Items where Author is "Woodfield, R"

Journal article

WOODFIELD, R., 2006. Ernst Gombrich and the idea of human nature. Human Affairs: A Postdisciplinary Journal for Humanities and Social Sciences, 13 (2), pp. 163-170. ISSN 1210-3055

WOODFIELD, R., 2006. Review: Thomas Heyd and John Clegg 'Aesthetics and rock art',. caa.reviews.

WOODFIELD, R., 2005. Reflections on writing the history of aesthetics. Literature and Aesthetics, 15 (1), pp. 35-41. ISSN 1036-9368

WOODFIELD, R., 2005. Review: Alois Riegl (trans. Jacqueline E. Jung, foreword Benjamin Binstock) 'Historical grammar of the arts'. caa.reviews. ISSN 1543-950X

WOODFIELD, R., 2005. Review: Michael Kelly (ed.) 'Encyclopedia of aesthetics'. Art Bulletin, 83 (3), pp. 559-563.

WOODFIELD, R., 2005. Review: Michael Kelly (ed.) 'Una nueva enciclopedia de Estética' [translation]. Revisiones, 1, pp. 69-79.

WOODFIELD, R., 2005. Una nueva enciclopedia de Estética. Revisiones, 1, pp. 69-79.

WOODFIELD, R., 2004. Review: Philip Sohm 'Style in the art theory of early modern Italy'. British Journal of Aesthetics, 44 (4), pp. 441-444.

WOODFIELD, R., 2004. Review: Philippe-Alain Michaud 'Aby Warburg and the image in motion'. .

WOODFIELD, R., 2004. The UK fine art PhD and research in art & design. Lier en Boog: Series of Philosophy of Art & Art Theory, 18, pp. 103-108. ISSN 0925-8191

WOODFIELD, R., 2003. Review: 'Journal of Visual Art Practice' (volume 1, numbers 1, 2 and 3). Art, Design and Communication in Higher Education, 2 (12), pp. 89-93.

WOODFIELD, R., 2003. Review: Charles Harrison, Paul Wood, and Jason Gaiger (eds.) 'Art in theory 1648-1815: an anthology of changing ideas'. Journal of Aesthetics and Art Criticism, 61 (2), pp. 201-203.

WOODFIELD, R., 2003. Review: Chris Wood (ed.) 'The Vienna School reader: politics and art historical method in the 1930s'. .

WOODFIELD, R., 2003. Review: James Elkins 'Stories of art'. British Journal of Aesthetics, 43 (3), pp. 336-338.

LEE, J. and WOODFIELD, R., 2002. Didactic parameters. Lier en Boog: Series of Philosophy of Art & Art Theory, 17, pp. 127-130. ISSN 0925-8191

WOODFIELD, R., 2001. Review of Michael Kelly (ed) 'Encyclopedia of aesthetics'. Art Bulletin, 83 (3), pp. 559-563.

WOODFIELD, R., 2001. Review: Ellen Dissanayake 'Art and intimacy: how the arts began'. British Journal of Aesthetics, 41 (3), pp. 343-345.

WOODFIELD, R., 2001. Review: Francis Ames-Lewis 'The intellectual life of the early renaissance artist'. British Journal of Aesthetics, 42 (1), pp. 86-88.

WOODFIELD, R., 2000. Gombrich on style and culture. The Misulsa Hakbo (Korean Art History Review), 14.

WOODFIELD, R., 1999. Photography and the imagination: proceedings of the XIVth International Congress on Aesthetics, Ljubljana. Filozofski Vestnik (2), pp. 271-278.

WOODFIELD, R., 1999. Review: Bjarne Sode Funch 'The psychology of art appreciation'. British Journal of Aesthetics, 39 (2), pp. 207-208.

WOODFIELD, R., 1999. Review: James Elkins 'On pictures and words that fail them'. American Journal of Aesthetics and Art Criticism, 57 (4), pp. 471-473.

WOODFIELD, R., 1999. Review: John Willats 'Art and representation: new principles in the analysis of pictures'. Journal of Aesthetics and Art Criticism, 57 (1), pp. 99-100.

WOODFIELD, R., 1996. Form, expression and the photograph. Interface: Bradford Studies in Language, Culture and Society, pp. 263-284.

WOODFIELD, R., 1996. Gombrich on perception and mental set. Nordisk Estetisk Tidskrift, 16, pp. 65-75.

