painting [by Richardson]. Menston: Scolar Press.

WOODFIELD, R., 1970. Aretin: a dialogue on painting [by Dolce]. Menston: Scolar Press.

WOODFIELD, R., 1968. The idea of a social contract [paper]. In: Nottingham University Staff Philosophy Seminar, 1968, Nottingham.

WOODFIELD, R., 1967. Desiring a thing and calling it 'good' [paper]. In: Nottingham University Staff Philosophy Seminar, 1967, Nottingham.