Items where Division is "Schools > School of Art and Design" and Year is 2016

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Number of items: 135.

B

BEALES, S., 2016. Cycling, place & identity – ongoing research / a work in progress. In: D. HIGGINS and V. DHUPA, eds., In This Place: Cumulus Association Biannual International Conference: conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE, pp. 323-328. ISBN 9780992887810

BROWN, A., 2016. OpenCity. PAUST (Performance Architecture Urbanism Space Theatre).

BROWN, A., 2016. OpenCity Berlin(West). UrbanTOPIAS. Discussing the Challenges of Changing Cities. The 5th Annual Conference of the International Graduate Research Program Berlin-New York-Toronto: "The World in the City: Metropolitanism and Globalization from the 19th Century to the Present", Berlin, Germany, 27-29 October 2016.

BROWN, A., 2016. OpenCity Derby. UK Young Artists Festival (UKYA), Quad, Derby, 5 November 2016.

BROWN, A., 2016. OpenCity Kiel. Kiel, 26 February 2016.

BROWN, A., 2016. OpenCity Stockholm. After the Fire, Kungliga Konsthögskolan - Royal Institute of Art, Stockholm, 12-16 December 2016.

BROWN, A., 2016. OpenCity Stuttgart. Spaces of Uncertainty Summer Academy, Württembergische Kunstverein, Stuttgart, Germany, 5-15 September 2016.

BROWN, A., 2016. Synchronicity. In Return, Sheffield Institute of Arts Gallery, Sheffield Hallam University, Sheffield, 2-21 February 2016.

BROWN, A., LITHERLAND, G. and MILES, G., 2016. Oblique cartographies - Wirksworth. [Digital or Visual Media]

BROWN, A., LITHERLAND, G.D. and MILES, G., 2016. Oblique cartographies. Nature: Here and Now, Wirksworth Festival, The Parish Room, St. Mary's Church, Wirksworth, Nottinghamshire, 10-18 September 2016.

BROWN, V., 2016. Cool, sunglasses and the ultimate modern woman – icons of the 1960s. In: Dolly Birds and Swinging Cities, Manchester Metropolitan University, Manchester, 19 May 2016.

BROWN, V., 2016. Reflections on impermeability: sunglasses, shine, and other signifiers of modern cool. In: Fashion, Style, Appearance and Design strand of the American Popular Culture/Popular Culture Association Conference, Seattle, USA, 24 March 2016.

BROWN, V., 2016. Sunglasses. In: V. STEELE, ed., Fashion Photography Archive. London: Bloomsbury.

BURNETT, K., 2016. Innovative. Letter on a napkin. In: P. DE KIMPE, S. SCHÜTTE and J. WENDEL, eds., The power of the theatrical image. Amsterdam: de Theaterschool, Amsterdamse Hogeschool voor de Kunsten, pp. 96-105. ISBN 9789071681257

C

CHAMBERS, L., 2016. BAD SIGNS/Adjustments. Atkinsons' Kram Gallery, Wandsworth, London, 15 May - 16 July.

CHAMBERS, L., 2016. If a pair is two, what is three? Part 1 - In the paravent. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 18 January – 7 February 2016.

CHAMBERS, L., 2016. If a pair is two, what is three? Part 2 - Razzle: all that jazz. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 8–28 February 2016.

CHAMBERS, L., 2016. Now for tomorrow II. Nottingham Castle Museum and Art Gallery, Nottingham, 30 January – 17 April 2016.

CHAMBERS, L., 2016. Only This, Dear. Gallery No. 1, Repton, Derbyshire, 10 November - 16 December 2016.

CHAMBERS, L., 2016. Razzle Dazzle. Transition Gallery, London, 25 November – 17 December 2016.

CHAMBERS, L., 2016. Wish You Were Here. Estuary 2016, Southend Pier, Western Esplanade, Southend on Sea, Essex, 17 September - 2 October 2016.

CHANG, C.M., 2016. Influences of new media communication on the deaf/hard of hearing as reflected in interaction design. PhD, Nottingham Trent University.

COCKER, E., 2016. Looking for loopholes: cartography of escape. In: K.E. BISHOP, ed., Cartographies of exile: a new spatial literacy. New York: Routledge. ISBN 9780415714860

COCKER, E., 2016. Performing thinking in action: the meletē of live coding. International Journal of Performance Arts and Digital Media, 12 (2), pp. 102-116. ISSN 1479-4713

COCKER, E., 2016. Sampler of samplers: repeating repeats repeats. In: D. MAIER, ed., Grafting propriety: from stitch to the drawn line. London: Black Dog Publishing. ISBN 9781910433072

COCKER, E., 2016. Writing beyond resurrection. In: Y. CARMICHAEL and A. CROUCH, eds., Unruly utterances: participation, criticality and Compass Festival 2014. Leeds: Compass Live Art/Live Art UK, pp. 23-24.