WOODFIELD, R., 1996. Gombrich's story of art. British Journal of Aesthetics, 36 (3), pp. 313-316. ISSN 0007-0904

WOODFIELD, R., 1996. Sheldon Richmond, "Aesthetic Criteria: Gombrich and the Philosophies of Science of Popper and Polanyi.". Canadian Philosophical Review, 16 (1), pp. 50-52.

WOODFIELD, R., 1995. Tradition and bildung. Annales d'Esthétique, 34, pp. 173-181.

WOODFIELD, R., 1995. 'The reception of the Vienna School of Art History' in Austrian exodus: the creative achievements of refugees from national socialism. Austrian Studies, 6, pp. 169-175.

WOODFIELD, R., 1994. Gombrich on art, style and culture. Nordisk Estetisk Tidskrift, 12, pp. 79-94.

WOODFIELD, R., 1994. Gombrich, formalism and the description of works of art. British Journal of Aesthetics, 34 (2), pp. 134-145.

WOODFIELD, R., 1992. Bill Brandt. Kvartalstidsskrift for Fotografi, 4 (3), pp. 3-11.

WOODFIELD, R., 1990. Review: John Hyman 'The imitation of nature'. British Journal of Aesthetics, 30 (3), pp. 280-282.

WOODFIELD, R., 1990. The institutional theory of art. Iskusstvo, pp. 46-49.

WOODFIELD, R., 1989. L'effet du réel: an alternative account. Dialectics and Humanism.

WOODFIELD, R., 1988. Peetz and Wollheim on Gombrich's illusions. British Journal of Aesthetics, 28 (3), pp. 278-280.

WOODFIELD, R., 1987. Art in the service of history - The Guardian on modernism and post-modernism. Over Here: An American Studies Journal, 7 (1), pp. 1-11.

WOODFIELD, R., 1987. Review: Wolfgang Haug 'Critique of commodity aesthetics'. British Journal of Aesthetics, 27 (4), pp. 377-378.

WOODFIELD, R., 1986. Review: Moshe Barasch 'Theories of art from Plato to Winckelmann'. British Journal of Aesthetics, 26 (4), pp. 395-396.

WOODFIELD, R., 1986. Words and pictures. British Journal of Aesthetics, 26 (4), pp. 357-370.

WOODFIELD, R., 1985. Gombrich on language and meaning. British Journal of Aesthetics, 25 (4), pp. 389-393.

WOODFIELD, R., 1985. Some notes on Roland Barthes' photographic message. Trent Occasional Papers in Photography.

WOODFIELD, R., 1981. Review: Ernst Buschor 'On the meaning of Greek statues'. British Journal of Aesthetics, 21 (2), pp. 175-176.

WOODFIELD, R., 1981. Review: Rose-Carol Washton Long 'Kandinsky'. British Journal of Aesthetics, 21 (4), pp. 380-381.

WOODFIELD, R., 1980. Thomas Hobbes and the formation of aesthetics in England. British Journal of Aesthetics, 20 (2), pp. 146-152.

WOODFIELD, R., 1978. On the emergence of aesthetics. British Journal of Aesthetics, 18 (3), pp. 217-227.

WOODFIELD, R., 1977. Review: Rudolph Makkreel 'Dilthey philosopher of the human sciences'. British Journal of Aesthetics, 17 (3), pp. 282-283.

WOODFIELD, R., 1976. Review: Göran Hermeren 'Influence in art and literature'. British Journal of Aesthetics, 16 (4), pp. 376-377.

WOODFIELD, R., 1975. Review: F.J.W. Harding 'Jean-Marie Guyau'. British Journal of Aesthetics, 15 (2), pp. 179-180.

WOODFIELD, R., 1975. The freedom of Shaftsbury's classicism. British Journal of Aesthetics, 15 (3), pp. 254-266.

WOODFIELD, R., 1973. Review: David Irwin 'Winckelmann, writings on art'. British Journal of Aesthetics, 13 (1), pp. 86-87.

WOODFIELD, R., 1973. Review: Donald Posner 'Annibale Carracci'. British Journal of Aesthetics, 13 (3), pp. 309-310.

WOODFIELD, R., 1973. Review: J.P. Hodin 'Eduard Munch'. British Journal of Aesthetics, 13 (3), p. 89.

WOODFIELD, R., 1973. Winckelmann and the Abbé du Bos. British Journal of Aesthetics, 13 (3), pp. 271-275.

WOODFIELD, R., 1972. Review: Anita Brookner 'The genius of the future'. British Journal of Aesthetics, 12 (4), pp. 408-409.

WOODFIELD, R., 1972. Review: Ferenc Tokei 'Genre theory in China'. British Journal of Aesthetics, 12 (3), pp. 305-306.

WOODFIELD, R., 1972. Review: John Adkins Richardson 'Modern art and scientific thought'. British Journal of Aesthetics, 12 (3), pp. 303-304.

WOODFIELD, R., 1972. Review: Michael Baxandall 'Giotto and the orators'. British Journal of Aesthetics, 12 (2), pp. 199-200.

WOODFIELD, R., 1971. Hobbes on the laws of nature and the atheist. Renaissance and Modern Studies, 15 (1), pp. 34-43. ISSN 0486-3720

WOODFIELD, R., 1971. Mannerist art theory [abstract]. British Journal of Aesthetics, 12 (2), pp. 118-119.

Authored book

WOODFIELD, R., 2003. Das Gombrich Lesebuch. Berlin: Phaidon Press.

WOODFIELD, R., 2003. Gombrich l'essentiel. Paris: Phaidon Press.

WOODFIELD, R., 2001. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International. ISBN 9057010232

WOODFIELD, R., 2001. Framing formalism: Riegl's work. Amsterdam: G+B Arts International. ISBN 9057013126

WOODFIELD, R., 1997. Gombrich esencial: textos escogidos sobre arte y cultura. Madrid: Debate.

WOODFIELD, R., 1997. Sentieri verso l'arte: I testi chiave di Ernst H. Gombrich. Milano: Leonardo Arte.

WOODFIELD, R., 1996. Gombrich on art and psychology. Manchester: Manchester University Press.

WOODFIELD, R., 1996. The essential Gombrich. London: Phaidon Press.

Book contribution

WOODFIELD, R., 2009. Critique of the exhibition 'Mind Map, Mind the Gap: fine artists' responses to a collection of old Korean maps'. In: Korean Wave in Nottingham [exhibition catalogue]. Nottingham: Nottingham Trent University, pp. 15-16.

Chapter in book

WOODFIELD, R., 2010. Gombrich on the Renaissance: period or movement? In: Poreia: a festschrift for Professor Dionysis A. Zivas. Athens: National Technical University of Athens - School of Architecture, pp. 617-625.

WOODFIELD, R., 2009. The 1721 English Treatise of Painting: a Masonic moment in the culture of Newtonianism. In: C. FARAGO, ed., Re-reading Leonardo: The Treatise on Painting across Europe from 1550 to 1900. Burlington, Vermont: Ashgate, pp. 475-491.

WOODFIELD, R., 2008. Gombrich and Panofsky on iconology. In: J.N. ERZEN, ed., International Yearbook of Aesthetics. International Association for Aesthetics, pp. 151-164.

WOODFIELD, R., 2008. Kunstwissenschaft versus Ästhetik: the historians' revolt against aesthetics. In: F. HALSALL and J. JANSEN, eds., Re-discovering aesthetics. Stanford, California: Stanford University Press, pp. 19-33.

WOODFIELD, R., 2007. Boots D90 Do_u Projesi. In: Sanat ve Bilim. Anarka: Sanart, pp. 157-161.

WOODFIELD, R., 2007. Sanat ve Çevre: Eski Tarti_ma,Yeni Konular. In: Sanat ve Çevre. Anarka: Sanart, pp. 33-40.

WOODFIELD, R., 2006. Ernst Gombrich's contributions to Kritische Berichte. In: Colloquium on art history and the German philosophical tradition. Williamstown, Mass.: Sterling & Francine Clark Art Institute.

WOODFIELD, R., 2006. Participation in 'the art seminar' and assessment. In: J. ELKINS, ed., Aesthetics versus art history. New York; London: Routledge.

WOODFIELD, R., 2005. Gombrich. In: S. BROWN, ed., Thoemmes Continuum dictionary of 20th century British philosophers. Bristol: Thoemmes Continuum, pp. 332-335.

WOODFIELD, R., 2005. Podro. In: S. BROWN, ed., Thoemmes Continuum dictionary of 20th century British philosophers. Bristol: Thoemmes Continuum, pp. 793-794.