COCKER, E., GANSTERER, N. and GREIL, M., 2016. Choreo-graphic figures. Summer Lab 2016, AILab, Vienna, Austria, 2 August 2016.

COCKER, E., GANSTERER, N. and GREIL, M., 2016. Choreo-graphic figures: embodied diagrams. Tanzquartier Studios, Vienna, Austria, 11 March 2016.

COCKER, E. and THORNTON, C., 2016. The Italic I. The Alternative Document, Project Space Plus, University of Lincoln, 13 February - 11 March 2016.

COCKER, E. and THORNTON, C., 2016. The Italic I: a 16 stage lexicon on the arc of falling. Theatre, Dance and Performance Training, 7 (2), pp. 253-273. ISSN 1944-3927

COCKER, E. and THORNTON, C., 2016. The Italic I: between liveness and the lens. In: The Alternative Document, Project Space Plus, University of Lincoln, 13 February 2016.

D

DANCER, A., 2016. A very good performance [TEST RECORD PLEASE IGNORE]. Dance Festival, Nottingham, 1 March 2016.

DAVEY, R.H., 2016. Anthony Whishaw. London: Royal Academy of Arts. ISBN 9781910350416

DAVEY, R.H., 2016. Summer Exhibition illustrated 2016. London: Royal Academy of Arts. ISBN 9781910350522

DAVEY, R.H., 2016. A diverse selection. In: A. BUKANTAS, ed., The John Moores Painting Prize 2016 catalogue. Liverpool: National Museums Liverpool. ISBN 9781902700557

DENONCOURT, J., JARMAN, J., JOHNSON, N. and PALEY, E., 2016. Degree shows & displaying your creative work. Intellectual property notebook . Nottingham: Nottingham Trent University: Publications. ISBN 9780993111235

E

EDWARDS, E., 2016. Block printed textiles of India: imprints of culture. New Delhi: Niyogi Books. ISBN 9789385285035

EDWARDS, E., 2016. Cloth and community: the local trade in resist-dyed and block printed textiles in Kachchh district, Gujarat. In: C. BRANFOOT, ed., Traditional arts of South Asia: continuity in contemporary practice & patronage. Saffron Asian art & society series . London: Saffron Press, pp. 78-95. ISBN 9781872843322

EDWARDS, E. and KHATRI, I.M., 2016. The work of the Khatris of Kachchh: ajrakh and block printed textiles. In: C. BANCROFT, ed., Traditional arts of South Asia: continuity in contemporary practice & patronage. Saffron Asian art & society series . London: Saffron Press, pp. 96-109. ISBN 9781872843322

EDWARDS, E.M., 2016. Ajrakh: from caste dress to catwalk. Textile History, 47 (2), pp. 146-170. ISSN 0040-4969

EVANS, J.P.O., GODBER, S.X., ELARNAUT, F., DOWNES, D., DICKEN, A.J. and ROGERS, K.D., 2016. X-ray absorption tomography employing a conical shell beam. Optics Express, 24 (25), p. 29048. ISSN 1094-4087

F

FERRY, E., 2016. Medievalism, Modernity and Memory: Cropthorne Church, 1892–1910. Interiors: Design/Architecture/Culture. ISSN 2041-9112

FISHER, C., 2016. If a pair is two, what is three? Part 1 - In the paravent. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 18 January – 7 February 2016.

FISHER, C., 2016. If a pair is two, what is three? Part 2 - Razzle: all that jazz. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 8–28 February 2016.

FISHER, C., 2016. Jerwood Drawing Prize 2015. Sidney Cooper Gallery, Canterbury, 11 February - 9 April 2016.

FISHER, C., 2016. Jerwood Drawing Prize 2015. Falmouth Art Gallery, Falmouth, 23 April - 25 June 2016.

FISHER, C., 2016. Now for tomorrow II. Nottingham Castle Museum and Art Gallery, Nottingham, 30 January – 17 April 2016.

FISHER, C. and RUSSELL, N., 2016. If a pair is two, what is three? Part 1 - In the paravent. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 18 January – 7 February 2016.