WOODFIELD, R., 2005. Representational meaning. In: I. LORENC, ed., Odlamki, Pozbitych, Luster: rozprawy z filozofii kultury sztuki I etsetyki ofiarowane Pani Professor Alicji Kuczyn'skiej. Warszawa: Uniwersytet Warszawski: Wydzial Filozofii I Socjologii, pp. 275-286.

WOODFIELD, R., 2003. Gombrich's 1955 lecture to the British Psychological Society: 'Art History and the psychology of perception.'. In: LIZARRAGA, , ed., E.H. Gombrich: In memoriam. EUNSA, pp. 167-184. ISBN 8431321253

WOODFIELD, R., 2003. Key writers on art: the Twentieth Century. In: Aby Warburg. UNSPECIFIED, pp. 262-269. ISBN 041522201X

WOODFIELD, R., 2003. Pictorial experience. In: SUKLA, , ed., Art and experience. Praeger, pp. 71-90. ISBN 275973948

WOODFIELD, R., 2002. Aesthetics at the end of the century: Dessoir's project. In: I. TURELI, ed., Proceedings of Retrospective: aesthetics and art in the 20th century. Ankara: SANART/Chamber of Architects of Turkey, pp. 81-86.

WOODFIELD, R., 2002. Gombrich and psychology. In: WILDE, , ed., Blackwell companion to art theory. UNSPECIFIED, pp. 426-435. ISBN 631207627

WOODFIELD, R., 2002. Some reflections on theatre iconography. In: E. BALME and B. MOLINARI, eds., European theatre iconography. Roma: Editore Roma, pp. 49-64.

WOODFIELD, R., 2001. Aesthetics at the end of the Century: Dessoir's Project. In: K. SASAKI and T. OTABE, eds., The great book of aesthetics: the 15th International Congress of Aesthetics, Japan, 2001: proceedings. Tokyo: Organizing Committee of the 15th International Congress of Aesthetics. ISBN 4990170105

WOODFIELD, R., 1997. Gombrich e la semiotica. In: M.V. FERRIOLO, ed., La polifonia estetica: specificità e raccordi. Milano: Guerini Studio, pp. 15-25.

WOODFIELD, R., 1994. Expression, form and Kunstwissenschaft. In: L.O. ÅHLBERG and T. ZAIN, eds., Aesthetic matters: essays presented to Göran Sörbom on his 60th birthday. Uppsala: Uppsala University, pp. 154-163.

WOODFIELD, R., 1992. Resemblance. In: D. COOPER, ed., A companion to aesthetics. Oxford: Blackwell, pp. 369-372.

WOODFIELD, R., 1991. The European aesthetics network. In: G. MARCHIANO, ed., Le grandi correnti dell'estetica novecentesca. Milano: Guerini Studio, pp. 261-263.

Conference contribution

WOODFIELD, R., 2009. Ernst Gombrich. Iconology and the 'Linguistics of the image'. In: I Saperi di Ernst Gombrich. Teoria del Visibile e Analisi dell'Arte, Università Iuav di Venezia: Scuola di Dottorato, Venice, 5-6 March 2009, Venice.

WOODFIELD, R., 2006. Aesthetics at the end of the century: Dessoir's project. In: SANART Symposium Retrospective: Aesthetics and Art in the 20th Century, Ankara, Turkey, 2006, Ankara, Turkey.

WOODFIELD, R., 2006. The October questionnaire: Riegl, Warburg and Gombrich. In: Framing Art History: reflections on the discipline, ESF Conference, Edinburgh, Scotland, 2006, Edinburgh.

WOODFIELD, R., 2006. The history of art and the history of the mind. In: XVI International Congress of Aesthetics, Rio de Janeiro, Brazil, 2006, Rio de Janeiro, Brazil.

WOODFIELD, R., 2004. Are the arts elitist ? In: Cultural conversation with Dominic Lopes, John Armstrong and Jennifer McMahon, The University of Adelaide Art and Heritage Collections, Australia, 06 October, 2004, The University of Adelaide Art and Heritage Collections.

WOODFIELD, R., 2004. Reflections on writing the history of aesthetics. In: Second Pacific Rim Conference in Transcultural Aesthetics, Sydney, Australia, 2004, Sydney, Australia.

WOODFIELD, R., 2004. Understanding pictures: what pictures do. In: Round table on realism in pictures: the plasticity of representational systems, Adelaide, Australia, 2004, Adelaide, Australia.