FISHER, T. and BOTTICELLO, J., 2016. Machine-made lace, the spaces of skilled practices and the paradoxes of contemporary craft production. Cultural Geographies. ISSN 1474-4740

FISHER, T., DONOVAN, N. and BOTTICELLO, J., 2016. Using 3D animation to capture and preserve intangible heritage: industrial textile crafts. Furnace: the Postgraduate Journal of the Ironbridge International Institute for Cultural Heritage (IIICH), University of Birmingham (3), pp. 1-8. ISSN 2057-519X

G

GAMBLE, R., 2016. The practice of everyday (virtual) life: a participatory and performative artistic enquiry. PhD, Nottingham Trent University.

GOWOREK, H., KENT, A.M. and PERRY, P., 2016. Journal of Fashion Marketing and Management. Emerald. (Forthcoming)

GOWOREK, H., MCLAREN, A., COOPER, T., OXBORROW, L. and CLAXTON, S., 2016. The impact of consumer attitudes on sustainable product development strategies: the case of clothing longevity. In: Thriving in Turbulent Times, British Academy of Management Conference, Newcastle, 6-8 September 2016.

GOWOREK, H., MCLAREN, A., OXBORROW, L., HILL, H., CLAXTON, S. and COOPER, T., 2016. Consumer perspectives on sustainable clothing consumption: enabling product longevity at the micro scale. In: Management and Environmental Sustainability Conference, University of Leicester, Leicester, May 2016.

H

HARDY, D.A., 2016. Generating electricity with decorative glazing. The Glazier, pp. 19-21.

HARDY, D.A., 2016. Solar Angel. Embracing Innovation Volume 6, Craft ACT: Craft and Design Centre, Canberra, Australian Capital Territory, Australia, 21 July - 27 August 2016.

HARTY, D., 2016. Temporal trace: a phenomenological approach. In: Association of Art Historians (AAH) 2016 Annual Conference and Art Book Fair, University of Edinburgh, Edinburgh, 7–9 April 2016.

HARTY, D. and SAWDON, P., 2016. Interweaving in hybrid methodologies. Journal of Visual Art Practice. ISSN 1470-2029

HIGGINS, D., 2016. Creative Centre for Fluid Territories: People-Place-Processes. Architecture Research Centre (ARC), Department of Architecture, University of Nicosia, Nicosia, Cyprus, 7-11 November 2016.

HIGGINS, D. and DHUPA, V., 2016. In This Place: Cumulus Association Biannual International Conference : conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE. ISBN 9780992887810

HIGGINS, D. and PINCHES, J., 2016. Introduction from Nottingham Trent University. In: D. HIGGINS and V. DHUPA, eds., In This Place: Cumulus Association Biannual International Conference: conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE, pp. 6-7. ISBN 9780992887810

HUNT, K.J., 2016. Bowie and Barnbrook: visually representing the 'Outsider's Outsider'. In: Bowie’s Books: David Bowie and Literature, Avenue Campus, University of Northampton, Northampton, 13-14 January 2017.

HUNT, K.J., 2016. Dark matter: the elemental cover designs for David Bowie's ★ [Blackstar]. The Huffington Post.

HUNT, K.J., 2016. Does David Bowie's ★ [Blackstar] album have an alternate cover? The Huffington Post.

HUNT, K.J., 2016. In and out of your head: 'Björk Digital' frames the singer's music in an intimate, uncanny experience. Eye: the International Review of Graphic Design.

HUNT, K.J., 2016. Notes on blindness: sensory cinema and the beauty of cognition. The Huffington Post.

HUNT, K.J., 2016. Rona Cran, Collage in Twentieth-Century Art, Literature, and Culture: Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan (Farnham: Ashgate Publishing Limited, 2014, £65.00). Pp. 258.isbn 978 1 4724 3096 0. Journal of American Studies, 50 (02), pp. 489-490. ISSN 0021-8758

HUNT, K.J., 2016. The remarkable story behind David Bowie's most iconic feature. The Conversation.

HUNT, K.J., 2016. A rhizomatic approach to fashion. In: FMMC Fashion Continuum: Performance Event, hosted by Nottingham Trent University School of Art & Design, Nottingham Contemporary, Nottingham, 22 April 2016.

HUMHYPHENHUM, , HARTY, D. and SAWDON, P., 2016. 'Performing Drawology': live drawing collaboration. Performing Drawology, Bonington Gallery, Nottingham, 15 January 2016 - 12 February 2016.

J

JONES, R.E., 2016. The artistry of conversation. PhD, Nottingham Trent University.

JUDD, B., 2016. In search of paradise. Tafelhalle Theatre, Nuremberg, Germany, 2016.

JUDD, B., 2016. Stories in the dark - contemporary responses to the magic lantern. Whitstable Biennale, Beaney House of Art and Knowledge, Canterbury, 19 March - 19 June 2016.

JUNG, J., WALKER, S., EVANS, M., CASSIDY, T. and TWIGGER HOLROYD, A., 2016. Design routes and creative ecology: understanding culturally significant designs, products and practices. Making Futures (4). ISSN 2042-1664

K

KENT, A., BLAZQUEZ CANO, M., VIANELLO, M. and HELBERGER, E., 2016. Omnichannel fashion retail and channel integration: the case of department stores. In: A. VECCHI and C. BUCKLEY, eds., Handbook of research on global fashion management and merchandising. Advances in logistics, operations, and management science . Hershey, PA: Business Science Reference, pp. 398-419. ISBN 9781522501107

KETTLEY, S., SADKOWSKA, A. and LUCAS, R., 2016. Tangibility in e-textile participatory service design with mental health participants. In: Proceedings of DRS 2016 Design Research Society 50th Anniversary Conference, Brighton, 27-30 June 2016.

KETTLEY, S., WALKER, S. and TOWNSEND, K., 2016. Evidencing embodied participatory design. In: 14th Participatory Design Conference, Participatory Design in an Era of Participation, Aarhus, Denmark, 15-19 August 2016.

L

LIAO, Y., 2016. The art school ethos across cultures: UK and China. PhD, Nottingham Trent University.

LITHERLAND, G. and PUNNETT, D., 2016. Nature: Here and Now. Wirksworth Festival, The Parish Room, St. Mary's Church, Wirksworth, Nottinghamshire, 10 September 2016.

LOCK, A. and ANDERSON, I., 2016. The use of photography in recording the legacy of the modern movement in Britain’s post-war landscapes. In: H. NEATE and R. CRAGGS, eds., Modern futures. Axminster: Uniformbooks. ISBN 9781910010112

M

MAIER, D., 2016. De/Structured. Backlit Gallery, Nottingham, 25 February - 13 March 2016.

MAIER, D., 2016. Grafting propriety: from stitch to the drawn line. London: Black Dog Publishing. ISBN 9781910433072

MAIER, D., 2016. In return. In return, Sheffield Institute of Arts Gallery, Sheffield Hallam University, Sheffield, 2-21 February 2016.

MARCHANT, L., 2016. Still famous: fixing the star image of Diana Dors in the photography of Cornel Lucas. In: L. BOLTON and J.L. WRIGHT, eds., Lasting screen stars: images that fade and personas that endure. London: Palgrave Macmillan, pp. 261-276. ISBN 9781137407320

MCCONNELL, S., 2016. Creating the illusion of movement: how do children's illustrated books embody visual sequential movement? Interjuli, 02/16, pp. 104-123. ISSN 1868-2049

MCLAREN, A., GOWOREK, H., COOPER, T., OXBORROW, L. and HILL, H., 2016. The effect of consumer attitudes on design for product longevity: the case of the fashion industry. In: P. LLOYD and E. BOHEMIA, eds., Proceedings of DRS 2016: Design + Research + Society - Future-Focused Thinking. 50th Anniversary Conference, Brighton, 27-30 June 2016. London: Design Research Society, pp. 3831-3846.

MCLAREN, A. and HILL, H., 2016. Exploring design & testing for clothing longevity. In: The Emperor's New Clothes Conference, Leeds University, Leeds, 8 September 2016.

MILES, G., 2016. Documentum. {Poem 88}, Atlanta, Georgia, 20 February - 26 March 2016.

MILES, G., 2016. East Meets West 2.0. QUAD Extra Gallery Spaces, Derby, 2 July – 4 September 2016.

MILES, G., 2016. East Meets West 2.0. Format and Grain at The Waterhall, Birmingham Museum & Art Gallery, 6 October 2016 - 6 January 2017.