WOODFIELD, R., 2002. Art in a corporate context: contemporary art at Boots the Chemist. In: Art and Social Engagement: International Symposium, Middle East Technical University, Ankara, Turkey, 01-03 May, 2002, Middle East Technical University, Ankara, Turkey.

WOODFIELD, R., 2001. Ernst Gombrich's contributions to Kritische Berichte. In: Colloquium on art history and the German philosophical tradition.

WOODFIELD, R., 2001. Gombrich's 1955 lecture to the British Psychological Society: 'Art History and the psychology of perception.'. In: Congreso E.H. Gombrich (Viena 1909- Londrea 2001).

WOODFIELD, R., 2000. Style and nationality. In: Art, Life, Culture: 2000 International Association for Aesthetics Executive Committee Meeting and Colloquium, Korean Society for Aesthetics & Institute for Arts and Culture, College of Humanities, Seoul National University, Korea, Seoul.

WOODFIELD, R., 1999. The Daedalus Project: art, science and technology in the Western European tradition. In: Inaugural Lecture, Nottingham Trent University, February 1999, Nottingham.

WOODFIELD, R., 1999. Gombrich's Kunstwissenschaft: the use of art for the study of the mind. In: Annual Conference of the Deutsche Gesellschaft für Ästhetik, Hanover, 1999, Hanover.

WOODFIELD, R., 1998. Art and evidence. In: ESF Network Conference on Theatre Iconography: Identification and interpretation of images, Mainz, 1998, Mainz.

WOODFIELD, R., 1998. Photography and imagination. In: XIVth International Congress on Aesthetics, Ljubljana, 1998, Ljubljana.

WOODFIELD, R., 1997. Art and the environment. In: SANART Conference and Exhibition, Ankara, October 1997, Ankara.

WOODFIELD, R., 1997. History of art and the psychology of picture perception [conference paper]. In: University of Copenhagen, December 1997, Copenhagen.

WOODFIELD, R., 1997. Valuing primitive art: Danto and Gombrich [conference paper]. In: Nordic Society of Aesthetics, Oslo, May 1997, Oslo.

WOODFIELD, R., 1996. Gombrich on semiotics and psychology. In: Annual Conference of the Nordic Association of Aesthetics, Lund, 1996, Lund.

WOODFIELD, R., 1996. Gombrich's project. In: University of East Anglia World Art Research Seminar, 1996.

WOODFIELD, R., 1996. Images coming to life: art and ontology. In: Conference on Virtual Reality, Beeld & Universiteit, Brussels, 1996, Brussels.

WOODFIELD, R., 1996. Virtual reality, videogames and the story of art. In: Oxford University Department of Art History, 1996, Oxford.

WOODFIELD, R., 1995. Contemporary photographic education in an international perspective [conference paper]. In: Vevey, Switzerland, 1995, Vevey.

WOODFIELD, R., 1995. Gombrich on psychology and semiotics [international guest speaker]. In: Annual Conference of the Italian Association of Aesthetics, 1995.

WOODFIELD, R., 1994. Gombrich on style and culture. In: Vintermote held at the Department of Aesthetics, University of Uppsala, Sweden, 1994, Uppsala.

WOODFIELD, R., 1994. On contemporary British aesthetics [conference paper]. In: Slovakian Society of Aesthetics, Bratislava, Slovakia, Bratislava.

WOODFIELD, R., 1994. Tradition and bildung. In: Joint Meeting of the Hellenic and British Societies of Aesthetics, Athens, 1994, Athens.

WOODFIELD, R., 1994. Wittgenstein and Popper on aesthetics. In: Annual Conference of the Hungarian Association of Aesthetics, 1994.

WOODFIELD, R., 1993. Gombrich on style and culture. In: Research Seminar of the Department of Aesthetics at the Jagiellonian University, Cracow, 1993, Cracow.

WOODFIELD, R., 1993. On form and expression in the photograph. In: Annual Conference of the Scandinavian Society of Aesthetics, 1993.

WOODFIELD, R., 1993. On semiotics and the photograph. In: Research Seminar of the Swire School of Design, Hong Kong, 1993, Hong Kong.

WOODFIELD, R., 1993. On theoretical approaches to photography. In: Research Seminar of the Department of Aesthetics at the Jagiellonian University, Cracow, 1993, Cracow.

WOODFIELD, R., 1992. Gombrich, formalism and the description of works of art. In: Proceedings of the International Colloquium on Formalism, Ljubljana.

WOODFIELD, R., 1990. The creation of a network of European scholars in aesthetics [conference presentation]. In: Siena, 1990, Siena.