MILES, G., 2016. [Photographs]. In: S. SHORE, W. BOLING, D. KIM, D. CAMPANY and C. RHODES, eds., Documentum. Volume 1, issue 1. Atlanta: Fall Line Press. ISBN 9780979937958

MILLSPAUGH, J. and KENT, A., 2016. Co-creation and the development of SME designer fashion enterprises. Journal of Fashion Marketing and Management: An International Journal, 20 (3), pp. 322-338. ISSN 1361-2026

MOSSINKOFF, M. and KENT, A., 2016. Towards a common space for research in fashion. In: D. HIGGINS and V. DHUPA, eds., In This Place: Cumulus Association Biannual International Conference: conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE, pp. 92-97. ISBN 9780992887810

O

ODDEY, A., 2016. Fashion performativity: exploring well-being in site-specific spaces. In: Fashion Continuum, Nottingham Contemporary, Nottingham, 22 April 2016.

ODDEY, A., 2016. Fashion/costume/dress: performing women. In: Costume Society Conference: Fashion and Democracy?, Whitworth Gallery, Manchester, 8-10 July 2016.

ODDEY, A., 2016. Scene [co-editor]. Bristol: Intellect Books.

ODDEY, A., 2016. Scene [co-editor]. Bristol: Intellect Books.

ODDEY, A., 2016. A gift for Eleonora. Chatsworth Festival – Art Out Loud 2016, Chatsworth House, Bakewell, Derbyshire, 25 September 2016.

ODDEY, A., 2016. A gift for Eleonora. Private view for the Duke of Devonshire, Chatsworth House, Bakewell, Derbyshire, 23 September 2016.

ODDEY, A., 2016. The threads of a life well lived: beyond the portrait. In: 6th Euroacademia International Conference: Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers, Nice, Côte d’Azur, France, 20-21 May 2016.

ODDEY, A. and WHITE, C., 2016. Dimensions of European wellness: contemporary design and the visions of life and the self: 'The New Apothecary’s Cabinet II', Mind-Body-Spirit. In: 6th Euroacademia International Conference: Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers, Nice, Côte d’Azur, France, 20-21 May 2016.

ODDEY, A. and WHITE, C., 2016. Sounds and spaces leading to heterotopia. Scene, 4 (1), pp. 3-4. ISSN 2044-3714

OXBORROW, L. and CLAXTON, S., 2016. Extending clothing lifetimes: an exploration of design and supply chain challenges. In: P. LLOYD and E. BOHEMIA, eds., Proceedings of DRS 2016: Design + Research + Society - Future-Focused Thinking. 50th Anniversary Conference, Brighton, 27-30 June 2016. London: Design Research Society, pp. 3815-3829.

P

PATEL, A.S., 2016. Declining crafts: looking through a different perspective. In: D. HIGGINS and V. DHUPA, eds., In This Place: Cumulus Association Biannual International Conference: conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE, pp. 292-297. ISBN 9780992887810

PEPPER, A., 2016. Film Free and Easy. Primary, Nottingham, 2 June 2016.

PEPPER, A., 2016. Mid Winter – Love Light. Mid Winter – Love Light, Gallery 286, Earl's Court, London, 11-26 February 2016.

PEPPER, A., 2016. Performing Drawology. Bonington Gallery, School of Art and Design, Nottingham Trent University, Nottingham, 15 January - 12 February 2016.

PEPPER, A., 2016. Spaces of Uncertainty Summer Academy. Württembergischer Kunstverein, Stuttgart, Germany, 5-15 September 2016.

PEPPER, A., 2016. Three - Nine. The Alternative Document, Project Space Plus, University of Lincoln, Lincoln, 12 February – 11 March 2016.

PINCHES, J., 2016. Foreword. In: Degree shows & displaying your creative work. Intellectual property notebook . Nottingham: Nottingham Trent University: Publications, p. 10. ISBN 9780993111235

R

RUMNEY, P., BUTTRESS, J. and KUKSA, I., 2016. Seeing, Doing, Writing: The Write Here Project. SAGE Open, 6 (1), pp. 1-11. ISSN 2158-2440

S

SADKOWSKA, A., TOWNSEND, K. and SISSONS, J., 2016. Fashionable clothing for mature women: an alternative design and small-scale business model. In: BAM Marketing and Retail SIG Event: Sustainability and Ethical Consumption, Surrey Business School, University of Surrey, Guildford, 28 April 2016.

SADKOWSKA, A.M., 2016. Arts-informed interpretative phenomenological analysis: understanding olders men's experiences of ageing through the lens of fashion and clothing. PhD, Nottingham Trent University.

SANDBORG, J. and HIGGINS, D., 2016. In a place like this.

SHERCLIFF, E. and TWIGGER HOLROYD, A., 2016. Making with others: working with textile craft groups as a means of research. Studies in Material Thinking, 14.

SPRAWSON, D., 2016. [Multiple works]. In the Paravent, The Harley Gallery, Worksop, Nottinghamshire, 18 January - 7 February 2016.

STRANGE, E., 2016. [Research residency and exhibition]. New Court Gallery, Burton Road, Repton, Derbyshire, 15 January 2016.

STRATFORD, H. and FISHER, C., 2016. Standardised versions (Rubble). Bloc Projects, Sheffield, 24 March - 14 April 2016.

SWANN, D., 2016. If a pair is two, what is three? Part 1 - In the paravent. The Harley Gallery, Welbeck, Worksop, Nottinghamshire, 18 January – 7 February 2016.

SWANN, D., 2016. In return. Sheffield Institute of Arts Gallery, Sheffield Hallum University, Sheffield, 2-21 February 2016.

SWANN, D., 2016. Making a rock. Primary, Nottingham, 2016.

SWANN, D., 2016. Nottingham Castle Open 2015. Nottingham Castle Museum, Nottingham, 19 September – 8 November 2015.

SWANN, D., 2016. Returns. Bonington Gallery, Nottingham Trent University, Nottingham, 11 February - 4 March 2015.

SWANN, D. and LOCKE, C., 2016. Making a rock. Collectiv National Gallery, Antwerp, Belgium, 18 March - 9 April 2016.

SZESZAK, S., MAN, R., LOVE, A., LANGMACK, G., WHARRAD, H. and DINEEN, R.A., 2016. Animated educational video to prepare children for MRI without sedation: evaluation of the appeal and value. Pediatric Radiology. ISSN 0301-0449

T

TOWNSEND, K., 2016. Closely held secrets: embodied knowledge in digitally crafted textiles. In: N. NIMKULRAT, F. KANE and K. WALTON, eds., Crafting textiles in the digital age. London: Bloomsbury Academic, pp. 189-205. ISBN 9781474286206

TOWNSEND, K. and NIEDDERER, K., 2016. The role of craft in creative innovation: skin, cloth and metal. In: D. HIGGINS and V. DHUPA, eds., In This Place: Cumulus Association Biannual International Conference: conference proceedings, School of Art & Design, Nottingham Trent University, Nottingham, 27 April - 1 May 2016. Nottingham: Nottingham Trent University: CADBE, pp. 174-180. ISBN 9780992887810

TOWNSEND, K., SADKOWSKA, A. and SISSONS, J., 2016. Emotional fit: developing a new fashion design methodology for mature women. In: P. LLOYD and E. BOHEMIA, eds., Proceedings of DRS2016: Design + Research + Society - Future-Focused Thinking Conference, Brighton, 27-30 June 2016. Coventry: Design Research Society, pp. 3521-3537.

TOWNSEND, K., SADKOWSKA, A. and SISSONS, J., 2016. Emotional fit: developing a new fashion design methodology for mature women. In: DRS 2016, Design Research Society 50th Anniversary Conference, Brighton, 27-30 June 2016.

TWIGGER HOLROYD, A., 2016. Amateur craft: history and theory by Stephen Knott. The Journal of Modern Craft, 9 (3), pp. 367-369. ISSN 1749-6772 (Forthcoming)

TWIGGER HOLROYD, A., 2016. Making it mine: personalising clothes at home. Design for Personalisation. In: I. KUKSA and T. FISHER, eds., Design for Personalisation. Routledge. ISBN 978-1472457394

TWIGGER HOLROYD, A., 2016. Perceptions and practices of dress-related leisure: shopping, sorting, making and mending. Annals of Leisure Research, 19 (3), pp. 275-293. ISSN 1174-5398

TWIGGER HOLROYD, A., 2016. Shifting perceptions: the reknit revolution. In: Circular Transitions: A Mistra Future Fashion Conference on Textile Design and the Circular Economy, London, 23-24 November 2016.

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WINFIELD, S. and RICHARDSON, Y., 2016. Designing-in Consumer Identity and Experience via Social Media Representation and Engagement Effects: Contesting Female Body Image and Branding. In: C. MCINTYRE, T.C. MELEWAR and C. DENNIS, eds., Multi-channel marketing, branding and retail design: new challenges and opportunities. Bingley: Emerald, pp. 51-72. ISBN 9781786354563

WRIGHT, P., 2016. Seeing is believing. Or is it?: visual literacy in art & design education. Art Libraries Journal, 41 (1), pp. 32-39. ISSN 0307-4722

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