WOODFIELD, R., 1989. Rewriting symbolism: towards a critique of semiotics [paper]. In: Birmingham Polytechnic Postgraduate Seminar, 1989, Birmingham.

WOODFIELD, R., 1985. Words and pictures. In: British Society of Aesthetics Conference, 1985.

WOODFIELD, R., 1984. On H.R. Jauss's art history and pragmatic history [paper]. In: Nottingham University Staff Critical Theory Seminar, 1984, Nottingham.

WOODFIELD, R., 1983. Walter Benjamin on the mechanical reproduction of works of art [paper]. In: Nottingham University Staff Critical Theory Seminar, 1983, Nottingham.

WOODFIELD, R., 1982. Towards a new photographic history [paper]. In: Birmingham Polytechnic Postgraduate Seminar, 1982, Birmingham.

WOODFIELD, R., 1975. On the emergence of aesthetics [paper]. In: Nottingham University Society of Philosophical Aesthetics, 1975, Nottingham.

WOODFIELD, R., 1972. Neoclassical art theory [paper]. In: British Society of Aesthetics, London, 1972, London.

WOODFIELD, R., 1971. Mannerist art theory. In: British Society of Aesthetics Annual Conference, London, 1971, London.

WOODFIELD, R., 1968. The idea of a social contract [paper]. In: Nottingham University Staff Philosophy Seminar, 1968, Nottingham.

WOODFIELD, R., 1967. Desiring a thing and calling it 'good' [paper]. In: Nottingham University Staff Philosophy Seminar, 1967, Nottingham.

Edited book

WOODFIELD, R., 1999. Ernst Gombrich, dal mio tempo: città, maestri, incontri. Torino: Einaudi.

WOODFIELD, R., 1993. Kunst und Kritik [by E.H. Gombrich]. Stuttgart: Klett-Cotta.

WOODFIELD, R., 1991. Riflessioni sulla storia dell'arte [by E.H. Gombrich]. Torino: Einaudi.

WOODFIELD, R., 1991. Réflexions sur l'histoire de l'art [by E.H. Gombrich]. Nimes: Éditions Jacqueline Chambon.

WOODFIELD, R., 1987. Reflections on the history of art [by E.H. Gombrich]. London: Phaidon Press.

WOODFIELD, R., 1975. Analysis of beauty [by Hogarth]. Menston: Scolar Press.

WOODFIELD, R., 1975. Reflections on the painting and sculpture of the Greeks [by Winckelmann]. Menston: Scolar Press.

WOODFIELD, R., 1972. Two discourses [by Richardson]. Menston: Scolar Press.

WOODFIELD, R., 1971. Analysis of beauty [by Hogarth]. Menston: Scolar Press.

WOODFIELD, R., 1971. Seven discourses [by Reynolds]. Menston: Scolar Press.

WOODFIELD, R., 1971. An essay on the theory of painting [by Richardson]. Menston: Scolar Press.

WOODFIELD, R., 1970. Aretin: a dialogue on painting [by Dolce]. Menston: Scolar Press.

Journal editorship

WOODFIELD, R., 2009. [Editorial]. UNSPECIFIED.

WOODFIELD, R., 2001. Point 12: Framing the Future. CHEAD.

WOODFIELD, R., 2001. Yearbook of the International Association for Aesthetics. International Association for Aesthetics.

WOODFIELD, R., 1991. [Guest editor]. UNSPECIFIED.

WOODFIELD, R., 1990. [Editor]. Nottingham: Nottingham Trent Polytechnic Press.

WOODFIELD, R., 1985. [Guest editor - Harold Osborne's festschrift]. UNSPECIFIED.

Newspaper or popular journal contribution

WOODFIELD, R., 2007. The bookshelf. , p. 13.

Review

WOODFIELD, R., 2010. Review: Iconography without texts, Warburg Institute Colloquia, 13 by Paul Taylor (ed.). Art Book, 17 (2), pp. 42-43.

WOODFIELD, R., 2009. Review: Claire Farago (ed.), 'Leonardo da Vinci and the ethics of style'. Art Book, 16 (4), pp. 47-48.

WOODFIELD, R., 1985. Review: Norman Peterson 'Photographic art: media and disclosure'. British Journal of Aesthetics, 25 (3), pp. 292-293.

Website content

WOODFIELD, R., 2006. The Gombrich Archive.